Tales Of The Unforeseen
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Tales Of The Unforeseen
''Tales of the Unforeseen'' is an album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's second release, it was recorded during February 11–12, 2014, at Sear Sound Studios in New York City, and was issued on CD in 2015 by TUM Records. Reception In a review for ''The New York City Jazz Record'', Thomas Conrad stated that the album "confirms Irabagon's reputation as one of the most exciting reed players to enter jazz in the new millennium. It reveals that Fonda, under the radar for 40 years, is a special bassist. And it continues the recording comeback of a major drummer." Karl Ackermann of ''All About Jazz'' wrote: "Free improvisation is often license for an abrasiveness that can obscure the substantial intelligence and effort involved in a project but Altschul, Irabagon and Fonda shine in this environment. Their objectives on ''Tales of the Unforeseen'' are clear and carried out with consi ...
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Barry Altschul
Barry Altschul (born January 6, 1943, in New York City) is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea. Biography Altschul is of Russian Jewish heritage, the son of a laborer who did construction work and drove a taxi. Having initially taught himself to play drums, Altschul studied with Charlie Persip during the 1960s. In the latter part of the decade, he performed with Paul Bley. In 1969 he joined with Chick Corea, Dave Holland and Anthony Braxton to form the group Circle. At the time, he made use of a high-pitched Gretsch kit with add-on drums and percussion instruments. In the 1970s, Altschul worked extensively with Anthony Braxton's quartet featuring Kenny Wheeler, Dave Holland, and George E. Lewis. Braxton, signed to Arista Records, was able to secure a large enough budget to tour with a collection of dozens of percussion instruments, strings and winds. In addition to his partici ...
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Peter Margasak
Peter Margasak is a music critic, journalist, and artistic director of the annual Frequency Festival in Chicago, an event that grew out of his longstanding work programming the weekly Frequency Series for experimental, improvised, and contemporary classical music. Margasak wrote for the ''Chicago Reader'' for 25 years. Career Margasak writes about disparate musical times and communities within the broad field of late-20th and 21st-century music. His contributions to ''The New York Times'' include a piece about Algerian "pop rai" artist Khaled Brahim and another on the avant-garde artists of the Theatre of Eternal Music and their battles for proprietorship of drone music; a ''Pitchfork'' feature on the year 1979 in Chicago touches on both power pop and the racial dimensions of anti-disco sentiment during "the Rise of House Music"; he has written about trip hop for ''Rolling Stone'' and reviewed new work by jazz saxophonist Matana Roberts for NPR's ''All Things Considered''. Ma ...
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2015 Albums
The following is a list of albums, EPs, and mixtapes released in 2015. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, or disbanded, for deaths of musicians, and for links to musical awards, see 2015 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2015 albums Albums 2015 2015 was designated by the United Nations as: * International Year of Light * International Year of Soil __TOC__ Events January * January 1 – Lithuania officially adopts the euro as its currency, replacing the litas, and becomes ...
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Annette Peacock
Annette Peacock (born 1941) is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s. Biography Annette Peacock was writing music by the time she was four years old. She is self-taught except for her time as a student at The Juilliard School in the early 1970s. She grew up in California. She moved to New York to marry jazz bassist Gary Peacock in 1960. During the early 1960s, she was an associate and guest of Timothy Leary and Ram Dass at Millbrook, and was among the first to study Zen Macrobiotics with Michio Kushi, a discipline she continues to uphold. Peacock toured Europe with avant-garde jazz saxophonist Albert Ayler while she was married to Gary Peacock, then pianist Paul Bley. Her compositions appeared on Bley's album ''Ballads'' and influenced the style of ECM Records. She was a pioneer in synthesizing electronic vocals after having been g ...
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Thelonious Monk
Thelonious Sphere Monk ( October 10, 1917 – February 17, 1982) was an American Jazz piano, jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the Jazz standard, standard jazz repertoire, including "'Round Midnight (song), 'Round Midnight", "Blue Monk", "Straight, No Chaser (composition), Straight, No Chaser", "Ruby, My Dear (composition), Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature consonance and dissonance, dissonances and angular melodic twists, often using flat ninths, flat fifths, unexpected chromatic notes together, low bass notes and stride, and fast whole tone scale, whole tone runs, combining a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit dur ...
