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Temple Of Apollo (pompeii)
The Temple of Apollo, also known as the Sanctuary of Apollo, is a Roman temple built in 120 BC and dedicated to the Greek and Roman god Apollo in the ancient Roman town of Pompeii, southern Italy. The sanctuary was a public space influenced by Roman colonists to be dedicated to Greco-Roman religion and culture. Architecture in the Forum Located in the forum (market place) and facing the northern side of the town, it is the town's most important religious building. It was one of the two earliest temples built in Pompeii, the other being the Temple of Minerva and Hercules, which was near the forum. The cult of Apollo, imported from Greece, was widespread in Campania, and from excavations in the temple's vicinity has been shown to have been present in Pompeii since the 6th century BC. The sanctuary's present appearance dates from its 2nd-century BC rebuild, and a further reconstruction to repair damage from the 62 Pompeii earthquake, 62 earthquake, in which a large part of the temp ...
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Pompei 5058
Pompei (; ), also known in English as Pompeii ( ) after the name of the ancient city, is a City status in Italy, city and in the Metropolitan City of Naples, Italy. It contains the ancient Roman ruins of Pompeii, a UNESCO World Heritage Site. History Modern Pompei was founded in 1881 after the building of the Shrine of Our Lady of Pompei by the lawyer Bartolo Longo. Geography The town of Pompei is located at the eastern borders of its province, and its urban area is contiguous with Scafati in the Province of Salerno. It also borders Torre Annunziata, Castellammare di Stabia, Boscoreale, Santa Maria la Carità and Sant'Antonio Abate. Landmarks Ruins of Pompeii Modern Pompei is famous primarily for the ruins of the ancient city of Pompeii, located in the zone of Pompei Scavi. The vast archaeological area is a UNESCO World Heritage Site and attracts many international tourists. Shrine of Our Lady of Pompei The Shrine of Our Lady of Pompei, dedicated to Our Lady of the Rosar ...
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Cella
In Classical architecture, a or naos () is the inner chamber of an ancient Greek or Roman temple. Its enclosure within walls has given rise to extended meanings: of a hermit's or monk's cell, and (since the 17th century) of a biological cell in plants or animals. Greek and Roman temples In ancient Greek and Roman temples, the ''cella'' was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the ''cella'' might contain a table to receive supplementary votive offerings, such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophies. No gatherings or sacrifices took place in the ''cella'', as the altar for sacrifices was always located outside the building along the axis and temporary altars for other deities were built next to it. The accumulated offerings made Greek and Roman temples virtual treasuri ...
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Festoon
A festoon (from French ''feston'', Italian ''festone'', from a Late Latin ''festo'', originally a festal garland, Latin ''festum'', feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.Sturgis, pp. 22-23 In modern English the verb forms, especially "festooned with", are often used very loosely or figuratively to mean having any type of fancy decoration or covering. Origins and design Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar. The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into ...
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Griffin
The griffin, griffon, or gryphon (; Classical Latin: ''gryps'' or ''grypus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ...: ''griffon'') is a legendary creature with the body, tail, and Hindlimb">back legs of a lion, and the head and wings of an eagle">lion.html" ;"title="Hindlimb">back legs of a lion">Hindlimb">back legs of a lion, and the head and wings of an eagle with its talons on the front legs. Overview Because the lion was traditionally considered the king of the beasts and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. ...
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Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate p ...
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Metope (architecture)
A metope (; ) is a rectangular architectural element of the Doric order, filling the space between triglyphs in a frieze , a decorative band above an architrave. In earlier wooden buildings the spaces between triglyphs were first open, and later the free spaces in between triglyphs were closed with metopes; however, metopes are not load-bearing part of a building. Earlier metopes are plain, but later metopes were painted or ornamented with reliefs. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes were made out of clay or stone. A stone metope may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are ...
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Architrave
In classical architecture, an architrave (; , also called an epistyle; ) is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan order, it only consists of a plain face, crowned with a fill ...
