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The Confessions Of The Green Mask
''The Confessions of the Green Mask'' () is a 1916 German silent film directed by Max Mack and starring Alfred Abel and Reinhold Schünzel. The film's sets were designed by the art director Heinrich Richter. Cast * Alfred Abel *Reinhold Schünzel * Maria Orska *Paul Otto Paul Otto Schlesinger (8 February 1878 – 25 or 30 November 1943) was a German film actor and director. Born in Berlin, he began a qualification as a retail merchant and made his actor's debut at the age of 17. Otto worked at Theaters in ... * References External links * Films of the German Empire German silent feature films Films directed by Max Mack German black-and-white films 1910s German films {{1910s-Germany-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Mack
Max Mack (1884–1973) was a German screenwriter, film producer and director during the silent era. He is particularly known for his 1913 film '' The Other''. He directed, and co-starred in, an early film adaptation of ''Dr. Jekyll and Mr. Hyde'' in 1914, called ''Ein Seltsamer Fall'', written by Richard Oswald. During the 1910s, he directed nearly a hundred films in a variety of different genres.Elsaesser & Wedel p.205 Born as Moritz Myrthenzweig in Halberstadt, the Jewish Mack was later forced to emigrate to escape Nazism, and settled in the United Kingdom. His final film was the 1935 quota quickie '' Be Careful, Mr. Smith''. Selected filmography Director * '' The Other'' (1913) * '' The Blue Mouse'' (1913) * '' Where Is Coletti?'' (1913) * '' A World Without Men'' (1914) * ''Ein Seltsamer Fall'' (1914) A film adaptation of ''Dr. Jekyll and Mr. Hyde'' * '' Robert and Bertram'' (1915) * Adamants letztes Rennen (1916) * ''The Confessions of the Green Mask'' (1916) * ''The Mahar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Director
Art director is a title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, live-action and animated film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Max Mack
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Silent Feature Films
German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also German nationality law **Germanic peoples (Roman era) * German diaspora * German language * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The German Empire
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Otto
Paul Otto Schlesinger (8 February 1878 – 25 or 30 November 1943) was a German film actor and director. Born in Berlin, he began a qualification as a retail merchant and made his actor's debut at the age of 17. Otto worked at Theaters in Halle, Wiesbaden and Hanover before he returned to Berlin about 1906. He first appeared in the silent film ''Ringkampf Konkurrenz'' in 1910 and in ''Arsène Lupin contra Sherlock Holmes'' (1910-11, five episode film serial) next to Viggo Larsen. In 1912 Otto directed his first own film ''Selbstgerichtet''. In the beginning of the 1930s he also appeared in successful Sound movies like '' Der Hauptmann von Köpenick''. After 1933, Otto returned to theaterstages and worked at the Deutsches Theater Berlin and the ''Kammerspiele'' Berlin. In 1937 he was awarded a ''Staatsschauspieler'' - title and in 1942 Joseph Goebbels promoted him to the head of the stagecouncil at the Reichskulturkammer. In September 1943 his Jewish descent was discovered. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Orska
Maria Orska (; ; 16 March 1893 – 16 May 1930) was an important actress of the German theater and cinema in the 1920s. Maria Orska was born as Rachel Blindermann in 1893, of a Jewish family, in a city of Mykolaiv (), not far from Odesa, in what is now Ukraine, at the time a part of Russian Empire. Just before World War I Maria Orska moved to Wien, Hamburg and Berlin in 1915. She spoke fluently German, French, Italian, Russian and Polish. Eldest child of Habrán Moiseyvich Blindermann (Lawyer) and Augusta Frankfurter. In Berlin, Maria Orska worked with Rudolf Bernauer in the Hebbel Theater, Max Reinhardt (theater director), Max Reinhardt and was famous for her parts in theater plays by Strindberg, Frank Wedekind, Wedekind and Luigi Pirandello, Pirandello. She also gained national popularity in Germany for her film parts, although theater was always more important to her. Her first movie ''Dämon und Mensch'' (1915) was produced by Jules Greenbaum, one of the pioneers of the Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Richter
Heinrich Richter (1884–1981) was a German painter and art director.Soister p.122 He designed the sets for more than a hundred films during his career. Selected filmography * '' The Confessions of the Green Mask'' (1916) * '' The Sensational Trial'' (1923) * '' Upstairs and Downstairs'' (1925) * '' Semi-Silk'' (1925) * '' Should We Be Silent?'' (1926) * '' A Crazy Night'' (1927) * '' One Plus One Equals Three'' (1927) * ''Children's Souls Accuse You'' (1927) * '' The Trousers'' (1927) * ''The Girl with the Five Zeros'' (1927) * '' When the Guard Marches'' (1928) * ''The Prince of Rogues'' (1928) * '' The House Without Men'' (1928) * '' Master and Mistress'' (1928) * ''Villa Falconieri'' (1928) * '' Sinful and Sweet'' (1929) * '' The Man Without Love '' (1929) * '' The Call of the North'' (1929) * '' Daughter of the Regiment'' (1929) * '' Come Back, All Is Forgiven'' (1929) * '' Mischievous Miss'' (1930) * '' Morals at Midnight'' (1930) * ''The Man Who Murdered'' (1931) * '' The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berghahn Books
Berghahn Books is a New York and Oxford–based publisher of scholarly books and academic journals in the humanities and social sciences, with a special focus on social and cultural anthropology, European history, politics, and film and media studies. It was founded in 1994 by Marion Berghahn. Books division Every year, Berghahn Books publishes approximately 140 new titles and around 80 paperback editions paperback editions and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice''. Journals division Berghahn Journals currently publishes over 40 journals in those social science and humanities fields that complement its books list. This includes an annual series, ''Advances in Research'', launched in 2013. Its journals have been available online since 2001. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Greenbaum
Jules Greenbaum (5 January 1867 – 1 November 1924) was a German pioneering film producer. He founded the production companies Deutsche Bioscope, Deutsche Vitascope and Greenbaum-Film and was a dominant figure in Cinema of Germany, German cinema in the years before the First World War. He is also known for his early experiments with sound films around twenty years before the success of ''The Jazz Singer'' made them a more established feature of cinema. Early career and Deutsche Bioscope Greenbaum was born in Berlin in 1867 as Julius Grünbaum. He married Emma Karstein in c1887 and moved to Chicago in the United States, where his first son Georg was born 1 November 1889. He worked in the textile industry. On his return to Berlin in 1895 aged around 42, Greenbaum moved into the newly established film business and founded Deutsche Bioscope () in 1899. This name has various contemporary spellings, including Bioscope, Bioskope and Bioskop. Greenbaum acquired a camera in Amsterdam, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films and videos, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (hence, ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In the silent film era, intertitles were mostly called "subtitles", but also "leaders", "Caption (text), captions", "titles", and "headings", prior to being named intertitles, and often had Art Nouveau, Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
