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That's Enough For Me
"That's Enough For Me" is a song by Fleetwood Mac from the 1979 double LP ''Tusk'', on which it is the shortest track. It was one of nine songs from the album composed and sung by Lindsey Buckingham, who also supplied all of the instrumentation. The song was released a B-side to "Sara" in December 1979. Background The working title for "That's Enough For Me" was "Out on the Road", which Buckingham recorded at his home on a MCI 16-track in 1978. The song carried the working title of "Out on the Road" through the month of December. Buckingham described That's Enough For Me as "rockabilly on acid" and sought to pull from several reference points when developing the song. He drew some influence from New wave music and did not actively seek to emulate any particular artist when writing "That"s Enough For Me". Musically, the song is built around a fast finger-picking technique that Buckingham originally learned in his youth while playing along to Kingston Trio records. It follows a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleetwood Mac
Fleetwood Mac are a British-American Rock music, rock band formed in London in 1967 by the singer and guitarist Peter Green (musician), Peter Green. Green named the band by combining the surnames of the drummer, Mick Fleetwood, and the bassist, John McVie, who have remained with the band throughout its many line-up changes. Fleetwood Mac have sold more than 120 million records worldwide, making them one of the List of best-selling music artists, world's best-selling bands. Primarily a British blues band in their early years, Fleetwood Mac achieved a UK number one single in 1968 with the instrumental "Albatross (instrumental), Albatross" and had other UK top ten hits with "Man of the World (song), Man of the World", "Oh Well (song), Oh Well" (both 1969), and "The Green Manalishi (With the Two Prong Crown)" (1970). Green left the band in May 1970 and McVie's wife, Christine McVie, joined as an official member on vocals and keyboards two months later, having previously contribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Tape Specifications
Since the widespread adoption of reel-to-reel audio tape recording in the 1950s, audio tapes and tape cassettes have been available in many formats. This article describes the length, tape thickness and playing times of some of the most common ones. All tape thicknesses here refer to the total tape thickness unless otherwise specified, including the base, the oxide coating and any back coating. In the United States, tape thickness is often expressed as the thickness of the base alone. However, this varies from manufacturer to manufacturer and also between tape formulations from the same manufacturer. Outside of the US, the overall thickness is more often quoted, and is the more relevant measurement when relating the thickness to the length that can be fit onto a reel or into a cassette. Reel-to-reel quarter-inch The tape decks of the 1950s were mainly designed to use tape wide and to accept one of two reel formats: * reels, almost always with metal flanges, which fit ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beyerdynamic M 160
The Beyerdynamic M 160, sometimes referred to as Beyer M160, is a German hypercardioid ribbon microphone used for speech in broadcasting and for music in live concerts and the recording studio. Introduced in 1957 by Beyerdynamic, the M 160 was initially based on a rugged dual-ribbon transducer element with alnico magnets. The two ribbons combine to yield a highly directional pickup pattern. The ribbon assembly is turned 90 degrees away from the usual configuration to make the M 160 an end-address model; the similar M 130 model is a side-address microphone with a figure-8 pickup pattern. The structure later incorporated neodymium magnets as they became available. The M 160 is known for its ability to soften the harsh characteristics of strident sound sources. David Bowie sang into an M 160 for most of the songs on ''Young Americans''. Engineer Andy Johns used a distant pair of M 160s (along with other processing) on John Bonham's drum kit for the Led Zeppelin version of "When t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuzz Face
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers. History Arbiter Electronics Ltd. first issued the Fuzz Face in 1966. Later units bear the "Dallas Arbiter", "Dallas Music Industries Ltd.", "CBS/Arbiter Ltd." or "Dunlop Manufacturing Inc." name. The earliest units used germanium transistors. Silicon transistors were used in later editions of the pedal. Silicon transistors provided for a more stable operation, but have a different, harsher sound. The electronics are contained in a circular-shaped metal housing. Ivor Arbiter "got the idea for the round shape when he one day saw a microphone stand with a cast iron base". The design was originally intended to be used as a microphone base for guitarists who sang. The pedal uses two knobs, one for volume, and one for the amou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete ''tracks'' on the same reel-to-reel tape was developed. A ''track'' was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or Synchronization, synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain (electronics), gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may be used with other instruments, such as bass guitar, electric bass, electric piano, synthesizer, and Hammond organ. Guitarists playing Chicago blues, electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to clipping (audio), distort. Other ways to produce distortion have been developed since the 1960s, such as distortion effects unit, effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, grunge and heavy metal music, while the use of distorted bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Amplifier
