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The Economy Of Sound
''The Economy of Sound'' is the fifth studio album by American post-grunge band Seven Mary Three. It was released on , 2001, on Mammoth Records. The album peaked at #178 on the ''Billboard'' 200 on June 23, 2001. The album's ''Billboard''-charting singles were "Wait" (#7 on Hot Mainstream Rock Tracks and #21 on Hot Modern Rock Tracks) and "Sleepwalking" (#39 on Hot Mainstream Rock Tracks). Billboard.com - Artist Chart History - Seven Mary Three/ref> Critical reception ''The Encyclopedia of Popular Music'' wrote that the album "jettisoned the vestiges of the band's grunge sound in favour of crowd pleasing hard rock." Track listing All songs written by Jason Ross, except where noted. Album credits * Jason Ross – lead vocals, rhythm guitar * Thomas Juliano – lead guitar, backing vocals * Casey Daniel – bass * Giti Khalsa – drums * Kevin McKendree – keyboards * Eric Gardner – percussion Production *Producers: Jason Ross, Tom Morris, and Neal Avron *Engineering: To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Mary Three
Seven Mary Three (occasionally abbreviated to 7 Mary 3 or 7M3) is an American rock band. They released seven studio albums and one live album, and are best known for their hit single " Cumbersome". Career Formation Seven Mary Three formed in 1992 when Jason Ross and Jason Pollock met while attending The College of William & Mary in Williamsburg, Virginia. Ross and Pollock split songwriting duties with Ross on lead vocals and rhythm guitar and Pollock on lead guitar and backing vocals. Bassist Casey Daniel and drummer Giti Khalsa joined the two, and the band began playing in coffeehouses and clubs. Origin of group name Guitarist Jason Pollock revealed in ''The Cavalier Daily'' that they came up with the name while watching the 1970s TV series ''CHiPs''. '7 Mary 3' was the call sign for Officer Jon Baker, played by actor Larry Wilcox. (7M3: police radio call sign; 7 designates the patrol beat, M for Mary designates that he is a motorcycle unit and 3 is his unit number.) Polloc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Mary Three Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has symbolic associations in religion, mythology, superstition and philosophy. The seven classical planets resulted in seven being the number of days in a week. 7 is often considered lucky in Western culture and is often seen as highly symbolic. Evolution of the Arabic digit For early Brahmi numerals, 7 was written more or less in one stroke as a curve that looks like an uppercase vertically inverted (ᒉ). The western Arab peoples' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arab peoples developed the digit from a form that looked something like 6 to one that looked like an uppercase V. Both modern Arab forms influenced the European form, a two-stroke form consisting of a ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Albums
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Lord-Alge
Chris Lord-Alge is an American mix engineer. He is the brother of both Tom Lord-Alge and Jeff Lord-Alge, both of whom are also audio engineers. Chris and Tom are known for their abundant use of dynamic range compression for molding mixes that play well on small loudspeaker and FM broadcasting. Lord-Alge frequently collaborates with Howard Benson, who has produced the plurality of his mix discography. Career Lord-Alge worked at Unique Recording Studios in New York City in the 1980s. While there, he earned recognition for mixing James Brown's ''Gravity'' album (which included the hit song " Living in America"), the ''Rocky IV'' soundtrack, Prince's ''Batman'' soundtrack, Joe Cocker's '' Unchain My Heart'' album, Chaka Khan's ''Destiny'' album, Carly Simon's '' Coming Around Again'' album, Tina Turner's '' Foreign Affair'' album and 12" remixes of Madonna's " La Isla Bonita", the Rolling Stones' " Too Much Blood", and Bruce Springsteen's " Dancing in the Dark", " Cover Me", a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kevin McKendree
Kevin Yates McKendree (born April 27, 1969) is an American electric blues pianist, keyboardist, guitarist, singer, and songwriter. In addition to having a lengthy and varied career as a session musician, McKendree has released two solo albums. Life and career Born Kevin Yates McKendree, in Nuremberg, Germany, he is a self-taught pianist and guitarist, initially utilizing the playing of Little Richard, Ray Charles and B.B. King as inspiration. When he was 17, he became a professional musician and worked around the Washington, D.C. area playing alongside Big Joe Maher, Tom Principato, Bob Margolin and Mark Wenner. However, he also worked as a piano salesman to supplement his income. He relocated to Nashville, Tennessee, Nashville in 1995, and secured a job backing Lee Roy Parnell as part of his band known as the Hot Links. McKendree co-wrote and co-produced the instrumental track "Mama, Screw Your Wig On Tight," which appeared on Parnell's 1997 album, ''Every Night's a Saturday Nigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wait (Seven Mary Three Song)
"Wait" is a song by Seven Mary Three and the lead single from their fifth studio album, ''The Economy of Sound'', released on June 5, 2001. It also served as the English lead single to the ''Crazy/Beautiful'' film soundtrack released three weeks later ( La Ley's " Every Time/Siempre" was its Spanish lead single). "Wait" has since become one of the band's most popular songs, having reached #7 on Billboard's Mainstream Rock Tracks. It also entered radio as the #1 Most Added record of the format in its first two weeks. Overview Stylistically, "Wait" is a slight detour from Seven Mary Three's early post-grunge hits. Its chorus features wailing vocals in an upbeat melody reminiscent of the 1970 hit " Signs." Characteristic of many Seven Mary Three singles, its mid-tempo verses also feature prominent guitar harmonics and a softness that builds into the aggressive and vibrant chorus. Lyrically, "Wait" deals with the realization of time wasted, taking life's luxuries for granted, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Modern Rock Tracks
Alternative Airplay (formerly known as Modern Rock Tracks between 1988 and 2009, and Alternative Songs between 2009 and 2020) is a music chart published in the American magazine ''Billboard'' since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Mainstream Rock Tracks
Mainstream Rock is a music chart published by '' Billboard'' magazine that ranks the most-played songs on mainstream rock radio stations in the United States. It is an administrative category that combines the " active rock" and " heritage rock" formats. The chart was launched in March 1981 as Rock Albums & Top Tracks. The name changed multiple times afterwards: first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996. The first number-one song on this chart was " I Can't Stand It" by Eric Clapton on March 21, 1981. History The "Rock Albums & Top Tracks" charts were introduced in the issue of ''Billboard'' that the parent company published on March 21, 1981.Joel Whitburn. ''Joel Whitburn Presents Rock Tracks 1981–2008.'' Hal Leonard Corporation, 2008p. 6. The 50-slot based and 60-slot based positional charts ranked airplay on album rock type radio stations in the United States. Because album-oriented rock stations often focused on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007 – 4 January 2008. It is published by the Oxford University Press and was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
