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Summer Night On The River
''Summer Night on the River'' is a tone poem composed in 1911 by Frederick Delius. Together with ''On Hearing the First Cuckoo in Spring'' it is one of Delius's ''Two Pieces for Small Orchestra''. The two were first performed in Leipzig on 23 October 1913, conducted by Arthur Nikisch.Threlfall, p. 147 '' Background and first performance In the first years of the 20th century Frederick Delius was better known in Continental Europe than in his native Britain. He lived in France and had most of his musical success in Germany. Hadley Patrick"Delius, Frederick" ''Dictionary of National Biography'', Oxford University Press, 1949. His compositions from this period include ''Songs of Sunset'' (1906–07), ''Brigg Fair'' (1907) and ''In a Summer Garden'' (1908). He completed the first of his ''Two Pieces for Small Orchestra'' – ''Summer Night on the River'' – in 1911, and worked on the second, ''On Hearing the First Cuckoo in Spring'', during 1912. The two works were first given in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen's Hall
The Queen's Hall was a concert hall in Langham Place, London, Langham Place, London, opened in 1893. Designed by the architect Thomas Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. From 1895 until 1941, it was the home of the The Proms, promenade concerts ("The Proms") founded by Robert Newman (impresario), Robert Newman together with Henry Wood. The hall had drab decor and cramped seating but superb acoustics. It became known as the "musical centre of the [British] British Empire, Empire", and several of the leading musicians and composers of the late 19th and early 20th centuries performed there, including Claude Debussy, Edward Elgar, Maurice Ravel and Richard Strauss. In the 1930s, the hall became the main London base of two new orchestras, the BBC Symphony Orchestra and the London Philharmonic Orchestra. These two ensembles raised the standards of orchestral playing in London to new heights, and the hall's resident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Four Hands
Piano four hands (french: À quatre mains, german: Zu vier Händen, Vierhändig, it, a quattro mani) is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a ''piano duo''.Bellingham, Jane"piano duet" ''The Oxford Companion to Music'', Ed. Alison Latham, Oxford Music Online, accessed 31 March 2012 Music written for piano four hands is usually printed so that left-hand pages contain only the part for the pianist sitting on the left, while right-hand pages contain only the part for the pianist sitting on the right. The upper part (right) is called ''primo'' while the lower part (left) is called ''secondo''. Repertoire Arrangements By far the greater proportion of music "à quatre mains" consists of arrangements of orchestral and vocal compositions and of quartets and other groups for stringed instruments. Indeed, scarcely any composition of importance for any combin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Warlock
Philip Arnold Heseltine (30 October 189417 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle. As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Bunk
Gerard Bunk (born 4 March 1888 in Rotterdam; died 13 September 1958 in Kamen) was a German-Dutch organist, pianist, harpsichordist, choirmaster and composer. Life and work Gerard Bunk was a student at the Rotterdam Conservatory of the Maatschappij tot Bevordering der Toonkunst since 1901. The focus of his education was on piano studies with Anton Verheij. After a short stay in Hull and London (with the pianist Mark Hambourg), he came to Bielefeld in 1906 to the piano teacher Hans Hermanns, whom he followed to the Hamburg Conservatory. In 1907 Bunk became a piano teacher at the conservatory in Bielefeld. He trained himself at the organ mainly autodidactically, whereby his pianistic skills paid off. On 20 June 1907, Bunk gave his first organ concert in the Bielefeld Synagogue. Here and in the Neustädter Marienkirche he played cyclical concert series in the following years. On 5 May 1910, Bunk stood in for Karl Straube at the first concert of the Dortmund Max-Reger-Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balfour Gardiner
Henry Balfour Gardiner (7 November 1877 – 28 June 1950) was a British musician, composer, and teacher. He was born at Kensington (London), began to play at the age of 5 and to compose at 9. Between his conventional education at Charterhouse School and New College, Oxford, where he obtained only a pass degree, Gardiner was a piano student at the Hoch Conservatory in Frankfurt, where he was taught by Iwan Knorr and Lazzaro Uzielli, who had been a pupil of Clara Schumann. He belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s. With George Gardiner (no relation) he collected folk songs in Hampshire (1905–1906),Purslow, F; Marrowbones, English Folk Songs from the Hammond and Gardiner Collections; London; 2007 pp xvi–xvii taught music briefly at Winchester College (1907), and composed. His works included compositions in a variety of genres, including two symphonies (No 2 premiered at the Proms in 1908), but many of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million people in the urban region. Centered on the left (west) bank of the Rhine, Cologne is about southeast of NRW's state capital Düsseldorf and northwest of Bonn, the former capital of West Germany. The city's medieval Catholic Cologne Cathedral (), the third-tallest church and tallest cathedral in the world, constructed to house the Shrine of the Three Kings, is a globally recognized landmark and one of the most visited sights and pilgrimage destinations in Europe. The cityscape is further shaped by the Twelve Romanesque churches of Cologne, and Cologne is famous for Eau de Cologne, that has been produced in the city since 1709, and "cologne" has since come to be a generic term. Cologne was founded and established in Germanic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pianissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Mengelberg
Joseph Wilhelm Mengelberg (28 March 1871 – 21 March 1951) was a Dutch conductor, famous for his performances of Beethoven, Brahms, Mahler and Strauss with the Concertgebouw Orchestra in Amsterdam. He is widely regarded as one of the greatest symphonic conductors of the 20th century. Biography Mengelberg was the fourth of fifteen children of German-born parents in Utrecht, Netherlands. His father was the Dutch-German sculptor Friedrich Wilhelm Mengelberg. After studies in Utrecht with the composer and conductor Richard Hol, the composer Anton Averkamp (1861–1934) and the violinist Henri Wilhelm Petri (1856–1914), he went on to study piano and composition at the Cologne conservatory (now the Hochschule für Musik Köln), where his principal teachers were Franz Wüllner, Isidor Seiss and Adolf Jensen. In 1891, when he was 20, he was chosen as General Music Director of the city of Lucerne Switzerland, where he conducted an orchestra and a choir, directed a music school, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Philharmonic Society
The Royal Philharmonic Society (RPS) is a British music society, formed in 1813. Its original purpose was to promote performances of instrumental music in London. Many composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989, the RPS has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom. The RPS is a registered UK charity No. 213693, located at 48 Great Marlborough Street in London. The current chief executive of the RPS is James Murphy, and its current chairman is John Gilhooly. History In London, at a time when there were no permanent London orchestras, nor organised series of chamber music concerts, a group of thirty music profession ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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