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The Continence Of Scipio (Poussin)
''The Continence of Scipio'' is an oil on canvas painting by Nicolas Poussin, from 1640. It is held in the Pushkin Museum, in Moscow. History It was commissioned by Abbé Gian Maria Roscioli, secretary to Pope Urban VIII. It changed owners several times, reaching the Walpole collection in the first half of the 18th century, from which it was bought for the Hermitage Museum by Catherine the Great in 1779. It was reassigned to the Pushkin Museum in 1930, where it remains. Кузнецова, 1982, с. 169, № 1048; Кузнецова и Шарнова, 2001, с. 200, № 181. The painting is based on the historical continence of Scipio. Description This picture is composed twelve figures, representing the noble Roman, clad in a vesture and a red mantle, seated on an elevation at the side, extending his hand apparently addressing the young Carthaginian, who with his affianced bride is standing before him: the former is bowing, gratefully acknowledging his generosity and justice, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; , from ''gris'' 'grey') means in general any European painting that is painted in grey. History Giotto used grisaille in the lower registers of his frescoes in the Scrovegni Chapel in Padua () and Robert Campin, Jan van Eyck and their successors painted grisaille figures on the outsides of the wings of triptychs, including the ''Ghent Altarpiece''. Originally these were the sides on display for most of the time, as the doors were normally kept closed except on feast days or at the (paid) request of tourists. However, today these images are typically unseen in museums, the triptych displayed in its open state, flat against a wall. In these cases, imitation of sculpture was intended, as sculpture remained more expensive than a painting, even one by an acknowledged master. Limners often produced illuminated manuscripts in pen and watercolour, wash with a very limited colour range, and many artists such as Jean Pucelle (active 1320–1350) and Matthew Paris sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of Scipio Africanus
Culture ( ) is a concept that encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, attitudes, and habits of the individuals in these groups.Tylor, Edward. (1871). ''Primitive Culture''. Vol 1. New York: J. P. Putnam's Son Culture often originates from or is attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Punic War
The Second Punic War (218 to 201 BC) was the second of Punic Wars, three wars fought between Ancient Carthage, Carthage and Roman Republic, Rome, the two main powers of the western Mediterranean Basin, Mediterranean in the 3rd century BC. For 17 years the two states struggled for supremacy, primarily in Roman Italy, Italy and Iberia, but also on the islands of Sicily and Sardinia and, towards the end of the war, in North Africa. After immense materiel and human losses on both sides, the Carthaginians were once again defeated. Macedonia (ancient kingdom), Macedonia, Kingdom of Syracuse, Syracuse and several Numidians, Numidian kingdoms were drawn into the fighting, and Celtiberians, Iberian and Gauls, Gallic forces fought on both sides. There were three main Theater (military), military theatres during the war: Italy, where Hannibal defeated the Roman legions repeatedly, with occasional subsidiary campaigns in Sicily, Sardinia and Greece; Iberia, where Hasdrubal (Barcid), Hasdru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Paintings
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Pushkin Museum
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1640 Paintings
Year 164 ( CLXIV) was a leap year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 ''Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoist (d. 244) * Yu Fan, Chinese scholar and official (d. 233 __NOTOC__ Year 233 ( CCXXXIII) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Nicolas Poussin
This page is a list of paintings by Nicolas Poussin (Les Andelys, Andelys, 15 June 1594 – Rome, 19 November 1665). The attributions vary notably from one art historian to another. Jacques Thuillier, one of the most restrictive, produced a list in 1994 that gave 224 uncontested autograph works and 33 works with minor or major doubts about their attribution to Poussin. Certain attributions have since changed, when paintings thought lost are rediscovered, meaning that this list cannot be considered exhaustive. List This list includes paintings whose locations have been definitely found. The numbers refer to the two last 'catalogues raisonnés' cited in the sources : Thuillier 1994 and Blunt 1966. References Bibliography * * Jacques Thuillier, ''Tout l'œuvre peint de Poussin : Documentation et catalogue raisonné'', Paris, Rizzoli-Flammarion, Les Classique de l'Art series, 1974, 136 p. * Jacques Thuillier, ''Nicolas Poussin'', Paris, Flammarion, 1994, 287 p. () – contai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Kunstpalast
The Kunstpalast, formerly Kunstmuseum Düsseldorf is an art museum in Düsseldorf. History The roots of the museum go back around 300 years. In 1932, the collection of the Kunstakademie Düsseldorf (Academy of Art) was housed in the Kunstmuseum Düsseldorf. This included the exhibits given by the popular regent Jan Wellem, Duke of Palatinate, and his wife Anna Maria Luisa de' Medici, and some rich citizens of Düsseldorf. The academy had been founded in 1710, its collection expanded in the 19th century by the collection of Lambert Krahe. The Düsseldorfer Gallerieverein, founded in the 19th century, collected many drawings of the Düsseldorfer Malerschule, later given to that collection. The Museum for Advanced Arts, whose opening was in 1883, merged with that museum later. The Kunstmuseum in its actual form opened in 1913. Subsequently, the Museumsverein (the Museum Association) and the Künstler-Verein zur Veranstaltung von Kunstausstellungen (the Artists’ Association ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasces
A fasces ( ; ; a , from the Latin word , meaning 'bundle'; ) is a bound bundle of wooden rods, often but not always including an axe (occasionally two axes) with its blade emerging. The fasces is an Italian symbol that had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a King of Rome, Roman king's power to punish his subjects, and later, a magistrate's Power (social and political), power and jurisdiction. The axe has its own separate and older origin. Initially associated with the labrys (; ), the double-Axe#Parts of the axe, bitted axe originally from Crete, is one of the oldest symbols of Greek civilization. The image of fasces has survived in the modern world as a representation of magisterial power, law, and governance. The fasces frequently occurs as a Charge (heraldry), charge in heraldry: it is present on the reverse of the U.S. Mercury dime coin and behind the podium in the United States House of Representatives and in the Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
