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Steel-string Guitar
The steel-string acoustic guitar is a modern form of guitar that descends from the gut-strung Romantic guitar, but is strung with steel strings for a brighter, louder sound. Like the modern classical guitar, it is often referred to simply as an acoustic guitar, or sometimes as a folk guitar. The most common type is often called a flat top guitar, to distinguish it from the more specialized archtop guitar and other variations. The standard tuning for an acoustic guitar is E-A-D-G-B-E (low to high), although many players, particularly fingerpickers, use alternate tunings ( scordatura), such as open G (D-G-D-G-B-D), open D (D-A-D-F-A-D), drop D (D-A-D-G-B-E), or D-A-D-G-A-D (particularly in Irish traditional music). Construction Steel-string guitars vary in construction and materials. Different woods and approach to bracing affect the instrument's timbre or tone. While there is little scientific evidence, many players and luthiers believe a well-made guitar's tone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson SJ200
The Gibson J-200 (formerly the Gibson SJ-200 or Super Jumbo 200), is an acoustic guitar model produced by the Gibson Guitar Corporation. Standard models of the guitar feature a uniquely shaped "moustache" bridge and a large pickguard with a vine-and-flowers decoration. History Gibson entered into production of this model in 1937 as its top-of-the-line flat top guitar, initially called the Super Jumbo, changing the name in 1939 to the Super Jumbo 200. It replaced the Gibson Advanced Jumbo. It was made at the Gibson Factory in Kalamazoo, Michigan, Kalamazoo, Michigan. The SJ-200 was named for its super-large 16 7/8" flat top body, with a double-braced red spruce top, rosewood back and sides, and sunburst finish. In 1947 the materials used for the guitar changed to maple back and sides. Gibson changed the name to the J-200 in 1955. Due to the weak post-depression economy and wartime austerity, demand for this high-end guitar was very limited and production quantities were small. Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archtop Guitar
An archtop guitar is a hollow acoustic guitar, acoustic or semi-acoustic guitar, semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz guitar, jazz, blues, and rockabilly players. Typically, an archtop guitar has: * Six strings * An arched top and back, not a flat top and back * A hollow body * A moveable adjustable bridge (instrument), bridge * F-holes similar to members of the violin family * A rear-mounted tailpiece, stoptail bridge, or Bigsby vibrato tailpiece * A Set-in neck, set-in neck join at the 14th fret History The archtop guitar is often credited to Orville Gibson, whose innovative designs led to the formation of the Gibson Mandolin-Guitar Mfg. Co, Ltd in 1902. His 1898 patent for a mandolin, which was also applicable to guitars according to the specifications, was intended to enhance "power and quality of tone." Among the features of this instrument were a violin-style arched top and back, each carved fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreadnought (guitar Type)
The dreadnought is a type of acoustic guitar developed by American guitar manufacturer C.F. Martin & Company. The style, since copied by other guitar manufacturers, has become one of the most common for acoustic guitars. In its most frequently encountered shape it is characterized by square shoulders, a relatively flat tail end, a wide waist with a large radius curve, and a 14-fret neck (i.e., 14 frets clear of the body) although when first introduced, the body was longer, with round shoulders, and only 12 frets clear of the body. At the time of its creation in 1916 the word ''dreadnought'' referred to a large, all big-gun, modern battleship of the type pioneered by in 1906. A body much larger than most other guitars provided the dreadnought with a bolder, perhaps richer, and often louder tone. Martin dreadnought guitars are known as "D-size" guitars, as opposed to their smaller equivalents (in increasing order of size, 0, 00, 000 and sometimes 0000 or M). Their model numbers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Clapton
Eric Patrick Clapton (born 1945) is an English Rock music, rock and blues guitarist, singer, and songwriter. He is regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in ''Rolling Stone''s list of the "Top 100 Greatest Guitar Players of all Time, 100 Greatest Guitarists of All Time" and fourth in Gibson (guitar company), Gibsons "Top 50 Guitarists of All Time". He was named number five in ''Time (magazine), Time'' magazine's list of "The 10 Best Electric Guitar Players" in 2009. After playing in a number of different local bands, Clapton joined the Yardbirds from 1963 to 1965, and John Mayall & the Bluesbreakers from 1965 to 1966. After leaving Mayall, he formed the power trio Cream (band), Cream with drummer Ginger Baker and bassist/vocalist Jack Bruce, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop". After four successful albums, Cream broke up in November 1968. Clapton then fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taylor Guitars
Taylor Guitars is an American guitar manufacturer based in El Cajon, California. The company was founded in 1974 by Bob Taylor and Kurt Listug, specializing in acoustic guitars and semi-hollow electric guitars. It is one of the largest manufacturers of acoustic guitars in the United States and sells guitars in 65 countries around the world. History Bob Taylor, aged 18 in 1972, began working at a guitar-making shop owned by Sam Radding called American Dream, where Kurt Listug was employed. Radding sold the business in 1974 and Taylor, Listug, and a third employee, Steve Schemmer, bought American Dream and renamed it the Westland Music Company. Needing a compact logo for the guitars' headstock, they changed the name to ''Taylor,'' which they thought sounded more American than ''Listug''. Kurt Listug said, "Bob was the real guitar-maker." Listug became the partnership's businessman and Taylor handled design and production. They began selling their guitars through retailers in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parlor Guitar
