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The Captives (1724 Play)
''The Captives'' is a 1724 tragedy by the British writer John Gay. The action takes place in the ancient Median Empire, following the fashion in many tragedies of the era to have oriental settings. It concerns a plot against the King, which involves his wife and two royal Persian captives. It was staged at the Drury Lane Theatre and starred the leading actors Robert Wilks as Phraortes, Anne Oldfield as Captive, Barton Booth as Sophernes, John Mills as Hydarnes, Mary Porter as Astarbe, Charles Williams as Araxes and Roger Bridgewater as Orbasius. It enjoyed a solid run of seven performances, but the rival Lincoln's Inn Fields Theatre put on a series of popular hits such as ''The Recruiting Officer'', '' The Drummer'' and ''The Double Dealer ''The Double Dealer'' is a comic play written by English playwright William Congreve, first produced in 1693. Henry Purcell set it to music. Characters and plot This comedy sees character Mellefont, nephew and prospective heir of Lord T ...
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John Gay
John Gay (30 June 1685 – 4 December 1732) was an English poet and dramatist and member of the Scriblerus Club. He is best remembered for '' The Beggar's Opera'' (1728), a ballad opera. The characters, including Captain Macheath and Polly Peachum, became household names.. Early life Gay was born in Barnstaple, England, last of five children of William Gay (died 1695) and Katherine (died 1694), daughter of Jonathan Hanmer, "the leading Nonconformist divine of the town" as founder of the Independent Dissenting congregation in Barnstaple. The Gay family- "fairly comfortable... though far from rich"- lived in "a large house, called the Red Cross, on the corner of Joy Street". The Gay family was "of respectable antiquity" in North Devon, associated with the manor of Goldsworthy at Parkham and with the parish of Frithelstock (where the senior line remained, resident at the priory Cloister Hall with its lands, until 1823) and became "powerful and numerous" in the town, "establis ...
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Roger Bridgewater
Roger Bridgewater (died 1754) was a British stage actor of the eighteenth century.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXIX He worked as party of the Drury Lane company for many years, specialising in dramatic roles, before switching to Covent Garden in 1734. In later years he frequently played Falstaff. Selected roles * Earl of Northumberland in ''Sir Thomas Overbury'' by Richard Savage (1723) * Captain Gaylove in ''A Wife to be Let'' by Eliza Haywood (1723) * Orbasius in '' The Captives'' by John Gay (1724) * Ulysses in ''Hecuba'' by Richard West (1726) * Count Basset in ''The Provoked Husband'' by Colley Cibber (1728) * Malvil in '' Love in Several Masques'' by Henry Fielding (1728) * Timophanes in ''Timoleon'' by Benjamin Martyn (1730) * Lord Briton in ''Bayes's Opera'' by Gabriel Odingsells (1730) * Shamwell in '' The Humours of Oxford'' by James Miller (1730) * Laelius in ''Sophonisba'' by James Thomson (1730) * Athelwold in ''Athelwo ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dir ...
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1724 Plays
Seventeen or 17 may refer to: * 17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christie ...
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Caroline Of Ansbach
, father = John Frederick, Margrave of Brandenburg-Ansbach , mother = Princess Eleonore Erdmuthe of Saxe-Eisenach , birth_date = , birth_place = Ansbach, Principality of Ansbach, Holy Roman Empire , death_date = , death_place = St James's Palace, London, Great Britain , burial_date = 17 December 1737 , burial_place = Westminster Abbey, London Caroline of Brandenburg-Ansbach (Wilhelmina Charlotte Caroline; 1 March 1683 – 20 November 1737) was Queen of Great Britain and Ireland and Electress of Hanover from 11 June 1727 until her death in 1737 as the wife of King George II. Caroline's father, Margrave John Frederick of Brandenburg-Ansbach, belonged to a branch of the House of Hohenzollern and was the ruler of a small German state, the Principality of Ansbach. Caroline was orphaned at a young age and moved to the enlightened court of her guardians, King Frederick I and Queen Sophia Charlotte of Prussia. At the Prussian court, her previously limited education was wide ...
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George II Of Great Britain
George II (George Augustus; german: link=no, Georg August; 30 October / 9 November 1683 – 25 October 1760) was King of Great Britain and Ireland, Duke of Brunswick-Lüneburg ( Hanover) and a prince-elector of the Holy Roman Empire from 11 June 1727 ( O.S.) until his death in 1760. Born and brought up in northern Germany, George is the most recent British monarch born outside Great Britain. The Act of Settlement 1701 and the Acts of Union 1707 positioned his grandmother, Sophia of Hanover, and her Protestant descendants to inherit the British throne. After the deaths of Sophia and Anne, Queen of Great Britain, in 1714, his father, the Elector of Hanover, became George I of Great Britain. In the first years of his father's reign as king, George was associated with opposition politicians until they rejoined the governing party in 1720. As king from 1727, George exercised little control over British domestic policy, which was largely controlled by the Parliament of Great Br ...
