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The Associate (soundtrack)
''The Associate'' is the original motion picture soundtrack of the 1996 film '' The Associate'', starring Whoopi Goldberg. The soundtrack features actress and rapper Queen Latifah, Sophie B. Hawkins, American country singer Wynonna Judd, Canadian-American recording artist Tamia, CeCe Peniston, Kate Pierson and Cindy Wilson (both of The B-52s), Jamaican reggae singer Patra and Swedish musician Louise Hoffsten. The cover version of " Yes We Can Can", originally released by the American R&B girl group The Pointer Sisters as their first hit single (No.#11 on the US Hot 100) in 1973, was re-recorded for the soundtrack by Taral Hicks, Chantay Savage, LaShanda Reese and the Pointer Sisters themselves. Kate Pierson along with Cindy Wilson contributed with the new version of the McFadden & Whitehead's disco track " Ain't No Stoppin' Us Now" (No.#1 in the US R&B, at #5 in UK Top 75 in 1979). From the classics, James Brown's composition " It's a Man's Man's Man's World" (No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played a vital role in the racial integration of popular music as an African American-owned label that achieved crossover (music), crossover success with white audiences. In the 1960s, Motown and its main subsidiary labels (including Gordy, Soul) were the most prominent exponents of what became known as the #Motown sound, Motown sound, a style of soul music with a mainstream pop music, pop-influenced sound and appeal. Motown was the most successful soul music label, with a net worth of $61 million in 1988. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100, ''Billboard'' Hot 100. In March 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cindy Wilson
Cynthia Leigh Wilson (born February 28, 1957) is an American musician and one of the vocalists, songwriters and founding members of New wave music, new wave rock band the B-52s. She is noted for her distinctive contralto voice and also plays percussion during live shows. She is the younger sister of the late guitarist Ricky Wilson (guitarist), Ricky Wilson (1953–1985), who was also a founding member of the band. In addition to her work with the B-52's, Wilson has released two solo extended play, EPs, ''Sunrise'' (2016) and ''Supernatural'' (2017). In late 2017, she released her debut solo album, ''Change (Cindy Wilson album), Change'', via the independent label Kill Rock Stars. Wilson released her second solo album, Realms (album), ''Realms'', in August 2023. Biography 1957–1975: Early life Wilson was born February 28, 1957 in Athens, Georgia. She had one elder brother, Ricky Wilson (American musician), Ricky. When Ricky was 19 years old, he began learning to play guitar, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's A Man's Man's Man's World
"It's a Man's Man's Man's World" is a song written by James Brown and Betty Jean Newsome. Brown recorded it on February 16, 1966, in a New York City studio and released it as a single later that year. It reached No. 1 on the ''Billboard'' R&B chart and No. 8 on the ''Billboard'' Hot 100. Its title is a word play on the 1963 comedy film ''It's a Mad, Mad, Mad, Mad World''. Song The song is written in the key of E-flat minor. The lyrics, which ''Rolling Stone'' characterized as "biblically chauvinistic", attribute all the works of modern civilization (the car, the train, the boat ("Like Noah made the ark"), and the electric light) to the efforts of men, but claim that it all would "mean nothing without a woman or a girl". The song also states that man made toys for the baby boys and girls, and comments about the fact that "Man makes money" to buy from other men. Before the song's fade, Brown states that man is lost in his bitterness and in the wilderness. Brown's co-writer and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
US R&B
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't No Stoppin' Us Now
"Ain't No Stoppin' Us Now" is a 1979 disco song performed by American R&B duo McFadden & Whitehead, from their debut album '' McFadden & Whitehead'' (1979). They wrote and produced the song along with keyboard player Jerry Cohen. Background "Ain't No Stoppin' Us Now" is about succeeding despite having faced previous disadvantages ("so many things that held us down"). It was widely interpreted to be about the experience of the African American community. After it gained popularity, it was often referred to as "the new black national anthem" (the original being the 1900 song "Lift Every Voice and Sing"). Kelefa Sanneh noted the song was, "an exuberant number often interpreted as an expression of Black pride". He also noted that the authors of the song were in a dispute over royalties with their record label Philadelphia International. Singer Whitehead said, "If anything, the song was a declaration of our independence from Gamble." Production Although the song was taken as soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McFadden & Whitehead
