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Stabat Mater (other)
''Stabat Mater'' is a 13th-century Catholic hymn to Mary's suffering as Jesus Christ's mother at his crucifixion. Stabat Mater may also refer to: Musical arrangements for the hymn * Stabat Mater (Boccherini), by Luigi Boccherini * Stabat Mater (Dvořák), by Antonin Dvořák * Stabat Mater (Haydn), by Joseph Haydn * Stabat Mater (Jenkins), by Karl Jenkins * Stabat Mater doloroso, part XII of the oratorio ''Christus'' (Liszt) by Franz Liszt * Stabat Mater (Palestrina), Giovanni Pierliugi Palestrina * Stabat Mater (Pärt), by Arvo Pärt * Stabat Mater (Pergolesi), by Giovanni Battista Pergolesi * Stabat Mater (Poulenc), by Francis Poulenc * Stabat Mater (Rossini), by Gioachino Rossini * Stabat Mater (Scarlatti), by Alessandro Scarlatti * Stabat Mater in F minor (Schubert), by Franz Schubert * Stabat Mater in G minor (Schubert), by Franz Schubert * Stabat Mater, by Agostino Steffani * Stabat Mater (Szymanowski), by Karol Szymanowski * Stabat Mater (Vivaldi), by Antonio Vivaldi O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater
The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater In G Minor (Schubert)
in G minor, 175, is a musical setting of the Latin sequence, composed by Franz Schubert in April 1815. It is scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, violin I and II, viola, and basso continuo (cello, double bass and organ). This setting contains four stanzas of the twenty stanzas of the sequence. After a short orchestral interlude, these four stanzas are repeated with "far-reaching variation". Its structure as a single continuous movement is unusual; most of Schubert's sacred works (not including masses) were composed as one movement divided into three sections. While settings of the developed into a staple of concert music by the late 19th century, it is thought that this piece would have been performed for liturgical use in the Lichtental Church The Lichtental Parish Church () is the Catholic Church, Catholic parish church of Lichtental, now part of Vienna, Austria. Officially the ', it is dedicated to the Fourteen Holy Helpers. The church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Kristeva)
Stabat Mater (original French title "Hérethique de l'amour") is an essay by philosopher and critic Julia Kristeva. First published in French in ''Tel Quel'' (1977), it was translated into English by Arthur Goldhammer and published in ''Poetics Today'' (1985), and translated again by Leon S. Roudiez for ''The Kristeva Reader'' (ed. Toril Moi, Columbia UP, 1986). The essay's title derives from ''Stabat Mater'', the 13th-century Catholic hymn to Mary; Kristeva's childhood, she said, was "bathed" in the liturgy of the Orthodox Church. The essay is experimental, and (in two columns) combines a scholarly investigation of the cult of the Virgin Mary Mary was a first-century Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is an important figure of Christianity, venerated under titles of Mary, mother of Jesus, various titles such as Perpetual virginity ... and of "the maternal" symbolized by the Virgin with a personal account of Kristeva's "bodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (band)
Clandestine Blaze is a one-man Finnish black metal band from Lahti, formed in 1998 by Mikko Aspa. Aspa cites Darkthrone, Burzum, Beherit and Bathory as key influences. Aspa is also currently involved in many other projects, such as Stabat Mater, Creamface, Fleshpress, AM, Grunt, Clinic of Torture, Alchemy of the 20th Century, and Nicole 12.Clandestine Blaze biography @ MusicMight Aspa is also the owner of Northern Heritage, a record label that has released albums by , , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Martins
Peter Martins (born 27 October 1946) is a Danish former ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt and un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (ballet)
The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (art)
Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion in the arts, crucifixion of Jesus in art depicting the BVM(RC), Virgin Mary under the true cross, cross during the crucifixion of Christ alongside John the Apostle. It is common in groups of sculpture on a rood screen, and in paintings. In large hanging ''Crucifixions'', Mary and John may be shown at a smaller scale beside Christ's torso. Description In these depictions, the Virgin Mary and John the apostle are standing under the true cross, cross during the crucifixion of Christ, with only these three figures shown. Mary is almost always standing to the right hand side of the body of her son Jesus on the cross, with John standing to the left. It is distinguished from fully populated ''Crucifixion'' scenes where there may be considerable numbers of other figures, though these three have the same positions. It contrasts with depictions of the ''Swoon of the Virgin'', where she is se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (album)
