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The Complicated Futility Of Ignorance
''The Complicated Futility of Ignorance'' is the third and final studio album by English rock band Fudge Tunnel, released in September 1994 by Earache Records. The album is notable for being the band's heaviest. Overview ''The Complicated Futility of Ignorance'' is noted for being the heaviest and most extreme album of the band. While being a mostly sludge album, it is also leaning towards groove metal and in particular, the song "Six Eight" is played in a doom metal style. Reception AllMusic's Vincent Jeffries gave the album four stars out of five, and noted the release as being "the best of this group's many fine offerings". ''Trouser Press'' wrote that "as a refined dose of pure musical aggression that grabs, holds and savages ... it’s the band’s most effective". The album won a 1995 NAIRD The American Association of Independent Music (A2IM) is a trade association that represents independent record labels in the United States, founded in 2005. A2IM is headquar ...
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Fudge Tunnel
Fudge Tunnel were an English rock band formed in Nottingham by Alex Newport, David Ryley and Adrian Parkin. They were known for straddling noise rock and metal. History After two singles on Pigboy/ Vinyl Solution Records ("Fudge Tunnel" in 1989, "The Sweet Sound of Excess" in 1990), they signed to Nottingham's Earache Records. Their debut album was '' Hate Songs in E Minor'', which attracted a large amount of press interest, after the original album artwork was confiscated by the Nottingham Vice Squad. Fudge Tunnel's reputation was built around their massive guitar sound and ironic sense of humour, and were popular with the British music press - at least at first. The band's first release was "Single of the Week" in '' NME'' magazine in January 1990, with ''NME'' declaring "Absolutely and totally the best single ever to be released in 1990. Total nine guitar attack-rock". The band undertook several European tours in 1991 and 1992 including support slots with Fugazi, Silv ...
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Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending fro ...
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Alternative Metal
Alternative metal (also known as alt-metal) is a genre of heavy metal music that combines heavy metal with influences from alternative rock and other genres not normally associated with metal. Alternative metal bands are often characterized by heavily downtuned, mid-paced guitar riffs, a mixture of accessible melodic vocals and harsh vocals and sometimes unconventional sounds within other heavy metal styles. The term has been in use since the 1980s, although it came into prominence in the 1990s. Other genres considered part of the alternative metal movement included rap metal and funk metal, both of which influenced another prominent subgenre, nu metal. Nu metal expands the alternative metal sound, combining its vocal stylings and downtuned riffs with elements of other genres, such as hip hop music, hip hop, funk, thrash metal, hardcore punk and industrial metal. Alternative metal began in the 1980s with bands like Faith No More, Living Colour, Soundgarden, and Jane's Add ...
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Groove Metal
Groove metal is a subgenre of heavy metal music that began in the early 1990s. The genre achieved success in the 1990s and continued having success in the 2000s. Inspired by thrash metal and traditional heavy metal, groove metal features raspy singing and screaming, down-tuned guitars, heavy guitar riffs, and syncopated rhythms. Unlike thrash metal, groove metal is usually slower and also uses elements of traditional heavy metal. Pantera are often considered the pioneers of groove metal, and groove metal expanded in the 1990s with bands like White Zombie, Machine Head, and Sepultura. The genre continued in the 2000s with bands like Lamb of God, DevilDriver, and Five Finger Death Punch. Characteristics Groove metal is heavily influenced by thrash metal, but is focused more on heaviness as opposed to speed, even though fast songs are still common within the genre. Emphasis lies in heavy guitar riffs, often accompanied by syncopated rhythms, and guitar solos are commo ...
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Earache Records
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to ''Thrasher'' magazine, as Pearson was a skateboard culture enthusiast. History Earache was founded in 1985 by Digby Pearson who prior to launching the label proper had compiled 'Anglican Scrape Attic', a proto-compilation of early hardcore punk and crossover thrash acts which included Hirax, Lipcream and ...
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Rock Music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk music, folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature using ...
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Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majori ...
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Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending fro ...
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Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal (although keyboards are sometimes used), but its structures are rooted in the same scales as in bl ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ...
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Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional mag ...
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NAIRD
The American Association of Independent Music (A2IM) is a trade association that represents independent record labels in the United States, founded in 2005. A2IM is headquartered in New York City, with chapters located in Nashville, Chicago, Northern California, Southern California, and the Pacific Northwest. Among other events, they organize the annual Libera Awards. The organization was preceded by the National Association of Independent Record Distributors (NAIRD) founded in 1972, which in 1997 changed its name to the Association for Independent Music (AFIM), which dissolved in 2004. History A2IM launched on July 5, 2005. The organization has some 600 independent music label members and over 200 associate members (companies who don't own masters but rely upon, provide services for, or otherwise support independent music labels). A2IM was preceded by the National Association of Independent Record Distributors (NAIRD) founded in 1972. In 1997 it changed its name to the Associati ...
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