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The Finer Things (Steve Winwood Album)
''The Finer Things'' is a compilation album box set of recordings by Steve Winwood. It includes songs from his early days with The Spencer Davis Group through Traffic and Blind Faith and into his work during his solo career. Track listing Disc one # "Dimples" - Spencer Davis Group # "I Can't Stand It" - Spencer Davis Group # " Every Little Bit Hurts" - Spencer Davis Group # "Strong Love" - Spencer Davis Group # "Keep on Running" - Spencer Davis Group # " Somebody Help Me" - Spencer Davis Group # " When I Come Home" - Spencer Davis Group # "I Want to Know" - Eric Clapton and the Powerhouse # " Crossroads" - Eric Clapton and the Powerhouse # "Gimme Some Lovin'" - Spencer Davis Group # " I'm a Man" - Spencer Davis Group # "Paper Sun" - Traffic # "Dealer" - Traffic # "Coloured Rain" - Traffic # "No Face, No Name, No Number" - Traffic # "Heaven Is in Your Mind" - Traffic # "Smiling Phases" - Traffic # " Dear Mr. Fantasy" - Traffic # "Pearly Queen" - Traffic # " (Roamin' Thro' the Gloam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a guitarist, keyboard player, and vocalist prominent for his distinctive Soul music, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, bass, and saxophone. Winwood achieved fame during the 1960s and 1970s as an integral member of three successful bands: the Spencer Davis Group (1964–1967), Traffic (band), Traffic (1967–1969 and 1970–1974), and Blind Faith (1969). During the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie (Steve Winwood song), Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles (Steve Winwood album), Chronicles''). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keep On Running
"Keep On Running" is a song written and first recorded by Jackie Edwards. It became a hit in the UK for The Spencer Davis Group; their version reached number one in the charts. Recordings "Keep On Running" was written by Jamaican singer-songwriter Jackie Edwards, who as well as having been a singer, worked in the UK for Island Records as a songwriter.Colin Larkin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, The song was recorded by Edwards for his album ''Come on Home'', released in 1965, and he recorded it again in the mid-1970s for his album ''Do You Believe in Love''. The Spencer Davis Group version The song was recorded by the Spencer Davis Group and released as a single in November 1965 on Fontana Records, backed with "High Time Baby".Strong, Martin C. (2002). ''The Great Rock Discography''. Canongate. . p. 265 At the time, Chris Blackwell, who produced the recording, was trying to establish his Island label in the UK and was managing the Spencer Davis Grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stomu Yamashta
Stomu Yamashta (or Yamash'ta), born , is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s. In the latter part of the 1970s, he led the supergroup Go with Steve Winwood, Al Di Meola, Klaus Schulze, and Michael Shrieve. Biography Yamash'ta was born in Kyoto, Japan on 15 March 1947. He entered to study at the Kyoto Academy of Music in 1960. His father was the director of the Kyoto Philharmonic, and he became a percussionist in the orchestra when he was 13. He studied music at Kyoto University, Juilliard School of Music, and Berklee College of Music, and has also lectured in music. His innovation and acrobatic drumming style earned him many accolades. In the 1960s he performed with Thor Johnson, Toru Takemitsu, and Hans Werner Henze amongst others. He changed his name from Tsutomu Yamashita to the phonetic Stomu Yamash'ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remi Kabaka
Remi Kabaka (born 27 March 1945) is a Nigerian Afro-rock avant-garde drummer. He worked with John Martyn, Hugh Masekela, on '' Rhythm of the Saints'' by Paul Simon, and '' Short Cut Draw Blood'' by Jim Capaldi. He was also an important figure in the 1970s afro-jazz scene, composing the music to the film ''Black Goddess''. Remi is the father of artist and musician Remi Kabaka Jr, who is the drummer and producer of the virtual rock group Gorillaz. Discography * 1973: ''Aiye-Keta'' (with Steve Winwood Stephen Lawrence Winwood (born 12 May 1948) is an English musician and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a guitarist, keyboard player, and vocalist prominent for his dis ... and Abdul Lasisi Amao, as Third World) * 1980: ''Roots Funkadelia'' (Polydor) * 1983: ''Great Nation'' (R.A.K.) * 2024: ''Mystic Souls'' appears as a guest with The Jazz Messiahs track #4, #5, #6, #7, #8) (Soulitude Records) JM S-1205- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Low Spark Of High Heeled Boys (song)
"The Low Spark of High Heeled Boys" is the title track from the 1971 album by British rock band Traffic, written by Jim Capaldi and Steve Winwood. Despite never being released as a single due to its long duration, it became a staple of North American AOR-format FM radio stations in the 1970s and still receives airplay on classic rock radio today. Lyrics and composition The title refers to an inscription written by American actor Michael J. Pollard in Jim Capaldi's notebook while they were both in Morocco. Capaldi and Pollard were planning to work on a movie that was never filmed. Capaldi said: :Pollard and I would sit around writing lyrics all day, talking about Bob Dylan and The Band, thinking up ridiculous plots for the movie. Before I left Morocco, Pollard wrote in my book 'The Low Spark of High Heeled Boys'. For me, it summed him up. He had this tremendous rebel attitude. He walked around in his cowboy boots, his leather jacket. At the time he was a heavy little dude. It se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barleycorn
