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Standard Of Our Lady Of Mercy
The ''Standard of Our Lady of Mercy'' is a 1520-1522 oil on canvas painting by Moretto da Brescia, now in the Tempio Canoviano in Possagno. It is made up of two canvases, now separated one showing '' Our Lady of Mercy'' and the other shows ''The Prophets Enoch and Elijah''. The work's original location is unknown, though its subjects' mean it was probably commissioned by a religious confraternity, possibly the ''Confraternity of the Virgin of Mount Carmel'' based at the church of Santa Maria del Carmine in Brescia. The standard first appears in the historical sources in 1820, when Antonio Canova acquired it and the same artist's '' Madonna of Mount Carmel'' from the Ottoboni family in Rome.Pier Virgilio Begni Redona, p. 122 In a letter written just after the acquisition, Canova attributed all three works to Pordenone and stated that they had originally come from Pissincana near Pordenone. On Canova's death it was inherited by his stepbrother Giovanni Battista Sartori, who plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moretto Da Brescia
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Sartori
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) San Giovanni, the Italian form of "Saint John", is a name that may refer to dozens of saints. It may also refer to several places (most of them in Italy) and religious buildings: Places France *San-Giovanni-di-Moriani, a municipality of the Hau . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Veneto
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Hebrew Bible Prophets
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Fiocco
Giuseppe Fiocco (16 November 1884 – 5 October 1971) was an Italian art historian, art critic, and academic. He is known for his research and writings on Venetian and Florentine artists. Biography Fiocco was born on 16 November 1884 in Giacciano con Baruchella, Veneto, Italy. His parents were Luigi and Maria Carpani. In 1904 he graduated with a law degree from Sapienza University of Rome. In 1908 he obtained a literature degree from the University of Bologna, where he submitted a thesis on art history; painter and art critic Igino Benvenuto Supino served as a thesis advisor. After Bologna, Fiocco returned to Sapienza University of Rome where he undertook postgraduate art history studies under Adolfo Venturi, receiving his diploma in 1911. Under Venturi's tutelage, Fiocco became familiar with the teachings of then prominent Italian and Austrian art historians and theorists such as Giovanni Battista Cavalcaselle, Giovanni Morelli, Emanuel Löwy, and Alois Riegl. On 7 Decemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallerie Dell'Accademia
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the '' vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pordenone
Pordenone (; Venetian and fur, Pordenon) is the main ''comune'' of Pordenone province of northeast Italy in the Friuli Venezia Giulia region. The name comes from Latin ''Portus Naonis'', meaning 'port on the Noncello (Latin ''Naon'') River'. History Pordenone was created at the beginning of the High Middle Ages as a river port on the Noncello, with the name ''Portus Naonis.'' In the area, however, there were already villas and agricultural settlements from the Roman age, especially in the area of the town of Torre. Between 1257 and 1270 Pordenone was conquered by Ottokar II of Bohemia, who was eventually defeated in 1277, when the city was brought back to the Empire, under Rodolph I of Habsburg. In 1278, after having been administrated by several feudatories, the city was handed over to the Habsburg family, forming an Austrian enclave within the territory of the Patriarchal State of Friuli. In the 14th century, Pordenone grew substantially due to the flourishing river t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempio Canoviano
The Tempio Canoviano or Temple of Canova is a Roman Catholic parish church built in a severe Neoclassical style, based on the designs of Antonio Canova. It is located on a hilltop in Possagno in the Province of Treviso in the region of Veneto, Italy. Work on the temple, which is dedicated to the Holy Trinity, began in 1819 and resumed after Canova's death in 1822 until 1830 under the supervision of abbot Giovanni Battista Sartori and architect Giuseppe Segusini. The project underwent several modifications by Pietro Bosio and Giovanni Zardo along with Giannantonio Selva and Luigi Rossini. The structure recalls the Pantheon of Rome. Canova almost single-handedly financed the site since he wished to be buried there after his request of a burial at the Rome Pantheon was denied. Upon completion in 1830 his remains were transferred to the church. The atrium or pronaos is nearly in size, the diameter of the interior and height of the cupola, and contains 16 doric columns. The arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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