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The Crow And The Snake
The Crow or Raven and the Snake or Serpent is one of Aesop's Fables and numbered 128 in the Perry Index. Alternative Greek versions exist and two of these were adopted during the European Renaissance. The fable is not to be confused with the story of this title in the ''Panchatantra'', which is completely different. Alternative Greek versions In ancient times the fable is found only in Greek sources and concerns a crow in search of food that finds a snake asleep in the sun. But when the crow seizes her, the snake kills it with her sting. The story's moral is that good fortune may not be all that it seems. An alternative fable concerning a raven and a scorpion is included as a poem by Archias of Mytilene in the Greek Anthology. The story is much the same but the moral drawn is that the biter shall be bit. Another epigram by Antipater of Thessalonica, dating from the first century BCE, has an eagle carry off an octopus sunning itself on a rock, only to be entangled in its tentacles a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesop's Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Justice
Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature, it is often accompanied by an ironic twist of fate related to the character's own action, hence the name poetic irony. Etymology English drama critic Thomas Rymer coined the phrase in ''The Tragedies of the Last Age Consider'd'' (1678) to describe how a work should inspire proper moral behaviour in its audience by illustrating the triumph of good over evil. The demand for poetic justice is consistent in Classical authorities and shows up in Horace, Plutarch, and Quintillian, so Rymer's phrasing is a reflection of a commonplace. Philip Sidney, in '' The Defence of Poesy'' (1595) argued that poetic justice was, in fact, the reason that fiction should be allowed in a civilized nation. History Notably, poetic justice does not merely require that vice be punished and virtue rewarded, but also that logic triumph. If, for example, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proverbs
A proverb (from la, proverbium) is a simple and insightful, traditional saying that expresses a perceived truth based on common sense or experience. Proverbs are often metaphorical and use formulaic language. A proverbial phrase or a proverbial expression is a type of a conventional saying similar to proverbs and transmitted by oral tradition. The difference is that a proverb is a fixed expression, while a proverbial phrase permits alterations to fit the grammar of the context. Collectively, they form a genre of folklore. Some proverbs exist in more than one language because people borrow them from languages and cultures with which they are in contact. In the West, the Bible (including, but not limited to the Book of Proverbs) and medieval Latin (aided by the work of Erasmus) have played a considerable role in distributing proverbs. Not all Biblical proverbs, however, were distributed to the same extent: one scholar has gathered evidence to show that cultures in which the Bible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Bewick
Thomas Bewick (c. 11 August 17538 November 1828) was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in ''A History of Quadrupeds''. His career began when he was apprenticed to engraver Ralph Beilby in Newcastle upon Tyne. He became a partner in the business and eventually took it over. Apprentices whom Bewick trained include John Anderson, Luke Clennell, and William Harvey, who in their turn became well known as painters and engravers. Bewick is best known for his '' A History of British Birds'', which is admired today mainly for its wood engravings, especially the small, sharply observed, and often humorous vignettes known as tail-pieces. The book was the forerunner of all modern field guides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Croxall
Samuel Croxall (c. 1690 – 1752) was an Anglican churchman, writer and translator, particularly noted for his edition of Aesop's Fables. Early career Samuel Croxall was born in Walton on Thames, where his father (also called Samuel) was vicar. He was educated at Eton and at St John's College, Cambridge, where he took his B.A. in 1711 and entered holy orders. Soon after graduating he began to emerge as a political pamphleteer, taking the Whig side on the question of the Hanoverian succession. In 1713 he published ''An original canto of Spencer: design'd as part of his Faerie Queene, but never printed'', followed next year by ''Another original canto of Spencer''. Croxall's satirical target was the Tory politician of the day, Robert Harley, Earl of Oxford, and the choice of poetical model was also politically motivated. In 1706 the Whig turncoat Matthew Prior had used the Spenserian stanza in ''An Ode, Humbly to the Queen'' on the conduct of the War of the Spanish Successio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger L'Estrange