"John Barleycorn" is an England, English and Scotland, Scottish folk song. The song's protagonist is John Barleycorn, a personification of barley and of the beer made from it. In the song, he suffers indignities, attacks, and death that correspond to the various stages of barley cultivation, such as Reaper#Hand reaping, reaping and malting. The song may have its origins in ancient English folklore, English or Scottish folklore, with written evidence of the song dating it at least as far back as the Elizabethan era. It is listed as List of folk songs by Roud number, number 164 in the Roud Folk Song Index. The oldest versions are Scottish and include the Scots language, Scots poem "Quhy Sowld Nocht Allane Honorit Be". In 1782, the Scottish poet Robert Burns published his own version of the song, which influenced subsequent versions. The song survived into the twentieth century in the oral folk tradition, primarily in England, and many popular folk revival artists have recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can't Find My Way Home
"Can't Find My Way Home" is a song written by Steve Winwood that was first released by Blind Faith on their 1969 album ''Blind Faith''. The song was also issued as a single B-side in some countries in 1969 and as an A-side, on the RSO label in the United States, in 1977. Origin and meaning Winwood appears to have never spoken publicly about the origin or meaning of the song. He has said that "When I write a song, I don't like to have to explain it afterwards. To me, it's like telling a joke, then having to explain it. The explanation doesn't add to the song at all." Winwood was 21 or younger when he wrote the song. Personnel * Steve Winwood – vocals, guitars, keyboards * Eric Clapton – guitars * Ric Grech – bass guitar * Ginger Baker – drums, percussion Reception ''Rolling Stone'', in a review of the album, noted that the song featured "Ginger Baker's highly innovative percussion" and judged the lyric "...I'm wasted and I can't find my way home" to be "delightf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dear Mr
Dear(s) or The Dears may refer to: Manga * ''Dear'' (manga), a 2002–2007 Japanese manga series by Cocoa Fujiwara * '' DearS'', a 2002–2005 Japanese manga series by Peach-Pit, and a 2004 anime series and visual novel *'' Dear+'', a Japanese manga magazine Music * Dears (band), a Taiwanese duo * The Dears, a Canadian rock band * ''Dear'' (Apink album) or the title song, "Dear (Whisper)", 2016 * ''Dear'' (Boris album) or the title song, 2017 * ''Dear'' (Hey! Say! JUMP album) or the title song, 2016 * ''Dear'' (Shion Miyawaki album), 2008 * "Dear" (Mika Nakashima song), 2011 * "Dear" (Vivid song), 2009 *''Dear.'', a 2018 EP by Cavetown Other uses * Dear (film) * Dear (surname) * Duearity, a Swedish medtech company which trades on Nasdaq First North under ticker symbol DEAR * Drop Everything And Read, a school-based sustained silent reading program See also * Dear... (other) * '' Dear Dear'', a 1992 album by 54-40 * Deer (other) * Salutation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A Man (Spencer Davis Group Song)
"I'm a Man" is a song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group; Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively. It has been recorded by many other performers over the years, most successfully by Chicago, whose version charted at No. 8 in the UK in 1970 and No. 49 in the US in 1971. Original song The original recording was a Hammond organ-driven blues rock track released as a single by the Spencer Davis Group in early 1967, reaching No. 9 in the UK Singles Chart. In the US, it peaked at No. 10 in the US ''Billboard'' Hot 100, as well as No. 48 in the magazine's Top Selling R&B Singles. It was the last hit single by the band before the brothers Steve and Muff Winwood left to pursue their own separate careers. The song is included on the band's 1967 album, ''I'm a Man''. Chicago version Chicago (then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gimme Some Lovin'
"Gimme Some Lovin" is a song first recorded by the Spencer Davis Group. Released as a single in 1966, it reached the Top 10 of the record charts in several countries. Later, ''Rolling Stone'' included the song on its list of the 500 Greatest Songs. Other artists have also recorded versions of the song; group singer Steve Winwood later recorded it live with Traffic and a rendition by the Blues Brothers reached number 18 on the main US singles chart. Background As recalled by bassist Muff Winwood, the song was conceived, arranged, and rehearsed in just half an hour. At the time, the group was under pressure to come up with another hit, following the relatively poor showing of their previous single, " When I Come Home", written by Jamaican-born musician Jackie Edwards, who had also penned their earlier number one hits, " Keep On Running" and " Somebody Help Me". The band auditioned and rejected other songs Edwards offered them, and they let the matter slide until, with a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossroad Blues
"Cross Road Blues" (commonly known as "Crossroads") is a song written by the American blues artist Robert Johnson. He performed it solo with his vocal and acoustic slide guitar in the Delta blues style. The song has become part of the Robert Johnson mythology as referring to the place where he sold his soul to the Devil in exchange for musical genius. This is based largely on folklore of the American South that identifies a crossroads as the site where Faustian bargains can be made, as the lyrics do not contain any references to Satan. "Cross Road Blues" may have been in Johnson's repertoire since 1932 and, on November 27, 1936, he recorded two takes of the song. One was released in 1937 as a single that was heard mainly in the Mississippi Delta area. The second, which reached a wider audience, was included on ''King of the Delta Blues Singers'', a compilation album of some of Johnson's songs released in 1961 during the American folk music revival. Over the years, sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
