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Stuck Inside Of Mobile With The Memphis Blues Again
"Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, '' Blonde on Blonde'' (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, '' Bob Dylan's Greatest Hits Vol. II'' (1971). An earlier take of the song was released on '' The Bootleg Series Vol. 7: No Direction Home: The Soundtrack'' in 2005, and other takes were issued on '' The Bootleg Series Vol. 12: The Cutting Edge 1965–1966'' in 2015. "Stuck Inside of Mobile with the Memphis Blues Again" has received a positive reception ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Described as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture over his nearly 70-year career. With an estimated more than 125 million records sold worldwide, he is one of the List of best-selling music artists, best-selling musicians of all time. Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning Counterculture of the 1960s, counterculture. Dylan was born in St. Louis County, Minnesota. He moved to New York City in 1961 to pursue a career in music. Following his 1962 debut album, ''Bob Dylan (album), Bob Dylan'', featuring traditional folk and blues material, he released his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Thunder Revue
The Rolling Thunder Revue was a 1975–76 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who was a major recording artist and concert performer, to play in smaller auditoriums in less populated cities where he could be more intimate with his audiences. Some of the performers on the tour were Joan Baez, Roger McGuinn, Joni Mitchell, Ronee Blakely and Ramblin' Jack Elliott. Bob Neuwirth assembled backing musicians from the recording sessions for Dylan's Desire (Bob Dylan album), ''Desire'' album, including violinist Scarlet Rivera, bassist Rob Stoner, and drummer Howie Wyeth, plus Mick Ronson on guitar. The tour included 57 concerts in two legs—the first in the American northeast and Canada in the fall of 1975, and the second in the Southern United States, American South and southwest in the spring of 1976. The release of ''Desire'' in January 1976 fell between the two legs of the tour, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Moss
Wayne Moss (born February 9, 1938, in South Charleston, West Virginia, United States) is an American guitar player, bassist, record producer and songwriter best known for his session work in Nashville. In 1961, Moss founded Cinderella Sound recording studio. In 2011 it was Nashville's oldest surviving independent studio. Moss was one of the founders of Area Code 615 and Barefoot Jerry, both bands made up of Nashville session players. Biography Moss was born in 1938 in South Charleston, West Virginia. As a teenager he played in bands in nearby Charleston before eventually moving to Nashville, Tennessee in 1959. He became friends with Kenny Buttrey and Charlie McCoy. Hargus "Pig" Robbins hired him as a session musician, leading to Moss playing on recordings by artists including Patsy Cline, Waylon Jennings, Loretta Lynn, Charley Pride, Joan Baez, Steve Miller Band, and Linda Ronstadt. The first number one hit song that Moss played on was Tommy Roe's " Sheila" (1962). He also p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie McCoy
Charlie McCoy (born Charles Ray McCoy, March 28, 1941) is an American harmonica virtuoso and multi-instrumentalist in country music. He is best known for his harmonica solos on iconic recordings such as " Candy Man" ( Roy Orbison), "He Stopped Loving Her Today" (George Jones), " I Was Country When Country Wasn't Cool" ( Barbara Mandrell), and others. He was a member of the progressive country rock bands Area Code 615 and Barefoot Jerry. After recording with Bob Dylan in New York, McCoy is credited for unknowingly influencing Dylan to decide to come to Nashville to record the critically acclaimed 1966 album '' Blonde on Blonde''. A prolific session musician, McCoy performed on many recordings by established artists, including Elvis Presley (on eight of his film sound tracks), Bob Dylan, Johnny Cash, Chet Atkins, Waylon Jennings, Roy Orbison, Leon Russell, and Loretta Lynn. In the recording industry, he was known as the "utility man" because of his ability to play with suf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nashville A-Team
The Nashville A-Team was a nickname given to a group of session musicians in Nashville, Tennessee, who earned wide acclaim in the 1950s, 1960s, and early 1970s, similar to their West Coast counterpart who became known (after the fact) as the Wrecking Crew. Some members of the Nashville A-Team were also subsequently or previously members of the Wrecking Crew. They backed dozens of popular singers, including Elvis Presley, Eddy Arnold, Patsy Cline, Jim Reeves, Bob Dylan, Moon Mullican, Jerry Lee Lewis, Brenda Lee, and others.Sanjek, Russell. (1988), ''American Popular Music and Its Business: the first four hundred years'', Oxford University Press. The Nashville A-Team's members typically had backgrounds in country music but were highly versatile. Examples of their jazz inclinations can be found in the Nashville All-Stars album with Chet Atkins titled '' After the Riot at Newport'', the Hank Garland LP entitled ''Velvet Guitar'', Tupper Saussy's ''Said I to Shostakovitch'', Kai Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonica
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the lips and tongue to direct air into or out of one (or more) holes along a mouthpiece (which covers one edge of the harmonica for most of its length). Behind each hole is a chamber containing at least one reed. The most common type of harmonica is a diatonic Richter-tuned instrument with ten air passages and twenty reeds, often called a blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, the reed alternately blocks and unblocks the airway to produce soun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robbie Robertson
Jaime Royal Robertson (July 5, 1943 – August 9, 2023) was a Canadian musician of Indigenous and Jewish ancestry. He was the lead guitarist for Bob Dylan's backing band in the mid-late 1960s and early-mid 1970s. Robertson was also the guitarist and primary songwriter of The Band from its inception until 1978, after which time he enjoyed a lengthy solo career. Robertson's work with the Band was instrumental in creating the Americana (music), Americana music genre. He was inducted into the Rock and Roll Hall of Fame and the Canadian Music Hall of Fame as a member of the Band; he was also inducted into Canada's Walk of Fame, both with the Band and on his own. Robertson is ranked 59th in ''Rolling Stone'' magazine's 2011 list of the 100 greatest guitarists of all time. He wrote "The Weight", "The Night They Drove Old Dixie Down", and "Up on Cripple Creek" with the Band. Robertson also had solo hits with "Broken Arrow (Robbie Robertson song), Broken Arrow" and "Somewhere Dow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is an American songwriter, record producer, and musician. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song " Like a Rolling Stone", French horn and piano on the Rolling Stones song " You Can't Always Get What You Want", and lead guitar on Rita Coolidge's " The Lady's Not for Sale". He also formed and named Blood, Sweat & Tears, though he did not stay with the group long enough to share in its subsequent popularity. Kooper produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction to the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hawks (band)
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1957. It consisted of the Canadians Rick Danko (bass, guitar, vocals, fiddle), Garth Hudson (organ, keyboards, accordion, saxophone), Richard Manuel (piano, drums, vocals) and Robbie Robertson (guitar, piano, percussion) and the American Levon Helm (drums, vocals, mandolin, guitar, bass). The Band's music combined elements of Americana, folk, rock, R&B, jazz and country, which influenced artists including George Harrison, Elton John, the Grateful Dead, Eric Clapton, and Wilco. Between 1958 and 1963, the group was known as the Hawks and were the backing band for rockabilly singer Ronnie Hawkins. In the mid-1960s, they gained recognition for backing Bob Dylan on his 1966 concert tour as Dylan's first electric band. After leaving Dylan and changing their name to The Band, they released their 1968 debut ''Music from Big Pink'' and its succeeding album, 1969's ''The Band'' to critical acclaim and commerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highway 61 Revisited
''Highway 61 Revisited'' is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album ''Bringing It All Back Home'' (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic Folk music, folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray (author), Michael Gray argued that, in an important sense, Counterculture of the 1960s, the 1960s "started" with this album. Preceded by the hit single "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and Highway 61 Revi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Music
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. While all music was once acoustic, the retronym "acoustic music" appeared after the advent of electric instruments, such as the electric guitar, electric violin, electric organ and synthesizer. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era. Music reviewer Craig Conley suggests, "When music is labeled acoustic, unplugged, or unwired, the assumption seems to be that other types of music are ''cluttered'' by technology and overproduction and therefore aren't as ''pure''." Types of acoustic instruments Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bringing It All Back Home
''Bringing It All Back Home'' is the fifth studio album by the American singer-songwriter Bob Dylan, released in April1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene. The album is split into two distinct halves; the first half of the album features electric instrumentation, in which on side one of the original LP, Dylan is backed by an electric rock and roll band. The second half features mainly acoustic songs. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. The album reached No. 6 on ''Billboard''s Pop Albums chart, the first of Dylan's LPs to break into the US Top 10. It also topped the UK charts later that spring. The first track, " Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at No. 39. ''Bringing It All Back Hom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