Sir Roger L'Estrange (17 December 1616 – 11 December 1704) was an English pamphleteer, author, courtier, and press censor. Throughout his life L'Estrange was frequently mired in controversy and acted as a staunch ideological defender of King Charles II's regime during the Restoration era. His works played a key role in the emergence of a distinct 'Tory' bloc during the Exclusion Crisis of 1679-81. Perhaps his best known polemical pamphlet was ''An Account of the Growth of Knavery'', which ruthlessly attacked the parliamentary opposition to Charles II and his successor James, Duke of York (later King James II), placing them as fanatics who misused contemporary popular Anti-Catholicism in the United Kingdom, anti-Catholic sentiment to attack the Restoration court and the existing social order in order to pursue their own political ends. Following the Exclusion Crisis and the failure of the nascent Whigs (British political party), Whig faction to disinherit James, Duke of York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Antoine De Baïf
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Latin Language
New Latin (also called Neo-Latin or Modern Latin) is the revival of Literary Latin used in original, scholarly, and scientific works since about 1500. Modern scholarly and technical nomenclature, such as in zoological and botanical taxonomy and international scientific vocabulary, draws extensively from New Latin vocabulary, often in the form of classical or neoclassical compounds. New Latin includes extensive new word formation. As a language for full expression in prose or poetry, however, it is often distinguished from its successor, Contemporary Latin. Extent Classicists use the term "Neo-Latin" to describe the Latin that developed in Renaissance Italy as a result of renewed interest in classical civilization in the 14th and 15th centuries. Neo-Latin also describes the use of the Latin language for any purpose, scientific or literary, during and after the Renaissance. The beginning of the period cannot be precisely identified; however, the spread of secular education, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriele Faerno
The humanist scholar Gabriele Faerno, also known by his Latin name of Faernus Cremonensis, was born in Cremona about 1510 and died in Rome on 17 November, 1561. He was a scrupulous textual editor and an elegant Latin poet who is best known now for his collection of Aesop's Fables in Latin verse. Life Gabriele Faerno was born in Cremona to Francis Faerno, a local lawyer and scholar. In 1528 he was enrolled at the Collegium Notariorum in his hometown and then entered the service of the Bishop of Cremona. Biographical details for this period are sparse, except that in 1538 he is recorded as following his master on a mission to Barcelona in Spain. At some time in the next decade he was recommended by his sponsors to Rome. The first evidence of his presence in the city is in a letter from Carlo Gualteruzzi to Giovanni Della Casa in October, 1548. At the start of 1549 he began working in the Vatican Library and was brought into contact with many of the scholars and philologists who gravi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aegidius Sadeler
Aegidius Sadeler or Aegidius Sadeler II (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Life Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler. He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries. His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Gheeraerts The Elder
Marcus Gheeraerts the Elder, Marc Gerard and Marcus Garret (c. 1520 – c. 1590) was a Flemish painter, draughtsman, print designer and etcher who was active in his native Flanders and in England. He practised in many genres, including portraits, religious paintings, landscapes and architectural themes. Marcus Gheeraerts (I) at the He designed heraldic designs and decorations for tombs. He is known for his creation of a print depicting a map of his native town Bruges and the illustrations for a Dutch-language publication recounting stories from |
Emblemata
Usually known simply as the ''Emblemata'', the first emblem book appeared in Augsburg (Germany) in 1531 under the title ''Viri Clarissimi D. Andreae Alciati Iurisconsultiss. Mediol. Ad D. Chonradum Peutingerum Augustanum, Iurisconsultum Emblematum Liber''. Produced by the publisher Heinrich Steyner, the unauthorized first print edition was compiled from a manuscript of Latin poems which the Italian jurist Andrea Alciato had dedicated to his friend Conrad Peutinger and circulated to his acquaintances. The 1531 edition was soon followed by a 1534 edition authorized by Alciato: published in Paris by Christian Wechel, this appeared under the title ''Andreae Alciati Emblematum Libellus'' ("''Andrea Alciato's Little Book of Emblems''"). The word "emblemata" is simply the plural of the Greek word "emblema", meaning a piece of inlay or mosaic, or an ornament: in his preface to Peutinger, Alciato describes his emblems as a learned recreation, a pastime for humanists steeped in classical c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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