St Aelhaiarn's Church, Guilsfield
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St Aelhaiarn's Church, Guilsfield
St Aelhaiarn's Church is an active parish church in the village of Guilsfield, Powys, Wales. The village lies 3 miles to the north of Welshpool. The present church dates mainly from the 14/15th centuries, although parts may date back to the 12th. It was restored by George Edmund Street in 1877–1879. The church is designated by Cadw as a Grade I listed building. Its churchyard, which contains a group of ancient yew trees, is designated at Grade II* on the Cadw/ICOMOS Register of Parks and Gardens of Special Historic Interest in Wales. History St Aelhaiarn's stands in the centre of the village of Guilsfield, which is 3 miles to the north of Welshpool. The present church dates mainly from the 14/15th centuries. There is uncertainty as to the date of the building's original construction. Cadw's listing record ascribes the tower to the 12th or 13th centuries. Robert Scourfield and Richard Haslam, in their ''Powys'' volume in the Buildings of Wales series, record the tower as ...
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Guilsfield
Guilsfield (,  "Apiaceae, Hemlock-field") is a village and community (Wales), community in Montgomeryshire, Powys, Wales. It lies beside Guilsfield Brook about three miles north of Welshpool. It is located on the B4392 road and a disused branch of the Montgomery Canal starts nearby. The community has an area of and had a population of 1,640 in 2001.Davies, John; Nigel Jenkins, Menna Baines & Peredur I. Lynch (2008) ''The Welsh Academy Encyclopaedia of Wales'', University of Wales Press, Cardiff. rising to 1,727 in 2011. The community includes the villages of Burgedin and Groes-lwyd. The village itself had a population of about 1,220. Name The Welsh name of the village was first recorded in the 12th century as '. The English name was first recorded in 1278 as "Guildesfelde". It may be named after a person (i.e., "Gyldi's field") or could mean "gold field". History In 1862, a hoard of metalwork from the Bronze Age Britain, late Bronze Age was discovered near the village. It ...
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Royal Commission On The Ancient And Historical Monuments Of Wales
The Royal Commission on the Ancient and Historical Monuments of Wales (RCAHMW; ; ), established in 1908, is a Welsh Government sponsored body concerned with some aspects of the archaeological, architectural and historic environment of Wales. It is based in Aberystwyth. The RCAHMW maintains and curates the National Monuments Record of Wales (NMRW), an archive with an online platform called Coflein. Professor Nancy Edwards is Chair of the Commissioners. Mission statement The Royal Commission has a national role in the management of the archaeological, built and maritime heritage of Wales, as an originator, curator and supplier of information for individual, corporate and governmental decision-makers, researchers and the general public. To this end it: * Surveys, interprets and records the man-made environment of Wales * Compiles, maintains and curates the National Monuments Record of Wales * Promotes an understanding of this information by all appropriate means The Royal Co ...
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14th-century Church Buildings In Wales
The 14th century lasted from 1 January 1301 (represented by the Roman numerals MCCCI) to 31 December 1400 (MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of King Charles IV of France led to a claim to the French throne by King Edward III of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and the Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever established by a single conqueror. S ...
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Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day and Clarence Day, grandsons of Benjamin Day, and became a department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover A hardcover, hard cover, or hardback (also known as hardbound, and sometimes as casebound (At p. 247.)) book is one bookbinding, bound with rigid protective covers (typically of binder's board or heavy paperboard covered with buckram or other clo ... and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prizes. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the dist ...
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English Church Monuments
A church monument is an architectural or sculptural memorial to a deceased person or persons, located within a Christian church. It can take various forms ranging from a simple commemorative plaque or mural tablet affixed to a wall, to a large and elaborate structure, on the ground or as a mural monument, which may include an effigy of the deceased person and other figures of familial, heraldic or symbolic nature. It is usually placed immediately above or close to the actual burial vault or grave, although very occasionally the tomb is constructed within it. Sometimes the monument is a cenotaph, commemorating a person buried at another location. Once only the subject of antiquarian curiosity, church monuments are today recognised as works of funerary art. They are also valued by historians as giving a highly detailed record of antique costume and armour, by genealogists as a permanent and contemporary record of familial relationships and dates, and by students of heraldr ...