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Ask Me Now
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the ''Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versi ...
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Jimmy Giuffre
James Peter Giuffre (, ; April 26, 1921 – April 24, 2008) was an American jazz clarinetist, saxophonist, composer, and arranger. He is known for developing forms of jazz which allowed for free interplay between the musicians, anticipating forms of free improvisation. Biography Jimmy Giuffre was born in Dallas, Texas, United States, the son of Joseph Francis Giuffre (an Italian immigrant from Termini Imerese, Palermo Province, Sicily) and Everet McDaniel Giuffre. Giuffre was a graduate of Dallas Technical High School and North Texas State Teachers College ( University of North Texas College of Music). He first became known as an arranger for Woody Herman's big band, for which he wrote " Four Brothers" (1947). He would continue to write creative, unusual arrangements throughout his career. He was a central figure in West Coast jazz and cool jazz. He became a member of Howard Rumsey's Lighthouse All Stars in 1951 as a full-time All Star, along with Shorty Rogers and Shel ...
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NPR Music
NPR Music is a project of National Public Radio, an American privately and publicly funded non-profit membership media organization, that launched in November 2007 to present public radio music programming and original editorial content for music discovery. NPR Music offers current and archival podcasts, live concert webcasts, reviews, music lists, news, studio sessions, and interviews to listen to from NPR and partner public radio stations across the country, as well as an index of public radio music stations streaming live on the Internet. There have been two blogs: "Monitor Mix" (now defunct) by Sleater-Kinney musician Carrie Brownstein and the '' All Songs Considered'' Blog by Bob Boilen and Robin Hilton. Programming Programs available to hear at NPR Music * '' All Songs Considered'', hosted by Robin Hilton * '' Alt.Latino'', hosted by Anamaria Sayre and Felix Contreras * '' From the Top'', hosted by Peter Dugan * ''JazzSet'' hosted by Dee Dee Bridgewater *'' Mountain St ...
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The Denver Post
''The Denver Post'' is a daily newspaper and website published in the Denver metropolitan area. it has an average print circulation of 57,265. In 2016, its website received roughly six million monthly unique visitors generating more than 13 million page views, according to comScore. Ownership The ''Post'' was the flagship newspaper of MediaNews Group, MediaNews Group Inc., founded in 1983 by William Dean Singleton and Richard Scudder. On December 1, 1987, MediaNews, a national newspaper chain with over 60 daily newspapers and over 160 non-daily publications in 13 states, bought ''The Denver Post'' from Times Mirror Company. Since 2010, ''The Denver Post'' has been owned by hedge fund Alden Global Capital, which acquired its bankrupt parent company, MediaNews Group. In April 2018, a group called "Together for Colorado Springs" said that it was raising money to buy the ''Post'' from Alden Global Capital, stating: "Denver deserves a newspaper owner who supports its newsroom." Hi ...
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Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. The ''Reader'' has been recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. The ''Reader'' was founded by a group of friends from Carleton College, and four of them remained its primary owners for 36 years. While annual revenue reached an all-time high of $22.6 mil ...
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Sear Sound
Walter Edmond Sear (27 April 1930 – 29 April 2010) was an American recording engineer, musician, instrument importer and designer, inventor, composer and film producer. He was considered a pioneer in the use of the synthesizer and an expert on vintage recording equipment.''Walter Sear, an Audio Engineer With a Passion for Analog, Dies at 80''
by Ben Sisario (, 6 May 2010)
Sear ran the Sear Sound in

The New York City Jazz Record
''The New York City Jazz Record'' is a New York City based monthly free newspaper about jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ... music, including interviews, album releases, and a schedule of live jazz shows. It was launched in May 2002 by co-founders Laurence Donohue-Greene (Managing Editor) and Andrey Henkin (Editorial Director/Production Manager, who departed at the end of 2022) under the name ''AllAboutJazz-New York''. The gazette's name change switched permanently to ''The New York City Jazz Record'' as of March 2011. It is available alongside other free newspapers in unlocked boxes throughout New York City, as well as in pdf form online. Saxophonist Joe Lovano called it "Simply the hippest journal about jazz in New York that has ever been published." It has ...
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