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The First Ten Years (Joan Baez Album)
''The First Ten Years'' is the second compilation album by Joan Baez, released in October 1970. It rounds up highlights of her first decade with the Vanguard label.Colin Larkin The Encyclopedia of Popular Music 2011- Page 2006 "COMPILATIONS: The First Ten Years (Vanguard 1970), The Ballad Book (Vanguard 1972), The Contemporary ... Hits Greatest And Others (Vanguard 1976), The Best Of Joan Baez (A&M 1977), Spotlight On Joan Baez (Spotlight 1980), " It was her first "official" compilation, and includes material ranging from her early 1960s traditional folk, through her Bob Dylan and Phil Ochs covers, to her later experiments with classical orchestration and country music. Originally released on vinyl as a two-record set, the 1987 CD reissue consolidated the album onto a single disc, omitting five songs. The cover photo was taken by rock photographer Jim Marshall. Inside the original gatefold album on the original vinyl release was a photo montage of images from Baez' career. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Baez
Joan Chandos Baez (, ; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums. Baez is generally regarded as a folk singer, but her music has diversified since the counterculture of the 1960s, counterculture era of the 1960s and encompasses genres such as folk rock, pop, Country music, country, and gospel music. She began her recording career in 1960 and achieved immediate success. Her first three albums, ''Joan Baez (album), Joan Baez'', ''Joan Baez, Vol. 2'' and ''Joan Baez in Concert'', all achieved Music recording sales certification, gold record status. Although a songwriter herself, Baez generally interprets others' work, having recorded many traditional songs and songs written by the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Were A Carpenter (song)
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album '' Tim Hardin 2''. It was one of two songs from that release (the other being "Misty Roses") performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio (in the home of Lenny Bruce). Bobby Darin version The first notable version of "If I Were a Carpenter" was released by Bobby Darin in September 1966. The song was produced by Charles Koppelman and Don Rubin at Darin's insistence. Darin played the acoustic guitar on the recording. Darin took some time to record the song in his recording session, and did not finish the recording until 7 o'clock in the morning. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Think Twice, It's All Right
"Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962 and released the following year on his album '' The Freewheelin' Bob Dylan'' and as the B-side of the single " Blowin' in the Wind". The song has been covered by several other artists, including Waylon Jennings in 1964, Susan Tedeschi, Melanie Safka, Gerard Quintana and Jordi Batiste in Catalan, Emilie-Claire Barlow in her 2010 album '' The Beat Goes On'' and Peter, Paul and Mary, who released it as a single, which reached the Top 10 of the ''Billboard'' Hot 100. Composition In the liner notes to the original release, Nat Hentoff calls the song "a statement that maybe you can say to make yourself feel better ... as if you were talking to yourself". It was written around the time that Suze Rotolo indefinitely prolonged her stay in Italy. The beginning of the melody is based on the public domain traditional song "Who's Gonna Buy Your Chickens When I'm Gone", which was taught to Dylan by folksinger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
With God On Our Side (song)
"With God on Our Side" is a song by Bob Dylan, released as the third track on his 1964 album '' The Times They Are A-Changin'''. Dylan first performed the song during his debut at The Town Hall in New York City on April 12, 1963. Lyrics The lyrics address the tendency of Americans (or many societies) to believe that God will invariably side with them and oppose those with whom they disagree, thus leaving unquestioned the morality of wars fought and atrocities committed by their country. Dylan mentions several historical events, including the slaughter of Native Americans in the nineteenth century, the Spanish–American War, the American Civil War, World Wars I and II, The Holocaust, the Cold War and the betrayal of Jesus Christ by Judas Iscariot. Dylan added an additional verse, written by Aaron Neville, about the Vietnam War for live versions in the 1980s (which was recorded by The Neville Brothers) that ran thus: The words from the song "whether Judas Iscariot had God on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film '' Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. His father was an Italian immigrant. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning"), often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film '' Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Turner
Gil Turner (born Gilbert Strunk; May 6, 1933 – September 23, 1974) was an American folk singer-songwriter, magazine editor, Shakespearean actor, political activist, and for a time, a lay Baptist preacher. Turner was a prominent figure in the Greenwich Village scene of the early 1960s, where he was master of ceremonies at New York City's leading folk music venue, Gerde's Folk City, as well as co-editor of the protest song magazine '' Broadside''. He also wrote for ''Sing Out!'', the quarterly folk music journal. Turner was a founding member of The New World Singers in 1962 with Happy Traum and Bob Cohen. His most notable musical credit, however, was his association with Bob Dylan's "Blowin' in the Wind". He was both the first person to perform the song – at Gerde's on April 16, 1962, the night Dylan completed it – and with The New World Singers, the first to record it. Turner wrote more than 100 songs. His best known include " Benny 'Kid' Paret", a protest song about a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Hamilton
