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Songs Of Emmanuel Chabrier
The French composer Emmanuel Chabrier (1841–1894) wrote music in many genres, including opera and operetta, piano, orchestral music, and songs with piano accompaniment. The songs cover most of his creative years, from the early 1860s to 1890, when the illness which would kill him prevented much composition. He came late to music as a profession, but – although being an exceptional pianist – he had no trappings of a formal training: no conservatoire studies, no Prix de Rome, "none of the conventional badges of French academic musicians, by whom he was regarded as an amateur" (in the best sense). There are forty-three published songs by Chabrier. He began composing these ''mélodies'' when he was about twenty-one; the first nine were written between 1862 and 1866. Chabrier never set any verse by his friend Verlaine (although they did collaborate on two opéras-bouffes ''Fisch-Ton-Kan'' and ''Vaucochard et fils Ier''), but among the better-known poets whose verse Chabrier did set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic composer and pianist. His bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España'' and ''Joyeuse marche'', Chabrier left a corpus of operas (including '' L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator and a catalyst who paved the way for French modernism. He was admired by, and influenced, composers as diverse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne Granier
Jeanne Granier (31 March 1852 – 18 or 19 December 1939) was a French soprano, born and died in Paris, whose career was centred on the French capital.Gänzl K. Jeanne Granier. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Granier was a pupil of Madame Barthe-Banderali, studying both opéra-comique and Italian music. Her debut was in 1873 at the Théâtre de la Renaissance, replacing at short notice Louise Théo as Rose Michon in the opening run of '' La jolie parfumeuse''. Thus noticed by Offenbach, she went on to create ''Giroflé-Girofla'' (Paris premiere), title role in ''La Marjolaine'', the title role in '' Le petit duc'', ''Janot'', ''Ninella'', ''Mme le Diable'', '' Belle Lurette'' and ''Fanfreluche''. Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. She became for a period of 20 years one of the biggest musical stars in Paris, gifted both as an actress and singer whose admire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bourdin
Roger Bourdin (14 June 1900 in Paris – 14 September 1973 in Paris) was a French baritone, particularly associated with the French repertory. His career was largely based in France. His daughter is Françoise Bourdin. Life and career Born in the 19th arrondissement of Paris, Bourdin studied at the Conservatoire de Paris, where he was a pupil of André Gresse and Jacques Isnardon. He made his professional debut at the Opéra-Comique in 1922, as Lescaut in ''Manon''. His debut at the Palais Garnier took place in 1942, in Henri Rabaud's '' Mârouf, savetier du Caire''. The major part of his career was to be spent between these two theatres, where he created some 30 roles, among them the title role in Milhaud's ''Bolivar''. Bourdin seldom performed outside France, but did a few guest appearances at the Royal Opera House in London (including Pelléas to the Mélisande of Maggie Teyte in 1930),Obituary - Roger Bourdin. ''Opera'', January 1974, Vol 25 No.1, p.74. La Scala in Mila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Bathori
Jane Bathori (14 June 1877 – 25 January 1970) was a French mezzo-soprano. She was famous on the operatic stage and important in the development of contemporary French music. Life and career Born Jeanne-Marie Berthier, she originally studied piano and planned a career as concert pianist but soon turned to singing, making her professional debut some time in 1898 at the small '' Théâtre de la Bodinière'' in the Rue Saint-Lazare in a concert to celebrate the poet Paul Verlaine.Girard, Victor"Jane Bathori" Marston Records, 1998 In the same year she made her debut in the ''grands concerts'' at the ''Concerts du Conservatoire'' followed by performances in Fauré's ''La Naissance de Vénus'' and Saint-Saëns's ''Messe de Requiem''. During the season 1899–1900 she made her operatic debut at Nantes.Cox, David"Bathori, Jane" Grove Music Online, Oxford University Press, retrieved 12 March 2015 Her first roles included soprano parts such as Mimi in '' La bohème'' and Micaëla in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet '' Les biches'' (1923), the '' Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera '' Dialogues des Carmélites'' (1957), and the ''Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as '' Les Six ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claire Croiza
Claire Croiza (14 September 1882 – 27 May 1946) was a French mezzo-soprano and an influential teacher of singers. Career Claire Croiza (née Conelly, or O'Connolly) was born in Paris, the daughter of an expatriate American father and an Italian mother, and as a child she excelled at piano and singing. She was taught singing privately at first and then went to the Polish tenor Jean de Reszke for further study. She made her opera début in Nancy in 1905 in ''Messaline'' by Isidore de Lara. In 1906 she made her first appearance at La Monnaie in Brussels, as Dalila in ''Samson et Dalila'', beginning a long association with that theatre which included the roles of Dido (Berlioz), Clytemnestra (''Elektra''), Erda, Carmen, Léonor (''La favorite''), Charlotte (''Werther'') and the title role in Fauré's opera '' Pénélope''. In 1910 she performed as Alays in the world premiere of Cesare Galeotti’s ''La Dorise'' and created the title role in the world premiere of Pierre de Brév ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic Form
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Barraud (composer)
Henry Barraud (sometimes ''Henri'') (23 April 1900 – 28 December 1997) was a French composer. He was born in Bordeaux. He was a student of Louis Aubert at the Conservatoire de Paris, but in 1927 failed to graduate, apparently because of his refusal to follow orthodox methods. Along with Pierre-Octave Ferroud and Jean Rivier, he helped to form the society Triton for the wider distribution of contemporary music. After the Liberation of Paris in 1944, he was named the Director of Paris Radio, and later, in 1948, of what later became ORTF, a position he held until his retirement in 1965. Works As a composer, Barraud wrote opera music, ballet music, orchestral music, chamber music, choral music and other vocal music. Paul Paray and the Detroit Symphony Orchestra recorded Barraud's orchestral work '' Offrande à une ombre'' in 1957 for Mercury Records. This wartime memorial, commemorating the death during combat of Maurice Jaubert at the age of 40, was initially released on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Duparc (composer)
Eugène Marie Henri Fouques Duparc (21 January 1848 – 12 February 1933) was a French composer of the late Romantic period. Biography Son of Charles Fouques-Duparc and Amélie de Guaita. Henri Fouques-Duparc was born in Paris. He studied piano with César Franck at the Jesuit College in the Vaugirard district and became one of his first composition pupils. Following military service in the Franco-Prussian War, he married Ellen MacSwiney, from Scotland, on 9 November 1871. In the same year, he joined Saint-Saëns and Romain Bussine to found the Société Nationale de Musique. Duparc is best known for his 17 mélodies ("art songs"), with texts by poets such as Baudelaire, Gautier, Leconte de Lisle and Goethe. A mental illness, diagnosed at the time as " neurasthenia", caused him abruptly to cease composing at age 37, in 1885. He devoted himself to his family and his other passions, drawing and painting. But increasing vision loss after the turn of the century eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane'', Requiem, ''Sicilienne'', nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the Ecole Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Faur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (gathering)
A salon is a gathering of people held by an inspiring host. During the gathering they amuse one another and increase their knowledge through conversation. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: ''aut delectare aut prodesse''). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries were carried on until as recently as the 1920s in urban settings. Historical background The salon was an Italian invention of the 16th century, which flourished in France throughout the 17th and 18th centuries. The salon continued to flourish in Italy throughout the 19th century. In 16th-century Italy, some brilliant circles formed in the smaller courts which resembled salons, often galvanized by the presence of a beautiful and educated patroness such as Berta Zuckerkandl, Isabella d'Este or Elisabetta Gonzaga. Salons were an important place for the exchange of id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
