Stasys Šimkus
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Stasys Šimkus
Stasys Šimkus (23 January 1887, Motiškiai, now in Jurbarkas district municipality, Russian Empire – 15 October 1943, Kaunas, Reichskommissariat Ostland) was a Lithuanian composer. Šimkus studied in Vilnius and Warsaw and later became the pupil of Anatoly Konstantinovich Lyadov, Jāzeps Vītols, and Maximilian Steinberg. After visiting the United States, he went to Leipzig for further studies with Paul Graener and Sigfrid Karg-Elert. A national Romantic, Šimkus helped resurrect the Lithuanian cultural organization Daina in 1916. In 1923, he opened a private music school in Klaipėda, which was soon converted into the national Lithuanian Conservatory (now called the Klaipėda Stasys Šimkus Conservatoire). He was a professor of composition at the Conservatoire from 1931 to 1937 and also conducted the State Opera at Kaunas. Šimkus composed several operas, a cantata, a symphonic poem, a piano suite, a ballade, choral works, lieder, and church music. He composed the music ...
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Daina (organization)
Daina Society (''daina'' means ''song'' in Lithuanian; ) was a Lithuanian cultural organization promoting Lithuanian folk traditions and songs. It was established as an illegal cultural society by the composer Juozas Naujalis and officially registered with the Tsarist authorities in 1905. Active from 1899 to 1944 in Kaunas, the society organized various events, concerts, amateur theater performances. In 1924, it initiated the first Lithuanian Song Festival. History Before World War I During the Lithuanian National Revival, Lithuanians were becoming more active. Prussian Lithuanians organized the Birutė Society in 1885 and smaller Lithuanian cultural societies were organized in Riga and Saint Petersburg, but such societies were illegal in Lithuania due to the strict Russification policies and the Lithuanian press ban. The Daina Society was organized by composer Juozas Naujalis in Kaunas in 1899. As an illegal organization, it often used a cover of a church choir and organized trip ...
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Lietuvininkai We Are Born
''Lietuvininkai we are born'' (, ) is a Lithuanian-language patriotic and sentimental poem written by the German linguist Georg Sauerwein in 1879. It is a passionate defense of Prussian Lithuanian (Lietuvininkai) language and culture, rallying people to resist Germanisation attempts. However, at the same time the poem proclaimed love and loyalty to the Kaiser signifying that the rally was cultural and not political. It was inspired by Enlightenment ideas that archaic languages and traditions of minorities should be cherished, studied, and preserved. The poem was first published in the Prussian Lithuanian newspaper '' Lietuwißka Ceitunga'' in 1879. The poem was set to music in 1908 by the composer Stasys Šimkus and became the unofficial anthem of Lithuania Minor. Its shortened version uses only the 1st and 4th stanzas relevant to both Lithuania Minor and Lithuania Major and replaces ''Lietuvininkai'' with ''Lietuviai'' (Lithuanians), was proposed to become the National Anthem of ...
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Christian Music
Christian music is a genre of music that has been written to express either personal or a communal belief regarding Christianity, Christian life and faith. Common themes of Christian music include praise, worship, penitence and lament, and its forms vary widely around the world. Church music, hymnals, gospel music, gospel and worship music, worship music are a part of Christian media and also include contemporary Christian music which itself supports numerous Christian styles of music, including Christian hip hop, hip hop, Christian rock, rock, Contemporary worship music, contemporary worship and urban contemporary gospel. Like other forms of music the creation, performance, significance and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes or with a positive message as an entertainment product for the marketplace. ...
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Lied
In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest ''Lieder'' date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History Terminology For German speakers, the ...
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Choir
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind c ...
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Ballade (classical Music)
A ballade (; ; and ,) refers to a one- movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballade. In 19th century romantic music, a piano ballade is a genre of solo piano pieces written in a balletic narrative style, often with lyrical elements interspersed. Emerging in the Romantic era, it became a medium for composers to explore dramatic and expressive storytelling through complex, lyrical themes and virtuosic techniques. Origin The musical ballade originates in the literary tradition of medieval and early Renaissance poetry. In poetry, the '' ballade'' featured a highly structured form, typically composed of three main stanzas with a repeated refrain. This structure allowed poets to weave tales of romance, heroism, and folklore, with Guillaume de Machaut being a key figure in popularizing this poetic style. Additionally, the ballade existed as a courtly dance, marked by its elegance and associatio ...
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Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ...
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Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ...
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Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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