"Mary Hamilton", or "The Fower Maries" ("The Four Marys"), is a common name for a well-known sixteenth-century ballad from Scotland based on an apparently fictional incident about a lady-in-waiting to a Queen of Scotland. It is Child Ballads, Child Ballad 173 and Roud Folk Song Index, Roud 79. In all versions of the song, Mary Hamilton is a lady-in-waiting, personal attendant to the Queen of Scots, but precisely which queen is not specified. She becomes pregnant by the Queen's husband, the King of Scots, which results in the birth of a baby. Mary kills the infant – in some versions by casting it out to sea or drowning, and in others by Hypothermia, exposure. The crime is seen and she is convicted. The ballad recounts Mary's thoughts about her life and her impending death in a first-person narrative. Versions of the ballad have been recorded by a number of artists, including Joan Baez, The Corries, and Cogli la prima mela, Angelo Branduardi. Sources of the ballad Most versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Ain't Goin' Nowhere
"You Ain't Goin' Nowhere" is a song written by the American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident. A recording of Dylan performing the song in September 1971 was released on the '' Bob Dylan's Greatest Hits Vol. II'' album in November of that year, marking the first official release of the song by its author. Earlier 1967 recordings of the song, performed by Dylan and the Band, were issued on the 1975 album '' The Basement Tapes'' and the 2014 album '' The Bootleg Series Vol. 11: The Basement Tapes Complete''. The Byrds recorded a version of the song in 1968 and issued it as a single. This was the first commercial release of the song, predating Dylan's own release by three years. A later cover by ex-Byrds members Roger McGuinn and Chris Hillman reached the top 10 of the Hot Country Songs charts in 1989. "You Ain't Goin' Nowhere" has also been covered by man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Riley (song)
"John Riley" is a traditional English folk song (Roud #264, Laws N42). It is also known as "Johnny Riley", "The Broken Token" and "A Fair Young Maid All in Her Garden", among other titles. Background The song is derived from Homer's ''Odyssey'', interpreted through the 17th century English folk ballad tradition, and tells the story of a prospective suitor who asks a woman if she will marry him. She replies that she cannot because she is betrothed to John Riley, who has gone away over the seas. The man persists, asking her whether Riley is worth waiting for and suggesting that he may have drowned, been killed in war, or married another woman. She steadfastly maintains that she will continue to wait for Riley, regardless of his possible fate. In the last stanza, the suitor reveals that he is in fact John Riley, returned from the seas, and has been testing his beloved. The song's theme, that of the "disguised true lover", has long been a theme in traditional folk ballads and sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will The Circle Be Unbroken?
"Will the Circle Be Unbroken?" is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song is often recorded unattributed and, because of its age, has lapsed into the public domain. Most of the chorus appears in the later songs " Can the Circle Be Unbroken" and " Daddy Sang Bass". Lyrics :There are loved ones in the gloryHabershon, Ada R., and Gabriel, Charles H. (1907) nd. Pub. 1910 "Will the Circle Be Unbroken". In Alexander, Charles M. comp. ''Alexander's Gospel Songs No. 2''. Fleming H. Revell Company, New Yorkp. 33, song 28./ref> :Whose dear forms you often miss. :When you close your earthly story, :Will you join them in their bliss? : :Will the circle be unbroken :By and by, by and by? :Is a better home awaiting :In the sky, in the sky? :In the joyous days of childhood :Oft they told of wondrous love :Pointed to the dying Saviour; :Now they dwell with Him above. :You remember songs of heaven :Which you sang with childish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There But For Fortune (song)
"There but for Fortune" is a song by American folk musician Phil Ochs. Ochs wrote the song in 1963 and recorded it twice, for ''New Folks Volume 2'' (Vanguard, 1964) and '' Phil Ochs in Concert'' ( Elektra, 1966). Joan Baez also recorded "There but for Fortune" in 1964, and her version of the song became a chart hit. The song "There but for Fortune" consists of four verses, each one of which ends with the line "there but for fortune may go you or I". The first verse is about a prisoner. The second verse describes a hobo. The third verse is about a drunk who stumbles out of a bar. The final verse describes a country that has been bombed. One of Ochs' biographers wrote that, "of all the songs that Phil would ever write, none would show his humanity as brilliantly as the four brief verses of 'There but for Fortune'". The song's title was used as the name of the 1989 compilation album '' There but for Fortune'', which featured material taken from three albums Ochs recorded for Elek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
