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The Crossing Of The Red Sea (Sistine Chapel)
The ''Crossing of the Red Sea'' is a fresco executed in 1481–1482 and located in the Sistine Chapel, Vatican City. Of uncertain attribution, it has been assigned to Cosimo Rosselli. It depicts the crossing of the Red Sea by the Israelites, from chapter 14 of the book of Exodus. History On 27 October 1480 several Florentine painters left for Rome, where they had been called as part of the reconciliation project between Lorenzo de' Medici, the ''de facto'' ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as the Spring of 1481, along with Pietro Perugino, who was already there. The theme of the decoration was a parallel between the Stories of Moses and those of Christ, as a sign of continuity between the Old and the New Testament. A continuity also between the divine law of the Tables and the message of Jesus, who, in turn, chose Peter (the first alleged bishop of Rome) as his successor: this would finally result in a leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls. Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence. Biography Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance
The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance, beginning around 1250, is typically accepted. The French word (corresponding to in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanism, Renaissance humanists labelled as the Dark Ages (historiography), "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term ('rebirth') in his ''Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1482 Paintings
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{{Number disambiguation ...
148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD *148 BC, a year in the 2nd century BC *148 (album), an album by C418 *148 (Meiktila) Battery Royal Artillery, a specialist Naval Gunfire Support Forward Observation unit within 29 Commando Regiment Royal Artillery of 3 Commando Brigade Royal Marines *148 (New Jersey bus), a New Jersey Transit bus route *148 Gallia, a main-belt asteroid *Tatra 148, a heavy truck *Fiat 148, a supermini car See also * List of highways numbered 148 The following highways are numbered 148: Argentina * National Route 148 (Argentina), National Route 148 Canada * New Brunswick Route 148 * Ontario Highway 148 * Prince Edward Island Route 148 * Quebec Route 148 Costa Rica * National Route 148 ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winter Park, FL
Winter Park is a city in Orange County, Florida, United States. The population was 29,795 according to the 2020 census. It is part of the Orlando–Kissimmee–Sanford, Florida Metropolitan Statistical Area. Winter Park was founded as a resort community by northern business magnates in the late 19th and early 20th centuries. Its main street, called Park Avenue, is located in the middle of town. It includes civic buildings, retail, art galleries, a private liberal arts college (Rollins College), museums, a park, a train station, a golf course country club, a historic cemetery, and a beach and boat launch. History The Winter Park area's first human residents were migrant Muscogee people who had earlier intermingled with the Choctaw and other indigenous people. In a process of ethnogenesis, the Native Americans formed a new culture which they called "Seminole", a derivative of the Mvskoke' (a Creek language) word simano-li, an adaptation of the Spanish cimarrón which means "wild ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magi Chapel
The Magi Chapel is a chapel in the Palazzo Medici Riccardi of Florence, Italy. Its walls are almost entirely covered by a famous cycle of frescoes by the Renaissance master Benozzo Gozzoli, painted around 1459 for the Medici family, the effective rulers of Florence. Overview The chapel is on the ''piano nobile'' of the palace and was one of the first rooms to be decorated after the completion of the building, designed by Michelozzo. In its original appearance the chapel was perfectly symmetrical and had its entrance through the central door. Inside, the chapel is divided into two juxtaposed squares: a large hall and a raised rectangular apse with an altar and two small lateral sacristies. Begun around 1449–50, the chapel was probably completed around 1459 with the precious ceiling of inlaid wood, painted and generously gilded by Pagno di Lapo Portigiani, Pagno di Lapo Portigiano, according to Michelozzo's design. The latter also designed the flooring of marble mosaic work divid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benozzo Gozzoli
Benozzo Gozzoli (; born Benozzo di Lese; 4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.Ailsa Turner. "Gozzoli, Benozzo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 June 2016 Biography Apprenticeship Gozzoli was born Benozzo di Lese, son of a tailor, in the village of Sant'Ilario a Colombano around 1421. His family moved to nearby Florence in 1427. According to the 16th century Italian biographer Giorgio Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordophone
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam
Miriam (, lit. ‘rebellion’) is described in the Hebrew Bible as the daughter of Amram and Jochebed, and the older sister of Moses and Aaron. She was a prophetess and first appears in the Book of Exodus. The Torah refers to her as "Miriam the Prophetess" and the Talmud names her as one of the seven major female prophets of Israel. Scripture describes her alongside of Moses and Aaron as delivering the Jews from exile in Egypt: "For I brought you up out of the land of Egypt and redeemed you from the house of slavery, and I sent before you Moses, Aaron, and Miriam". According to the Midrash, just as Moses led the men out of Egypt and taught them Torah, so too Miriam led the women and taught them Torah. Biblical narrative Miriam was the daughter of Amram and Jochebed and the sister of Aaron and Moses, the leader of the Israelites in ancient Egypt. The narrative of Moses's infancy in the Torah describes an unnamed sister of Moses observing him being placed in the Nile; she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian Renaissance painter and mathematician from Florence who was notable for his pioneering work on visual Perspective (graphical), perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. Uccello used perspective to create a feeling of depth in his paintings. His best known works are the The Battle of San Romano, three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the International Gothic, Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabernacle Of The Linaioli
The ''Tabernacle of the Linaioli'' (Italian: ''Tabernacolo dei Linaioli'', literally "Tabernacle of the Linen manufacturers") is a marble aedicula designed by Lorenzo Ghiberti, with paintings by Fra Angelico, dating to 1432–1433. It is housed in the National Museum of San Marco, Florence, Italy. History The tabernacle was commissioned for the exterior of the seat of the Linaioli (the guild of linen workers in Florence), in the former Old Market, in the October 1432. The marble parts were executed by Simone di Nanni da Fiesole, under design by Lorenzo Ghiberti. The contract for the internal paintings was signed by Angelico on 2 July 1433, for a total of 190 golden florins. The predella is generally dated to 1433–1435. The work was a large one, comparable only to Cimabue's Santa Trinita Maestà or Duccio di Buoninsegna's '' Rucellai Madonna''. It has been speculated that the marble frame was sized according to a pre-existing painting, which was later replaced by Fra Angelico's, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martyrdom Of St
A martyr (, ''mártys'', 'witness' stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In colloquial usage, the term can also refer to any person who suffers a significant consequence in protest or support of a cause. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an individual by an oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Angelico
Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Penguin Classics, 1965. He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence, then worked in Rome and other cities. All his known work is of religious subjects. He was known to contemporaries as Fra Giovanni da Fiesole ( English: Friar John of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). In modern Italian he is called ''Beato Angelico'' (Blessed Angelic One); the common English name Fra Angelico means the "Angelic friar". In 1982, Pope John Paul II beatified him in recognition of the holiness of his life, thereby making the title of "Blessed" official. Fiesole is sometimes misinterpreted as being part of his formal name, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
