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South Of The Border (Charlie Parker Album)
''South of the Border'' is a studio album by jazz saxophonist Charlie Parker, first released in 1952 for Mercury Records as a 10" LP. An expanded release was made on CD by Verve Records in 1995, and all tracks were included on Verve's box set '' Bird: The Complete Charlie Parker on Verve''. Critical reception ''The Penguin Guide to Jazz'' noted, "Time, surely, to put paid to snobbery about these lovely records," and rated the original album 3 of 4 stars and the Definitive Records re-release 2.5 of 4 stars. Richard Ginell of Allmusic commented, "Bird's improvisational style changed hardly at all in a Latin setting. He continued to run off his patented lightning bop licks over the congas and bongos and they just happened to interlock with the grooves quite snugly, although he did adapt his phrasing of the tunes themselves to suit their rhythmic lines." Track listing # "Mango Mangue" (Marion Sunshine, Gilberto Valdes) – 2:54 # "Okiedoke" (René Hernández, Machito) – 3:0 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tico-Tico No Fubá
"Tico-Tico no fubá" (; "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters (with English-language lyrics by Ervin Drake), Carmen Miranda, Alys Robi, and others. Notable recordings The first recording of the work was made by Orquestra Colbaz (Columbia 22029, 1931). Ethel Smith performed it on the Hammond organ in the MGM film ''Bathing Beauty'' (1944), after which her recording reached the U.S. pop charts in November 1944, peaked at No. 14 on January 27, 1945, and sold nearly two million copie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''DownBeat's'' Don Freeman, Edison ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Bauzá
Prudencio Mario Bauzá Cárdenas (April 28, 1911 – July 11, 1993) was an Afro-Cuban jazz, and jazz musician. He was among the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had had popular jazz tunes in their repertoire for years,Acosta, Leonardo 2003. ''Cubano be, cubano bop: one hundred years of jazz in Cuba''. Smithsonian, Washington, D.C. Bauzá's composition "Tangá" was the first piece to blend jazz harmony and arranging technique, with jazz soloists and Afro-Cuban rhythms. It is considered the first true Afro-Cuban jazz tune. Biography As a child he studied clarinet becoming recognized as a child prodigy on the instrument and was featured with the Havana Symphony at the age of 11. Bauzá then performed on clarinet and bass clarinet with pianist Antonio María Romeu's charanga (flute and violins) orchestra. This proved a fateful event as the orchestra visited New York City to recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chico O'Farrill
Arturo "Chico" O'Farrill (October 28, 1921 – June 27, 2001) was a Cuban composer, arranger, and conductor, best known for his work in the Latin idiom, specifically Afro-Cuban jazz or "Cubop", although he also composed traditional jazz pieces and even symphonic works. Born to an aristocratic Cuban family, he played the trumpet early in his career. He composed works for Machito (''Afro-Cuban suite'' with Charlie Parker, 1950) and Benny Goodman's Bebop Orchestra ("Undercurrent Blues"), and arranged for Dizzy Gillespie and Stan Kenton, among others. In the 1990s, O'Farrill led a big band that took up residence at New York's Birdland nightclub. Chico's son, pianist Arturo O'Farrill, eventually took over the band. Biography O'Farrill was born in Havana, Cuba. He was raised to follow family tradition and enter into law practice, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo O'Farrill
Arturo O'Farrill (born June 22, 1960) is a jazz musician, the son of Latin jazz musician, arranger and bandleader Chico O'Farrill,Larry Rohter. "A Family's Legacy, Afro-Cuban Jazz." ''New York Times'', April 29, 2011. (accessed April 19, 2014). and pianist, composer, and director for the Afro Latin Jazz Orchestra. "The Orchestra". (accessed April 17, 2014). He is best known for his contributions to contemporary (more specifically |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Begin The Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song during a 1935 Pacific cruise aboard the Cunard ocean liner ''Franconia'' from Kalabahi, Indonesia, to Fiji. In October 1935, it was introduced by June Knight in the Broadway musical ''Jubilee'', produced at the Imperial Theatre in New York City. The first successful recording was a swing orchestral version released by Artie Shaw and His Orchestra in 1938. In 1981, Julio Iglesias released a Spanish language version which reached No. 1 on the U.K. chart, the first fully Spanish song to top the chart in the country. Music The beguine is a dance and music form, similar to a slow rhumba. In his book ''American Popular Song: The Great Innovators 1900–1950'', musicologist and composer Alec Wilder, described "Begin the Beguine" as a maverick, it is an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Paloma
"La Paloma", "The Dove" in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basques, Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. In 1879, it was registered at the copyright office in Madrid as a "Canción Americana con acompañamiento de Piano". Iradier was to die in obscurity within few years, never to learn how popular his song would become. Very quickly, "La Paloma" became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of "La Paloma" has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vito Picone
Vito Joseph Picone (born March 20, 1941) is the lead singer of The Elegants, and along with Jimmy Mochella is a remaining original member. He has also played bit parts in '' Goodfellas'', ''Analyze This'', and ''The Sopranos''. For the past twenty-two years he has hosted ''Let the Good Times Roll'' on Staten Island Cable, a nostalgia talk/variety music show. Personal life Picone was born in and has lived most of his life in South Beach, Staten Island, New York. Born to an ethnically Italian immigrant family Filmography *'' Goodfellas'' (1990) - Himself *''The Sopranos'' (1999, TV Series) - Himself *''Analyze This'' (1999) - Mobster *''The Irishman ''The Irishman'' (also known as ''I Heard You Paint Houses'') is a 2019 American epic gangster film directed and produced by Martin Scorsese from a screenplay by Steven Zaillian, based on the 2004 book '' I Heard You Paint Houses'' by Charl ...'' (2019) - Himself/Vila d'Roma manager References External links Official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eliseo Grenet
Eliseo Grenet Sánchez (12 June 1893 in Havana – 4 December 1950) was a Cuban pianist and a leading composer/arranger of the day. He composed music for stage shows and films, and some famous Cuban dance music.Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana. vol 2, p175 Eliseo was one of three musical brothers, all composers, the others being Emilio (Neno','' 1901–1941) and Ernesto (1908–1981). Emilio went on composing even after having a leg bitten off by a shark in 1930;Sublette, Ned 2004. Cuba and its music: from the first drums to the mambo'. Chicago. p406 Ernesto was a drummer who became leader of the Tropicana's orchestra. Life & work Grenet began piano lessons at the age of five, with his mother as an instructor. He entered Cuba's National Conservatory at the age of ten. Eliseo studied music under Mercedes Valenzuela and Leandro Simón Guergué, the father of Moisés Simons. In 1905 he played piano in the silent film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cucaracha
La Cucaracha (, "The Cockroach") is a popular folk song about a cockroach who cannot walk. The song's origins are Spanish, but it became popular in the 1910s during the Mexican Revolution. The modern song has been adapted using the Mexican genre. The song's melody is widely known and there are many alternative stanzas. Structure The song consists of verse-and-refrain (strophe-antistrophe) pairs, with each half of each pair consisting of four lines featuring an ABCB rhyme scheme. Refrain The song's earliest lyrics, from which its name is derived, concern a cockroach that has lost two of its six legs and struggles to walk with the remaining four. :''La ''cu''-ca- , ''ra''-''cha'', la ''cu''-ca-''ra''-''cha :, ya ''no ''pue''-de ''ca''-mi-''nar :''por-''que'' no , ''tie''-''ne'', por-''que'' le ''fal''-''tan :, las ''dos ''pa- ''titas'' "de" a-''trás''.— There are many versions of this line; the most common ones include "''una pata par' '' 'para''' andar''" ("a leg to w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