A guitar amplifier (or amp) is an electronic amplifier, electronic device or system that strengthens the electrical signal from a Pickup (music technology), pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden speaker enclosure, cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier (and preamplifier) circuits, requiring the use of a separate speaker cabinet–or it may be a ''combo'' amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance. Guitar amplifiers can also modify ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pignose
Pignose-Gorilla, commonly known as Pignose, is a manufacturer of portable, battery-powered guitar amplifiers, as well as AC-powered practice amps and guitars. The company was founded in 1969 by Richard Edlund and Wayne Kimbell. In 1985, Pignose Industries was acquired by Howard Chatt and called Pignose - Gorilla. In 2023, Pignose was acquired by Aria guitars, based in Japan. In the United States, Pignose is distributed by LPD Music International, based out of Madison Heights MI. Legendary 7-100 The first Pignose amplifier was a battery-powered, five-watt portable guitar amplifier with one five-inch speaker. It is considered the first portable electric guitar amplifier. The inventors gave 65 prototypes (with rubber volume knobs shaped like the end of a pig's nose) to some of the most famous musicians of the era, including Led Zeppelin, The Rolling Stones, The Beatles, The Eagles, and The Who. Terry Kath (of Chicago) was given one which led to a partnership with the group and its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watt
The watt (symbol: W) is the unit of Power (physics), power or radiant flux in the International System of Units (SI), equal to 1 joule per second or 1 kg⋅m2⋅s−3. It is used to quantification (science), quantify the rate of Work (physics), energy transfer. The watt is named in honor of James Watt (1736–1819), an 18th-century Scottish people, Scottish inventor, mechanical engineer, and chemist who improved the Newcomen engine with his own Watt steam engine, steam engine in 1776, which became fundamental for the Industrial Revolution. Overview When an object's velocity is held constant at one meter per second against a constant opposing force of one Newton (unit), newton, the rate at which Work (physics), work is done is one watt. \mathrm. In terms of electromagnetism, one watt is the rate at which electrical work is performed when a current of one ampere (A) flows across an electrical potential difference of one volt (V), meaning the watt is equivalent to the vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musician (magazine)
''Musician'' was a monthly magazine that covered news and information about American popular music. First called ''Music America'', it was founded in 1976 by Sam Holdsworth and Gordon Baird. The two friends borrowed $20,000 from relatives and started the publication in a barn in Colorado. Subtitled "The Art, Business and Technology of Making Music", it became known for its extended and thorough articles about the stars of rock music. It was not intended as a fan magazine, but as a publication about the musician's craft, and as a result, it earned it the respect of people in the music business. As Holdsworth told an interviewer in 2003, the magazine "created a level of trust that made the musicians feel they were talking with peers". In the same article, he said that ''Musician'' was also known for unearthing details that the average magazine did not—such as why a musician chose a particular brand of instrument, or what was the inspiration for a certain song. ''Musician'' never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissandos
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide (such as a trombone). Notation The glissando is indicated by following the initial note with a line, sometimes wavy, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honky-tonk
A honky-tonk (also called honkatonk, honkey-tonk, honky tonk, or tonk) is either a bar that provides country music for the entertainment of its patrons or the style of music played in such establishments. It can also refer to the type of piano ( tack piano) used to play such music. Bars of this kind are common in the South and Southwest United States. Many prominent country music artists such as Jimmie Rodgers, Ernest Tubb, Lefty Frizzell, Hank Williams, Patsy Cline, Johnny Horton and Merle Haggard began their careers as amateur musicians in honky-tonks. The origin of the term "honky-tonk" is disputed, originally referring to bawdy variety shows in areas of the old West (Oklahoma, the Indian Territories and mostly Texas) and to the actual theaters showing them. The first music genre to be commonly known as honky-tonk was a style of piano playing related to ragtime but emphasizing rhythm more than melody or harmony; the style evolved in response to an environment in which pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