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The Double Dealer
''The Double Dealer'' is a comic play written by English playwright William Congreve, first produced in 1693. Henry Purcell set it to music. Characters and plot This comedy sees character Mellefont, nephew and prospective heir of Lord Touchwood, about to marry Cynthia, daughter of Sir Paul Plyant. Lady Touchwood, a violent and dissolute woman, is in love with Mellefont, but as he rejects her advances, determines to prevent the match and ruin him in Lord Touchwood's esteem. In this design she finds a confederate in Maskwell, the Double Dealer, who has been her lover, pretends to be Mellefont's friend, and aspires to cheat him of Cynthia and get her for himself. To this end he leads Plyant to suspect an intrigue between Mellefont and Lady Plyant, and Touchwood an intrigue between Mellefont and Lady Touchwood; and contrives that Touchwood shall find Mellefont in the latter's chamber. Mellefont is disinherited and Cynthia is to be made over to Maskwell. The latter's plot, however, ...
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The Drummer (play)
''The Drummer'' is a 1716 comedy play by the British writer Joseph Addison, also known as ''The Drummer, or, The Haunted House''. It ran for three nights at the Drury Lane Theatre. It was the only new play staged at the theatre during that season. The cast featured Robert Wilks as Sir George Trueman, Anne Oldfield as Lady Trueman, Benjamin Johnson as Vellum, Colley Cibber as Tinsel, John Mills as Fantome, William Penkethman as Butler, Joe Miller as Coachman, Henry Norris as Gardiner and Margaret Saunders as Abigail. Addison's longstanding collaborator Richard Steele wrote a preface to the work.Nicoll p.199 It was partly inspired by the story of Drummer of Tedworth, but rewritten in a more contemporary context and made supportive of the recent Hanoverian Succession. It was revived in 1762 at both Drury Lane and Covent Garden to capitalise on public excitement concerning the recent supposed Cock Lane ghost haunting. Synopsis Lady Truman is apparently widowed when she receives w ...
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The Recruiting Officer
''The Recruiting Officer'' is a 1706 play by the Irish writer George Farquhar, which follows the social and sexual exploits of two British Army#Ranks and insignia, officers, the womanising Plume and the cowardly Brazen, in the town of Shrewsbury (the town where Farquhar himself was posted in this capacity) to recruit soldiers. The characters of the play are generally Stock character, stock, in keeping with the genre of Restoration comedy. Characters Plot The play opens with the recruiter, Captain Plume's Sergeant Kite, recruiting in the town of Shrewsbury. Plume arrives, in love with Sylvia, closely followed by Worthy, a local gentleman who is in love with Sylvia's cousin Melinda. Worthy asked Melinda to become his mistress a year previously, as he believed her to be of inadequate fortune to marry. But he changes his mind after she comes into an inheritance of £20,000. Melinda accepts an invitation from Captain Brazen, another recruiter, to annoy Worthy, as she was offend ...
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Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles I ...
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Charles Williams (stage Actor)
Charles Williams (1693–1731) was a British stage actor. Williams joined the company at the Theatre Royal, Drury Lane in 1718 and remained with it to his death in the year of his 38th birthday.Brean p.173 Selected roles * Lorenzo in ''Love in a Veil'' by Richard Savage (1718) * Herbis in '' The Siege of Damascus'' by John Hughes (1720) * Alan in ''The Briton'' by Ambrose Philips (1722) * Earl of Warwick in '' Humphrey, Duke of Gloucester'' by Ambrose Philips (1723) * Ammon in ''The Fatal Constancy'' by Hildebrand Jacob (1723) * Duke Frederick in '' Love in a Forest'' by Charles Johnson (1723) * Araxes in '' The Captives'' by John Gay (1724) * Decius in '' Caesar in Egypt'' by Colley Cibber (1724) * Julio in '' Double Falsehood'' by Lewis Theobald (1727) * Amyntas in '' Love in a Riddle'' by Colley Cibber (1729) * Freeman in ''The Village Opera'' by Charles Johnson (1729) * Scipio in '' Sophonisba'' by James Thomson (1730) * Dinarchus in '' Timoleon'' by Benjamin Martyn ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initial ...
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