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Quatrefoil
A quatrefoil (anciently caterfoil) is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. The word 'quatrefoil' means "four leaves", from the Latin , "four", plus , "leaf"; the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. A similar shape with three rings is called a trefoil, while a shape with five is a cinquefoil. History The quatrefoil enjoyed its peak popularity during the Gothic architecture, Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, ...
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Tudor Era
In England and Wales, the Tudor period occurred between 1485 and 1603, including the Elizabethan era during the reign of Elizabeth I (1558–1603). The Tudor period coincides with the dynasty of the House of Tudor in England, which began with the reign of Henry VII. Under the Tudor dynasty, art, architecture, trade, exploration, and commerce flourished. Historian John Guy (1988) argued that "England was economically healthier, more expensive, and more optimistic under the Tudors" than at any time since the ancient Roman occupation. Population and economy Following the Black Death (1348) and the agricultural depression of the late 15th century, the population of England began to increase. In 1520, it was around 2.3 million. By 1600 it had almost doubled to 4 million. The growing population stimulated economic growth, accelerated the commercialisation of agriculture, increased the production and export of wool, encouraged trade, and promoted the growth of London. The high wa ...
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Boss (architecture)
In architecture, a boss is a decorative knob on a ceiling, wall or sculpture. Bosses can often be found in the ceilings of buildings, particularly at the keystones at the intersections of a rib vault. In Gothic architecture, such roof bosses (or ceiling bosses) are often intricately carved with foliage, heraldic devices or other decorations. Many feature animals, birds, or human figures or faces, sometimes realistic, but often Grotesque: the Green Man is a frequent subject. The Romanesque Norwich Cathedral in Norfolk, United Kingdom, has the largest number of painted carved stone bosses in the world; an extensive and varied collection of over one thousand individual pieces. Many of these decorated bosses still bear the original gilt and pigments from the time of their creation. Gallery File:Norwich cathedral choir vault (geograph 5461248).jpg, Norwich Cathedral's choir vault with multiple bosses File:Salisbury Cathedral Detail Bosses.jpg, Early English roof bosses ...
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Perpendicular Gothic
Perpendicular Gothic (also Perpendicular, Rectilinear, or Third Pointed) architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British-Irish Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture. The Pointed arch (architecture), pointed arches used in Perpendicular were often four-centred arches, allowing them to be rather wider and flatter than in other Gothic styles. Perpendicular tracery is characterized by mul ...
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Heaton, Butler And Bayne
Heaton, Butler and Bayne was a British firm that produced stained-glass windows from 1862 to 1953. History Clement Heaton (1824–1882) Fleming, John & Hugh Honour. (1977) ''The Penguin Dictionary of Decorative Arts. '' London: Allen Lane, p. 371. founded his own stained glass firm in 1852, joined by James Butler (1830–1913) in 1855. Between 1859 and 1861 they worked alongside Clayton and Bell and were joined by Robert Turnill Bayne (1837–1915), who became their sole designer and a full partner in the firm in 1862. The firm was known as Heaton, Butler and Bayne from 1862. His windows show strong design and colour, and are often recognisable by the inclusion of at least one figure with Bayne's features and long beard. They established their studio in Covent Garden, London, and went on to become one of the leading firms of Gothic Revival stained glass manufacturers, whose work was commissioned by the principal Victorian architects. A change in direction came with their pro ...
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Stained Glass
Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic leadlight, lead light and ''objet d'art, objets d'art'' created from glasswork, for example in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding Salt (chemistry), metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, say, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured Silver staining, silver stain ...
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Baptismal Font
A baptismal font is an Church architecture, ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of Infant baptism, infant and Believer's baptism, adult baptism. Aspersion and affusion fonts The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly, consisting of carved and sculpted stone (including marble), wood, or metal in different shapes. Many fonts are in Octagon, octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day. Some fonts are three-sided as a reminder of the Holy T ...
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