''Stabat Mater'' is the sixth full-length album by Stefano Lentini. It was released on October 8, 2013. The single 'Stabat Mater' is a part of the soundtrack of Wong Kar Wai's The Grandmaster, 2014 Oscar Nominee. In an interview with the Pitchfork A pitchfork or hay fork is an agricultural tool used to pitch loose material, such as hay, straw, manure, or leaves. It has a long handle and usually two to five thin tines designed to efficiently move such materials. The term is also applie ... website, Lentini said: ''Sacred music is generally only referred to music based on religious texts. I think this is wrong. Any kind of music able to convey some Truth about existence should be regarded as “sacred”. It is neither a matter of sound nor of musical instrument. It is not a genre, but an attitude: whether it is symphonic or indie music, if there is some inner truth in it, a profound expressive intensity, then there’s sacredness. Whatever is human is necessarily sacred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Vivaldi)
Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered in Brescia in 1712. Instrumentation The work is scored for violins I & II, violas, solo alto or countertenor and basso continuo. Movements Vivaldi's Stabat Mater only uses the first ten stanzas of the hymn. stabatmater.info The music is keyed in , and is generally slow and melancholy, with only being used once in the Amen, and all the other movements not going faster than [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Szymanowski)
Karol Szymanowski's Stała matka bolejąca (Stabat mater dolorosa), Op. 53, was composed in 1925 and 1926. Scored for soprano, alto and baritone soloists, SATB choir and orchestra, it sets Jozef Janowski's Polish translation of the Marian hymn in six movements. His first composition to a liturgical text, it is characteristic of his late period in being partly based on Polish melodies and rhythms; a stay in the Tatras mountains, at Zakopane, in 1922 had led him to describe Polish folk music as "enlivening nits proximity to Nature, nits force, nits directness of feeling, nits undisturbed racial purity." Indeed, Szymanowski's use of Polish musical elements together with the Polish translation here is unique. Origin and performances In 1924 Princess Edmond de Polignac requested "a piece for soloists, choir, orchestra (perhaps with Polish text): a kind of Polish Requiem." Teresa Chylińska indicates Szymanowski's intentions for the piece in response to the request: "a type of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Steffani
Agostino Steffani (25 July 165412 February 1728) was an Italian bishop, polymath, diplomat and composer. Education Steffani was born at Castelfranco Veneto on 25 July 1654. As a boy he was admitted as a chorister at San Marco, Venice. Steffani excelled as a choirboy and was asked to sing at important occasions. Aged 11 and 12 he sang opera in Venice. Aged 13 Steffani received patronage and he moved to Munich. Steffani's education was completed at the expense of Ferdinand Maria, Elector of Bavaria, who appointed him ''Churfürstlicher Kammer- und Hofmusikus'' and granted him a liberal salary. After receiving instruction from Johann Kaspar Kerll, in whose charge he lived, Steffani was sent in 1673 to study in Rome, where Ercole Bernabei was his master, and among other works he composed six motets, the original manuscripts of which are now in the Fitzwilliam Museum at Cambridge. On his return to Munich with Bernabei in 1674, Steffani published his first work, ''Psalmodia ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater In F Minor (Schubert)
in F minor, 383, is a musical setting of the Stabat Mater sequence, composed by Franz Schubert in 1816. It is scored for soprano, tenor and bass soloists, SATB choir, 2 flutes, 2 oboes, 2 bassoons, contrabassoon, 2 french horns, 3 trombones, violin I and II, viola, cello and double bass. Rather than setting the Latin sequence of the , Schubert used a German paraphrase by F. G. Klopstock, '. The work is sometimes referred to as the ''Deutsches Stabat Mater'', and was written for the composer's brother Ferdinand. Schubert had written a shorter setting of the Latin in 1815, Stabat Mater in G minor, 175, a single-movement piece of approximately six minutes' duration, using only four verses of the twenty stanzas of the sequence. Structure This setting is essentially a short oratorio with arias, duets, trios and chorus work. The work is divided into twelve movements. Performances require 30–40 minutes. #"" Largo, F minor, common time; choir #"" B-flat minor, 3/8; sopran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
