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Symphonies By Anton Bruckner
The Austrian composer Anton Bruckner composed eleven symphonies, the first, the Symphony in F minor in 1863, the last, the unfinished Ninth symphony from 1893 to 1896. Bruckner's F-minor symphony of 1863 was initially designated Symphony No. 1, and, in a letter to his friend Rudolf Weinwurm dated 29 January 1865, Bruckner described the C-minor symphony he was working on at the time as his Symphony No. 2. Later Bruckner decided to leave the F-minor symphony unnumbered, and he called the C-minor symphony of 1865/66 his “Symphony No. 1”. Similarly, the D-minor symphony of 1869 was initially designated Symphony No. 2, while the C-minor symphony of 1872 was his Symphony No. 3. At some time in 1872 or 1873, Bruckner decided to leave the D-minor symphony unnumbered, and he called the C-minor symphony of 1872 his “Symphony No. 2”. Linz period Symphony in D minor (1863) Before finalising his Symphony in F minor, Bruckner had made on 7 January 1863 sketches for a Symphony in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SPLIT
Split(s) or The Split may refer to: Places * Split, Croatia, the largest coastal city in Croatia * Split Island, Canada, an island in the Hudson Bay * Split Island, Falkland Islands * Split Island, Fiji, better known as Hạfliua Arts, entertainment, and media Films * ''Split'' (1989 film), a science fiction film * ''Split'' (2016 American film), a psychological horror thriller film * ''Split'' (2016 Canadian film), also known as ''Écartée'', a Canadian drama film directed by Lawrence Côté-Collins * ''Split'' (2016 South Korean film), a sports drama film * '' Split: A Divided America'', a 2008 documentary on American politics * ''The Split'' (film), a 1968 heist film * ''The Split'', or ''The Manster'', a U.S.-Japanese horror film Games * Split (poker), the division of winnings in the card game * Split (blackjack), a possible player decision in the card game Music Albums * ''Split'' (The Groundhogs album), 1971 * ''Split'' (Lush album), 1994 * ''Split'' (Patrici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E major are: * Tonic – E major * Supertonic – F-sharp minor * Mediant – G-sharp minor * Subdominant – A major * Dominant – B major * Submediant – C-sharp minor * Leading-tone – D-sharp diminished Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are: On the piano, the C major scale can be played by playing only the white keys starting on C. Scale degree chords The scale degree chords of C major are: * Tonic – C major * Supertonic – D minor * Mediant – E minor * Subdominant – F major * Dominant – G major * Submediant – A minor * Leading-tone – B diminished Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of D minor are: * Tonic – D minor * Supertonic – E diminished * Mediant – F major * Subdominant – G minor * Dominant – A minor * Submediant – B-flat major * Subtonic – C major Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. '' The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D mino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The ( or , ; from its incipit, ) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Ambrosian Rite of Milan in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term can also refer to a short religious service (of blessing or thanks) that is based upon the hymn. It continues in use in many contexts by several denominations. In particular it is the core of a short church service of thanksgiving held, often at short notice, to celebrate good news such as a military victory, the signing of a peace treaty, or the birth of a royal child. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Löwe
Ferdinand Löwe (19 February 1865 – 6 January 1925) was an Austrian conductor. Biography Löwe was born in Vienna, Austrian Empire where along with Munich, Germany his career was primarily centered. From 1896 Löwe conducted the Kaim Orchestra, today's Munich Philharmonic, where he returned from 1908 to 1914. In 1900 Löwe founded and conducted the Wiener Concertvereinsorchester, today the Vienna Symphony. He taught at the Vienna Conservatoire from 1884. He was elected director in 1919 and served until 1922. Bruckner A pupil of Anton Bruckner Joseph Anton Bruckner (; ; 4 September 182411 October 1896) was an Austrian composer and organist best known for his Symphonies by Anton Bruckner, symphonies and sacred music, which includes List of masses by Anton Bruckner, Masses, Te Deum (Br ..., Löwe was one of the main popularizers of Bruckner's symphonies. He would sometimes persuade the composer to rearrange his music in order to make it more palatable to the public. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schalk
Franz Schalk (27 May 18633 September 1931) was an Austrian conductor. From 1918 to 1929 he was director of the Vienna State Opera, a post he held jointly with Richard Strauss from 1919 to 1924. He was later involved in the establishment of the Salzburg Festival. Life and career Born in Vienna, he studied under composer Anton Bruckner. From 1900, he was first kapellmeister of the Vienna Court Opera (Hofoper). Between 1904 and 1921, he was head of the Gesellschaft der Musikfreunde in Vienna. In 1918 he became director of the Vienna State Opera (Staatsoper, successor to the Hofoper), but from 1919 shared the directorship with Richard Strauss, with the well-known composer considered "blatantly (though unofficially) the 'greater equal' of the pair" (despite Schalk's recorded renditions of the Beethoven and Schubert 8th Symphonies virtually as distinguished as Strauss' versions of the last three Mozart symphonies, Beethoven's 5th & 7th, and some of the best-known German overtures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Levi
Hermann Levi (7 November 1839 – 13 May 1900) was a History of the Jews in Germany, German Jewish orchestral conductor. Levi was born in Giessen, Germany, the son of a rabbi. He was educated at Giessen and Mannheim, and came to Vinzenz Lachner's notice. From 1855 to 1858 Levi studied at the Leipzig Conservatory, and after a series of travels which took him to Paris, he obtained his first post as music director at Saarbrücken, which post he exchanged for that at Mannheim in 1861. From 1862 to 1864 he was chief conductor of the German Opera in Rotterdam, then until 1872 at Karlsruhe, when he went to Munich, a post he held until 1896, when ill health compelled him to resign. Levi also taught at the Leipzig Conservatory, where his pupils included the conductor Emil Steinbach (conductor), Emil Steinbach. Levi's name is indissolubly connected with the increased public appreciation of Richard Wagner's music. He was a longtime friend of Wagner; when preparing for the inaugural Bayr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wagner Tuba
The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle ''Der Ring des Nibelungen'', where its purpose was to bridge the acoustical and textural gap between the French horn and trombone. The sound produced by this instrument has been variously described as "smoky", "metallic", "unearthly" and "majestic". Wagner tubas (or ''Tenortuben'' and ''Basstuben'') are also referred to as Wagnertuben, Waldhorntuben, Bayreuth-tuben, Ring-tuben, or Horn-tuben by German writers, but it is most common to refer to them in English as Wagner tubas. Wagner's published scores usually refer to these instruments in the plural, ''Tuben'', but sometimes in the singular, ''Tuba''.Keays, James Harvey. "An investigation in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruckner Rhythm
The Bruckner rhythm is a 2 + 3 ( duplet + triplet) or 3 + 2 rhythm in Anton Bruckner's symphonic music, where it occurs prevalently, and in many different ways. One example is in the main theme of the first movement of Symphony No. 4, from bars 43 forward: Bruckner also used the rhythm with a single pitch repeated, and this is the only way it occurs in Symphony No. 2 (e.g., bars 20 and 122). In Symphony No. 6, the Bruckner rhythm occurs to a much greater extent than in previous works, in several parts at slightly different times. At first it occurs as a string ostinato high in the violins' range against a melody of different rhythm in the cellos (bar 3), while at bars 195–209 it serves to articulate hexatonic cycle block chords.Kevin Swinden, "Bruckner and harmony" ''The Cambridge Companion to Bruckner'', ed. John Williamson. Cambridge, Cambridge University Press (2004): 222. "The orchestral texture through this passage is thick, articulating block chords in the 'Bruckne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
