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Swingin' With Pee Wee
''Swingin' with Pee Wee'' is an album by clarinetist Pee Wee Russell with trumpeter Buck Clayton which was recorded in 1960 and released on the Swingville label. accessed June 30, 2017 Reception Scott Yanow of states, "Russell and trumpeter Buck Clayton make for a perfectly compatible team on the 1960 date ... His playing is much more consistent and comfortable on the mid-tempo material than usual and he mostly gets to avoid the overly hyper Dixieland warhorses. A gem".Track listing # " W ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pee Wee Russell
Charles Ellsworth "Pee Wee" Russell (March 27, 1906 – February 15, 1969), was an American jazz musician. Early in his career he played clarinet and saxophones, but he eventually focused solely on clarinet. With a highly individualistic and spontaneous clarinet style that "defied classification", Russell began his career playing traditional jazz, but throughout his career incorporated elements of newer developments such as swing, bebop and free jazz. Writing in 1961, the poet Philip Larkin commented: "No one familiar with the characteristic excitement of his solos, their lurid, snuffling, asthmatic voicelessness, notes leant on till they split, and sudden passionate intensities, could deny the uniqueness of his contribution to jazz." Early life Pee Wee Russell was born in Maplewood, Missouri, United States, and grew up in Muskogee, Oklahoma. As a child, he first studied violin, but "couldn't get along with it", then piano, disliking the scales and chord exercises, and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Very Thought Of You
"The Very Thought of You" is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934. This record was then released in the United States by Victor, and it reached number one for five weeks on the pop music charts. The song was the subject of litigation in 1962. In 1934, Noble assigned the copyright to British publisher Campbell, Connelly & Company. Before the copyright was renewed, however, Noble assigned the United States copyright to M. Witmark & Sons. A suit was brought by Campbell, Connelly against Noble, stating that the assignment covered all rights, including rights in the USA. A British High Court judge ruled in favor of Campbell, Connelly. Charting cover versions * In 1946, Luis Russell recorded the song, which went to number three on the Most-Played Juke Box Race Records charts. * A rhythm and blues version by Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendell Marshall
Wendell Marshall (October 24, 1920 – February 6, 2002) was an American jazz double-bassist. Marshall was Jimmy Blanton's cousin. He studied at Lincoln University, then served in the Army during World War II. Following his discharge, he performed with Stuff Smith, then relocated to New York City, where he worked with Mercer Ellington. From 1948 to 1955, he performed with Duke Ellington. Following his time with Ellington, Marshall joined pit orchestras on Broadway and freelanced with Mary Lou Williams, Art Blakey, Donald Byrd, Milt Jackson, and Hank Jones among others. He retired in 1968, and died of colon cancer in St. Louis, aged 81. Discography With Gene Ammons *'' Twisting the Jug'' (Prestige, 1961) – with Joe Newman and Jack McDuff *''Soul Summit Vol. 2'' (Prestige, 1961 962 *'' Late Hour Special'' (Prestige, 1961 964 *'' Velvet Soul'' (Prestige, 1961-62 964 *'' Angel Eyes'' (Prestige, 1962 965 *'' Sock!'' (Prestige, 1962 965 With Dorothy Ashby *'' The Jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album '' Saxophone Colossus''. Recordings under various leaders, including '' Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack David
Mack David (July 5, 1912 – December 30, 1993) was an American lyricist and songwriter, best known for his work in film and television, with a career spanning the period between the early 1940s and the early 1970s. David was credited with writing lyrics or music or both for over one thousand songs. , ''The New York Times'', Saturday, January 1, 1994. He was particularly well known for his work on the films '''' and '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create " Let's Fall in Love", " Stormy Weather", "Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Barris
Harry Barris (November 24, 1905 – December 13, 1962) was an American popular singer and songwriter. He was one of the earliest singers to use " scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby and Al Rinker, scatted on several songs, including " Mississippi Mud," which Barris wrote in 1927. Biography Barris was born to Jewish parents in New York City. Gary Giddins described him as "small, wiry, and moon-faced with glittery eyes, and dark hair slicked back and parted in the middle." He was educated in Denver, Colorado. Barris became a professional pianist at the age of 14. He led a band which toured the Far East at the age of 17. Barris married Hazelle Thompson in 1925 and they had a daughter, Hazelle Barris, in 1926. The same year, Barris played the piano and occasionally sang in Paul Ash's orchestra. In the same year, Al Rinker and Bing Crosby became members of Paul Whiteman's Orchestra as a singing duo. However, appearin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrap Your Troubles In Dreams (song)
"Wrap Your Troubles in Dreams" (also known as "Wrap Your Troubles in Dreams (and Dream Your Troubles Away)") is a popular song written by Harry Barris with lyrics by Ted Koehler and Billy Moll, published in 1931. The original 1931 popular hit recording was made by Bing Crosby with the Gus Arnheim Orchestra on March 2, 1931 for Victor Records, but the song has become a standard, recorded by many other artists since. Bing Crosby recorded the song four times over his career as well as performing its film debut in the Mack Sennett short, '' One More Chance'' (1931). An outtake from one of the sessions recorded on June 9, 1939 was preserved by blooper compiler Kermit Schafer in which Bing has his most famous “blowup” when he continues singing ad-lib and occasionally risqué words perfectly in tune. That outtake was presented in the PBS '' American Masters'' episode ''Bing Crosby Rediscovered''. Imogene Coca performed this song in an episode of '' Your Show of Shows'' w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that emigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
