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The Consecration Of The House (overture)
''The Consecration of the House'' (), Op. 124, is a work by Ludwig van Beethoven composed in September 1822. It was commissioned by Carl Friedrich Hensler, the Director of Vienna's new Theater in der Josefstadt, and was first performed at the theatre's opening on October 3, 1822. It was the first work Beethoven wrote after his revival of studying the works of J. S. Bach and Handel, and bears their influence. The ''Consecration of the House'' overture was also the first item on the program at Beethoven’s 7 May 1824 concert at Vienna’s Theater am Kärntnertor, where the world premiere of his 9th Symphony took place. Composition history Previously, in 1811, Beethoven had written ''The Ruins of Athens'' (''Die Ruinen von Athen''), Op. 113, incidental music for August von Kotzebue's play of the same name, for the dedication of a new theatre in Pest. This same work was to be performed again in 1822 for the new theatre in Vienna. However, Carl Meisl, the commissioner of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Von Kotzebue
August Friedrich Ferdinand von Kotzebue (, ; – ) was a German playwright, who had also worked as a Russian diplomat. In 1817, one of Kotzebue's books was burned during the Wartburg festival. He was murdered in 1819 by Karl Ludwig Sand, a militant member of the '' Burschenschaften''. This murder gave Metternich the pretext to issue the Carlsbad Decrees of 1819, which dissolved the ''Burschenschaften'', cracked down on the liberal press, and seriously restricted academic freedom in the states of the German Confederation. Life Kotzebue was born on May 3, 1761 in Weimar, Saxe-Weimar, to the respected merchant Kotzebue family and was educated at Wilhelm-Ernst- Gymnasium in Weimar, where his uncle, the writer and critic Johann Karl August Musäus, was among his teachers. In 1776 the young Kotzebue acted alongside Goethe in the latter's play ''Die Geschwister'' when it premiered in Weimar. In 1777, aged sixteen, he enrolled at the University of Jena to study legal science. He c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. * Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Schindler
Anton Felix Schindler (13 June 1795 – 16 January 1864) was an Austrian law clerk and associate, secretary, and early biographer of Ludwig van Beethoven. Life Schindler was born on 13 June 1795 in Medlov. He moved to Vienna in 1813 to study law, and from 1817 to 1822 was a clerk in a law office there. He was a competent, though not exceptional violinist, and played in various musical ensembles, first meeting Beethoven in 1814. He gave up his law career, becoming in 1822 first violinist at the Theater in der Josefstadt, and from 1825 first violinist at the Theater am Kärntnertor. His acquaintance with Beethoven continued, and from 1822, he lived in the composer's house, as his unpaid secretary.Paul Nettl. "Schindler, Anton Felix". ''Beethoven Encyclopedia''. Philosophical Library, New York, 1956. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Meisl
Karl Meisl, or Carl Meisl (30 June 1775 – 8 October 1853) was an accountant in the Imperial Austrian Navy, and a dramatist. Life Meisl was born in Ljubljana (at that time in the Hapsburg Monarchy) in 1775, and was educated there. In 1800 he was appointed ''Fourier'' (a military officer rank); he was promoted to accounting officer and field warfare commissioner, and moved to Vienna. He rose to become accounting adviser in the naval department of the ''Hofkriegsrat''. He retired in 1840; he died in Vienna in 1853 and was buried in . Dramatic works He wrote about 200 pieces for the stage. His first play, ''Carolo Carolina'', appeared in 1802, and his last, ''Die blonden Locken'', in 1844. Together with the dramatists Josef Alois Gleich (1772–1841) and Adolf Bäuerle (1786–1859), he was important during a period in , after the earlier Hanswurst-theatre and before the folk theatre of Ferdinand Raimund and Johann Nestroy. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pest, Hungary
Pest () is the part of Budapest, the capital city of Hungary, that lies on the eastern bank of the Danube. Pest was administratively unified with Buda and Óbuda in 1873; prior to this, it was an independent city. In colloquial Hungarian language, Hungarian, "Pest" is sometimes also used ''pars pro toto'' to refer to Budapest as a whole. Comprising about two-thirds of the city's area, Pest is flatter and much more heavily urbanized than Buda. Many of Budapest's most notable sites are in Pest, including the Inner City (Budapest), Inner City (), the Hungarian Parliament Building, Parliament (''Országház''), the Hungarian State Opera House, Opera, the Great Market Hall, Heroes' Square (Budapest), Heroes' Square, and Andrássy Avenue. Etymology According to Ptolemy the settlement was called ''Pession'' in antiquity (Contra-Aquincum). Alternatively, the name ''Pest'' may have come from a Slavic word meaning "furnace", "oven" (Bulgarian ; Serbian /''peć''; Croatian ''peć''), r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The phrase "incidental music" is from the German ''Inzidenzmusik'', which is defined in the ''Methuen Drama Dictionary of the Theatre'' as "music that is specifically written fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ruins Of Athens
''The Ruins of Athens'' (''Die Ruinen von Athen''), Op. 113, is a set of incidental music pieces written in 1811 by Ludwig van Beethoven. The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new in Pest, Hungary. Perhaps the best-known music from ''The Ruins of Athens'' is the Turkish March. Beethoven had used this material before in his Six Variations on an Original Theme, Op. 76 (1809). In 1822 the play was revived for the reopening of Vienna's Theater in der Josefstadt with a revised libretto by Carl Meisl, for which Beethoven wrote a new overture, now known as ''The Consecration of the House'', Op. 124, and added a chorus ''"Wo sich die Pulse"'' (WoO 98). The music for ''The Ruins of Athens'' was reworked in 1924 by Richard Strauss and Hugo von Hofmannsthal. Another revival with a revision of the text by Johannes Urzidil was conducted by Alexander von Zemlinsky at Prague's ''Neues Deutsches Theater'' in 1926. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