McFadden and Whitehead were an American R&B duo, best known for their signature tune "Ain't No Stoppin' Us Now". They wrote and produced some of the most popular R&B hits of the 1970s, and were primarily associated with the Gamble and Huff record label, Philadelphia International Records. Early career As teenagers, Gene McFadden and John Whitehead met at school in 1960s Philadelphia and formed a group called The Epsilons. The personnel included Allen Beatty, James Knight, and future Blue Notes member Lloyd Parks. When Otis Redding came to Philadelphia, The Epsilons were invited to become part of his revue. They toured with him during the late 1960s until Redding's death in a plane crash in 1967. They signed a small record deal with Stax Records on the back of this opportunity and had a moderate success in 1970 with "The Echo". After the departure of Lloyd Parks to Harold Melvin & the Blue Notes, Gene and John changed their name to Talk of the Town and worked with Gamble/Hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantay Savage
Chantay Savage (born July 16, 1971) is an American R&B/dance singer. She experienced some success in the 1990s on various ''Billboard'' singles charts, one of which was "I Will Survive", a reworking of the Gloria Gaynor hit song. Savage has scored various charting hits on other US charts such as the Billboard Hot 100, Dance chart and R&B chart. In total, Savage has spent 452 weeks on various ''Billboard'' singles charts, and her albums have spent a total of 81 weeks on various ''Billboard'' charts. Biography Before Savage signed a recording contract, she parlayed success into gigs as a session musician, singer, and songwriter with artists such as CeCe Peniston and Tanya Blount. Savage co-wrote Peniston's hit single " We Got a Love Thang". In 1993, Savage released her first single " If You Believe" from her debut album '' Here We Go...''. Her follow-up " Betcha'll Never Find" became a top 20 dance and R&B hit on the ''Billboard'' chart. She also released the singles " Don't L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taral Hicks
Taral Hicks (born September 21, 1974) is an American actress and R&B singer. Hicks is best known for her acting in such films as 1993's American crime drama film ''A Bronx Tale'' and her 1997 debut R&B studio album '' This Time'' which featured a cover of Deniece Williams' "Silly" that peaked at No. 4 on ''Billboard'' Bubbling Under Hot 100 Singles. Raised in Bronx, NY, Hicks graduated from Grace Dodge in 1993. Career Acting Hicks began her film career with a role in the critically acclaimed 1993 film, ''A Bronx Tale''. Her subsequent film roles were small: 1995's '' Just Cause'' with Sean Connery and Laurence Fishburne, and 1996's ''Educating Matt Waters'' and '' The Preacher's Wife'' with Whitney Houston. She appeared in the movie '' Belly'' in 1998. In 2000, she appeared on screen in the short film, ''Are You Cinderella?'', with actor Wood Harris. Her later film roles were in independent films such as 2005's '' The Salon'', with Vivica A. Fox, Dondre Whitfield, and Darrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
US Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by ''Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before July 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pointer Sisters
The Pointer Sisters are an American female vocal group from Oakland, California, who achieved mainstream success during the 1970s and 1980s. They have had a repertoire with many genres, they have sold around 50 million records throughout their career included. The Pointer Sisters have won three Grammy Awards and received a star on the Hollywood Walk of Fame in 1994. The group had 13 US top 20 hits between 1973 and 1987. The group had its origins when sisters June and Bonnie Pointer began performing in clubs in 1969 as "Pointers Au Pair". The line-up grew to a trio when sister Anita joined them. Their record deal with Atlantic Records produced several unsuccessful singles. The trio grew to a quartet when sister Ruth joined in December 1972. They then signed with Blue Thumb Records, recorded their debut album and, with their new label, began seeing more success, winning a Grammy Award in 1975 for Best Country Vocal Performance for " Fairytale" (1974). Bonnie left the group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yes We Can Can
"Yes We Can Can" is a funk song written by Allen Toussaint, and first released by Lee Dorsey in 1970. It was popularized when it was recorded by the American R&B girl group the Pointer Sisters. Lee Dorsey original "Yes We Can" was recorded by Lee Dorsey on his album '' Yes We Can (album)'', released by Polydor in 1970 and also released as a single, and co-produced with Allen Toussaint. Background to The Pointer Sisters cover A cover of "Yes We Can" re-titled "Yes We Can Can" was recorded by The Pointer Sisters. It was producer David Rubinson's suggestion that the Pointer Sisters record the song. As Rubinson said, "I loved almost everything Allen Toussaint ever wrote," and "Yes We Can Can" was one of the songs the Pointer Sisters recorded as a demo while they were seeking a label deal. "Yes We Can Can" was one of the first tracks the group cut in fall 1972 for their debut album. Its basic track was recorded at Pacific Recording Studio in San Francisco. The sessions were ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