Parlor or parlour guitar usually refers to a type of acoustic guitar smaller than a Size No.0 Concert Guitar by C. F. Martin & Company. ''Mottola's Cyclopedic Dictionary of Lutherie Terms'' describes the term as referring to "any guitar that is narrower than current standards." Overview The popularity of these guitars peaked from the late 19th century until the 1950s. Many blues and folk musicians have used smaller-bodied guitars, which were often more affordable, mass production models. Parlor guitar has also come to denote a style of American guitar music from the 19th and early 20th centuries. Noted composers include William Foden, Winslow Hayden, William Bateman, Justin Holland, and Wilhelm Bischoff. The music for the guitar includes a variety of dance forms (waltz, schottische, polka), instrumental arrangements of popular songs, guitar arrangements of then popular classical music, operatic arrangements and music from European guitar composers ( Sor, Giuliani, Carca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luthier
A luthier ( ; ) is a craftsperson who builds or repairs string instruments. Etymology The word ' is originally French and comes from ''luth'', the French word for "lute". The term was originally used for makers of lutes, but it came to be used in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. Craft The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype known as a bow maker or archetier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre (), also known as tone color or tone quality (from psychoacoustics), is the perceived sound of a musical note, sound or tone. Timbre distinguishes sounds according to their source, such as choir voices and musical instruments. It also enables listeners to distinguish instruments in the same category (e.g., an oboe and a clarinet, both woodwinds). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctive with its own unique tone color. Musicians distinguish instruments based on their varied timbres, even instruments playing notes at the same pitch and volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DADGAD
, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning () the six guitar strings are tuned, from low to high, Tuning to from standard is accomplished by tuning the first, second, and sixth strings down a whole tone (two frets). The result is an open D, ''suspended fourth chord''. Being suspended, the open tuning is neither intrinsically major nor minor. History D A D G A D was popularized by British folk guitarist Davey Graham. Inspired by hearing an oud player in Morocco, Graham experimented with detuning some of the guitar's strings from standard tuning (), arriving at He employed the tuning to great effect in his treatments of Celtic music, but also the folk music of India and Morocco. The first guitarists in Irish traditional music to use the tuning were Mícheál Ó Domhnaill and Dáithí Sproule. Other proponents of the tuning in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drop D Tuning
Drop D tuning is an alternative form of guitar tuning in which the lowest (sixth) string is tuned down from the usual E of standard tuning by one whole step to D. Therefore, where the standard tuning is E2A2D3G3B3E4 (EADGBe), drop D is D2A2D3G3B3E4 (DADGBe). Drop D tuning, as well as other lowered altered tunings, are often used with the electric guitar in heavy metal music. It is also used in blues, country, folk (often with acoustic guitar), and classical guitar. Uses In drop D, the three open bass strings form a D5 power chord. Other fifth chords are made when barred with the index finger of the fretting hand shifted up the fretboard. Drop D tuning is frequently used in heavy metal and its various subgenres, as guitarists in these styles often need fast transitions between power chords. Drop D is also used in metal because it adds two lower semitones to the bass range of the rhythm guitar, which adds two more low-range power chords (E and D) and enables a heavier, deeper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open D Tuning
Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are (from lowest to highest): D A D F A D. It uses the three notes that form the triad of a D major chord: D (the root note), F (the major third) and A (the perfect fifth). To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F, and 6th (low-E) string down a full step to D. In this tuning, when the guitar is strummed without fretting any of the strings, a D major chord is sounded. This means that any major chord can be easily created using one finger, fretting all the strings at once (also known as barring); for example, fretting all the strings at the second fret will produce an E major chord, at the third fret an F major chord, and so on up the neck. Open D tuning is very popular with slide guitar (or 'bottleneck') players, as it al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open G Tuning
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is :D–G–D–G–B–D (low to high). An open-G tuning allows a G-major chord to be strummed on all six strings with neither fretting of the left hand nor a capo. Like other open tunings, it allows the eleven major chords besides G major each to be strummed by barring at most one finger on exactly one fret. Usages in music Open G tuning allows for open strings and single-fret bar chords to be played in key which make techniques such as slide and steel guitar viable. Open G tuning is common in blues and folk music (along with other open tunings). Open G tuning particularly common in guitar music of Hawaiian origin including guitar styles such as slack-key guitar and steel guitar. In the context of slack-key music, open G is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
