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Tears For Dolphy
''Tears for Dolphy'' is a 1964 album by jazz trumpeter Ted Curson. The album's title track, an elegy for Eric Dolphy (who died at the end of June that year), has been used in many films. Reception Brian Morton and Richard Cook, writing for ''The Penguin Guide to Jazz'', give ''Tears for Dolphy'' a favorable review, noting "a raw sorrow in the title tune," a robust rhythm section, and the leader's "high, slightly old-fashioned sound." Earlier editions of ''The Penguin Guide to Jazz'' give the album a rating of three-and-a-half stars. Chuck Berg, writing for ''Down Beat'', said Curson and saxophonist Bill Barron's "tough, but highly melodic lines above the steady and crisp rhythmic substructure ably provided by bassist Herb Bushler and drummer Dick Berk." Scott Yanow of AllMusic asserts that most tracks "manage to be both explorative and surprisingly accessible." Track listing All tracks recorded on August 1, 1964. # "Kassim" (Ted Curson) – 7:41 # "East 6th Street" (B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cook (journalist)
Richard David Cook (7 February 1957 – 25 August 2007) was a British jazz writer, magazine editor and former record company executive. Sometimes credited as R. D. Cook, Cook was born in Kew, Surrey, and lived in west London as an adult. A writer on music from the late 1970s until he died, Cook was co-author, with Brian Morton, of ''The Penguin Guide to Jazz Recordings'', which lasted for ten editions until 2010. His other books included ''Richard Cook's Jazz Encyclopedia'', ''Blue Note Records: The Biographyand'', and ''It's About That Time: Miles Davis On and Off the Record''. Career Cook began as a staff writer for ''New Musical Express'' (''NME'') in the early 1980s. ''NME''s editor at the time, Neil Spencer, commented that he "would take on the pieces that the fashion-oriented shunned – a Roxy Music review, an audience with a fading star, a piece on the emergent sounds of Africa". He was later the jazz critic for ''The Sunday Times'' and a music writer for the ''N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Berk
Richard Alan Berk (May 22, 1939 – February 8, 2014) was an American jazz drummer and bandleader. Career A native of San Francisco, California, he studied at the Berklee College of Music and played in the Boston area early in the 1960s. In 1962 he moved to New York City and played with Ted Curson and Bill Barron in a quintet from 1962 to 1964. Following this he played with Charles Mingus, Mose Allison, Freddie Hubbard, and Walter Bishop, Jr., among others. He moved to Los Angeles late in the 1960s, where he played with Milt Jackson, Frank Rosolino, George Duke, Cal Tjader, Jean-Luc Ponty, and Blue Mitchell. He founded the Jazz Adoption Agency in the early 1980s, playing into the 2000s; the group included Andy Martin, Mike Fahn, Nick Brignola, Jon Nagorney, Keith Saunders, Tad Weed, and John Patitucci. He died in 2014 at the age of 74. Discography As leader * ''Rare One'' (Discovery, 1983) * ''Big Jake'' (Discovery, 1984) * ''More Birds Less Feathers'' (Discovery, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herb Bushler
Herb Bushler (born March 7, 1939, New York City) is an American jazz bassist. He plays both double bass and electric bass. Bushler played piano and tuba in his youth before picking up double bass; he is classically trained in bass and has performed with symphony orchestras in this capacity. In 1966 he began a longtime association with ballet and film composer Coleridge-Taylor Perkinson. He worked extensively in jazz idioms in the 1960s and 1970s, including with David Amram, Ted Curson, Blossom Dearie, Tony Williams, and Paul Winter. He first played with Gil Evans in 1967, an association that would continue on and off until 1981. Other work in the 1970s included sessions with Enrico Rava, Joe Farrell, Ryo Kawasaki, David Sanborn, and Harold Vick. He played with The Fifth Dimension in the 1960s and has also worked with Dee Dee Bridgewater, Billy Harper, Les McCann, Enrico Rava, Joe Chambers, and Howard Johnson. Collaborations With Peter Allen * ''Peter Allen'' (Metromedia, 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instruments of differing sizes and pitches. The clarinet family is the largest woodwind family, ranging from the contrabass clarinet, BB♭ contrabass to the A-flat clarinet, A♭ piccolo. The B soprano clarinet is the most common type, and is the instrument usually indicated by the word "clarinet". German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime around 1700 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and airtight pads were added to improve the tone and playability. Today the clarinet is a standard fixture of the orchestra and concert band and is used in classical music, military bands, klezmer, jazz, and other styles. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pocket Trumpet
250px, Pocket trumpet in B-flat, with a standard size bell and medium-large bore The pocket trumpet is a B♭ or C trumpet that is constructed with the tubing wound into a much smaller coil than a standard trumpet, generally with a smaller diameter bell. It is not a standard instrument in a concert band or orchestra and is generally regarded as a novelty. It has been used by soloists in jazz ( Don Cherry played the similar pocket cornet) or other ensembles to add flair and variety. History The concept of reducing the brass instrument size without reducing the resonating tube length can be seen in several 19th century models of cornet. ''Pocket cornets'' have been constructed since the 1870s. Pocket trumpets are sometimes played as auxiliary instruments by soloists in jazz and dixieland bands, as well as for some specific studio recording demands. Don Cherry's work with the Ornette Coleman quartet is probably the best known example of pocket trumpet playing. Design and prop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flip Top
''Flip Top'' is an album by American trumpeter Ted Curson which has one side recorded in the studio in 1964 at the same sessions that produced ''Tears for Dolphy'' and one side recorded live at the Seventh Yugoslavia Jazz Festival in Ljubljana which was first released on the Freedom label in 1977.Ted Curson discography accessed February 26, 2015Fitzgerald, M. Ted Curson leader entry accessed February 26, 2015 Reception awarded the album 4 stars calling it "A recommended and consistently stimulating ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Yanow
Scott Yanow (born 1954) is an American jazz reviewer, historian, and author. Life and career Yanow was born in New York City and grew up near Los Angeles. Beginning in 1974, Yanow was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's ''Life Through the Eyes of a Jazz Journalist''), more than 900 liner notes for CDs, and more than 20,000 reviews of jazz recordings. Yanow contributed to the third edition of the '' All Music Guide to Jazz,'' serving as co-editor. He has written for ''Downbeat,'' ''Jazziz'', the ''Los Angeles Jazz Scene,'' ''Syncopated Times,'' ''Jazz Artistry Now'', the ''Jazz Rag,'' and ''New York City Jazz Record''. Yanow has produced a number of records under the Allegro record label. He also hosted a regular radio sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