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Doric Order
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric tem ...
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Temple Of Mercury
The Temple of Mercury was a sanctuary in Ancient Rome on the Aventine Hill, which was dedicated to the god Mercury. Samuel Ball Platner, s.v. Aedes Mercurii, in A Topographical Dictionary of Ancient Rome, London, Oxford University Press, 1929, pg. 320 The temple was founded in 495 BC. It was one of the oldest temples in Rome. It is known to have still existed in the 3rd century. If it remained in use into the 4th century, it would have been closed during the persecution of pagans in the late Roman Empire Persecution of pagans in the late Roman Empire began during the reign of Constantine the Great (306–337) in the military colony of Aelia Capitolina (Jerusalem), when he destroyed a pagan temple for the purpose of constructing a Christian church .... See also * List of Ancient Roman temples References {{Expand Italian, Tempio di Mercurio, date=October 2018 Temples of Mercury 5th-century BC religious buildings and structures Destroyed temples Destroyed Roman temp ...
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Forum (Roman)
A forum (Latin: ''forum'', "public place outdoors", : ''fora''; English : either ''fora'' or ''forums'') was a public square in a municipium, or any civitas, of Ancient Rome reserved primarily for the vending of goods; i.e., a marketplace, along with the buildings used for shops and the stoas used for open stalls. But such fora functioned secondarily for multiple purposes, including as social meeting places for discussion. Many fora were constructed at remote locations along a road by the magistrate responsible for the road, in which case the forum was the only settlement at the site and had its own name, such as Forum Popili or Forum Livi. Functions In addition to its standard function as a marketplace, a forum was a gathering place of great social significance, and often the scene of diverse activities, including political discussions and debates, rendezvous, meetings, et cetera. In that case, it supplemented the function of a '' conciliabulum''. Every municipality () ha ...
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Temple Of Apollo (7238817402)
Temple of Apollo may refer to: * Cyprus *Temple of Apollo Hylates, Limassol Czech republic *Temple of Apollo, Lednice–Valtice Cultural Landscape, South Moravian Region Greece *Temple of Apollo, Corinth *Temple of Apollo (Delphi) * Temple of Apollo at Bassae * Temple of Apollo Patroos, Athens * Temple of Apollo Zoster, Vouliagmeni in Attica *Temple of Apollo (Kolona), Aegina town, Aegina, Saronic Islands *Temple of Apollo, Thermon * Temple of the Delians, at Delos *Temple of Apollo, Dreros, Crete *Temple of Apollo, Gortyn, Crete *Temple of Apollo Daphnephoros, Eretria * Temple of Apollo Aktios (Actium) Italy *Temple of Apollo, Cumae *Temple of Apollo Palatinus, in Rome * Temple of Apollo Sosianus, in Rome *Temple of Apollo (Pompeii) * Temple of Apollo (Syracuse), Sicily * Temple C (Selinus), at Selinunte (formerly identified as a Temple to Herakles) Malta * Temple of Apollo (Melite), now largely destroyed Turkey *Temple of Apollo Didyma, Aydın *Temple of Apollo Miletus, A ...
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Sundial
A sundial is a horology, horological device that tells the time of day (referred to as civil time in modern usage) when direct sunlight shines by the position of the Sun, apparent position of the Sun in the sky. In the narrowest sense of the word, it consists of a flat plate (the ''dial'') and a gnomon, which casts a shadow onto the dial. As the Sun diurnal motion, appears to move through the sky, the shadow aligns with different hour-lines, which are marked on the dial to indicate the time of day. The ''style'' is the time-telling edge of the gnomon, though a single point or ''nodus'' may be used. The gnomon casts a broad shadow; the shadow of the style shows the time. The gnomon may be a rod, wire, or elaborately decorated metal casting. The style must be polar alignment, parallel to the axis of the Earth's rotation for the sundial to be accurate throughout the year. The style's angle from horizontal is equal to the sundial's geographical latitude. The term ''sundial'' can r ...
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