The Essential Collection (Muddy Waters Album)
''The Essential Collection'' is a 20-song compilation of the music of Muddy Waters, spanning work from 1950 through to 1972. The album, released in 2000 by Universal Music Group's Spectrum Records, complements much of his original work with many songs that went on to become classics of the British Invasion when used by other artists. Track listing # "Got My Mojo Working" - 2:53 (Preston Foster, Muddy Waters) # "Long Distance Call" - 2:41 (Jerry Livingston, Carl Lampl and Al Hoffman) # " Close to You" - 3:14 ( Willie Dixon) # "I'm Your Hoochie Coochie Man" - 4:51 (Dixon) # "She Moves Me" - 2:59 (Waters) # "Baby Please Don't Go" - 3:16 (Waters) # "Mad Love (I Want You to Love Me)" - 3:04 (Dixon) # " I'm Ready" - 3:03 (Dixon, Waters) # " I Just Want to Make Love to You" - 2:51 (Dixon) # "I Live the Life I Love, I Love the Life I Live" - 2:54 (Dixon) # "She's All Right" - 2:30 # "Mannish Boy" - 3:49 (Bo Diddley, Mel London, Waters) # "Young-Fashioned Ways" - 3:01 (Dixon) # "I Want t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post- war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I'm Your Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio versi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rollin' Stone (Muddy Waters Song)
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a variety of artists. Earlier songs In 1928, Jim Jackson recorded "Kansas City Blues Parts 3 and 4", a follow-up to his highly successful " Jim Jackson's Kansas City Blues Parts 1 and 2". Jackson's lyrics included: Several other early songs also explored variations on the catfish and/or fishing theme. In 1941, Tommy McClennan and his sometime partner Robert Petway each recorded versions of the song. Petway's was the first to be titled "Catfish Blues" and is sometimes cited as the basis for Muddy Waters' "Rollin' Stone". However, according to one biographer "They'd been singing "Catfish Blues" for years in the Delta, but it never soun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Forty Days And Forty Nights
40 (forty) is the natural number following 39 and preceding 41. Though the word is related to "four" (4), the spelling "forty" replaced "fourty" in the course of the 17th century and is now the standard form. In mathematics *Forty is a composite number, a refactorable number, an octagonal number, and—as the sum of the first four pentagonal numbers: 1 + 5 + 12 + 22 =40—it is a pentagonal pyramidal number. Adding up some subsets of its divisors (e.g., 1, 4, 5, 10, and 20) gives 40; hence, 40 is a semiperfect number. *Given 40, the Mertens function returns 0. 40 is the smallest number with exactly nine solutions to the equation Euler's totient function \varphi (x)=n. *Forty is the number of -queens problem solutions for n=7. *Forty is a repdigit in ternary (1111, ''i.e.'', 3^ + 3^ + 3^ + 3^, or, in other words, \frac ) and a Harshad number in decimal. In science *The atomic number of zirconium. *Negative forty is the unique temperature at which the Fahrenheit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and "Mannish Boy, Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five-accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early li ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mannish Boy
"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's " I'm a Man", which was in turn inspired by Waters' and Willie Dixon's " Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song. Although the song contains sexual boasting, its repetition of "I'm a man, I spell M, A child, N" was understood as political. Waters had recently left the South for Chicago. "Growing up in the South, African-Americans ouldnever be referred to as a manbut as 'boy'. In this context, the song san assertion of black manhood." Recordings and releases Waters recorded the song in Chicago on May 24, 1955. It is his only recording between January 1953 and June 1957 that did not feature Little Walter on harmonica (who was on tour su ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I'm Ready (Muddy Waters Song)
"I'm Ready" is a blues song written by Willie Dixon and first recorded by Muddy Waters in 1954. It was a hit, spending nine weeks on the ''Billboard'' R&B chart where it reached number four. The song became a blues standard and has been compared to "Hoochie Coochie Man", the standard also written by Dixon that Waters recorded earlier in 1954. Composition and recording "I'm Ready" was inspired by a comment by Muddy Waters prior to a gig, when harmonica player Willie Foster visited him at home. As Foster recalled, Dixon proceeded to write a song and "I'm Ready" was completed within about three days. The lyrics continue the use of swagger and supernatural imagery found in Dixon's "Hoochie Coochie Man", which Waters recorded in January 1954: In addition to the lyrical theme, "I'm Ready" incorporates a stop-time sixteen-bar structure analogous to "Hoochie Coochie Man". The song was recorded September 1, 1954, by Waters on vocal and guitar, accompanied by Little Walter on c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baby Please Don't Go
An infant or baby is the very young offspring of human beings. ''Infant'' (from the Latin word ''infans'', meaning 'unable to speak' or 'speechless') is a formal or specialised synonym for the common term ''baby''. The terms may also be used to refer to juveniles of other organisms. A newborn is, in colloquial use, an infant who is only hours, days, or up to one month old. In medical contexts, a newborn or neonate (from Latin, ''neonatus'', newborn) is an infant in the first 28 days after birth; the term applies to premature, full term, and postmature infants. Before birth, the offspring is called a fetus. The term ''infant'' is typically applied to very young children under one year of age; however, definitions may vary and may include children up to two years of age. When a human child learns to walk, they are called a toddler instead. Other uses In British English, an ''infant school'' is for children aged between four and seven. As a legal term, ''infancy'' is more lik ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and were ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |