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Sometimes I Feel Like Cryin'
'' Sometimes I Feel Like Cryin''' is an album by American folk singer Odetta, released in 1962. It was her first release for RCA Victor. Track listing All tracks composed by Odetta; except where noted. #"Gonna Take My Time" #"Stranger Here" #"I've Been Living with the Blues" (Brownie McGhee) #"Be My Woman" #"Poor Man" #"Empty Pocket Blues" (Lee Hays, Pete Seeger) #"I Just Can't Keep from Cryin'" #"Special Delivery" #" If I Had Wings" (Traditional) #"Darlin' Baby" #"Misery Blues" #"House of the Rising Sun" (Traditional) Personnel *Odetta – vocals, guitar *Ahmed Abdul-Malik, Leonard Gaskin – bass *Dick Wellstood – piano *Panama Francis – drums *Buster Bailey – clarinet *Vic Dickenson – trombone *Buck Clayton Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" ... – tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dink's Song
"Dink's Song" (sometimes known as "Fare Thee Well") is an American folk song played by many folk revival musicians such as Pete Seeger, Fred Neil, Bob Dylan and Dave Van Ronk, Kate & Anna McGarrigle, and Cisco Houston as well as more recent musicians like Jeff Buckley. The song tells the story of a woman deserted by her lover when she needs him the most. History The first historical record of the song was by ethnomusicologist John Lomax in 1909, who recorded it as sung by an African American woman called Dink, as she washed her husband's clothes in a tent camp of migratory levee-builders on the bank of the Brazos River, a few miles from Houston, Texas. Lomax and his son, Alan Lomax were the first to publish itincluding it in ''American Ballads and Folk Songs'', published by Macmillan in 1934. Lyrics As with many traditional songs, there are numerous versions of the lyrics. The version published in ''American Ballads and Folk Songs'' is rendered in an approximation of African A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odetta Albums
Odetta Holmes (December 31, 1930 – December 2, 2008), known as Odetta, was an American singer, actress, guitarist, lyricist, and a civil rights activist, often referred to as "The Voice of the Civil Rights Movement". Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals. An important figure in the American folk music revival of the 1950s and 1960s, she influenced many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin. In 2011 ''Time'' magazine included her recording of "Take This Hammer" on its list of the 100 Greatest Popular Songs, stating that "Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music." Biography Early life and career Odetta was born Odetta Holmes in Birmingham, Alabama, United States. Her father, Reuben Holmes, had died when she was young, and in 1937 she and her mother, Flora Sanders, moved to Los Angeles. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1963 Albums
Events January * January 1 – Bogle–Chandler case: Commonwealth Scientific and Industrial Research Organisation scientist Dr. Gilbert Bogle and Mrs. Margaret Chandler are found dead (presumed poisoned), in bushland near the Lane Cove River, Sydney, Australia. * January 2 – Vietnam War – Battle of Ap Bac: The Viet Cong win their first major victory. * January 9 – A January 1963 lunar eclipse, total penumbral lunar eclipse is visible in the Americas, Europe, Africa, and Asia, and is the 56th lunar eclipse of Lunar Saros 114. Gamma has a value of −1.01282. It occurs on the night between Wednesday, January 9 and Thursday, January 10, 1963. * January 13 – 1963 Togolese coup d'état: A military coup in Togo results in the installation of coup leader Emmanuel Bodjollé as president. * January 17 – A last quarter moon occurs between the January 1963 lunar eclipse, penumbral lunar eclipse and the Solar eclipse of January 25, 1963, annular solar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong while Armstrong was performing at Sebastian's Cotton Club, who tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Dickenson
Victor Dickenson (August 6, 1906 – November 16, 1984) was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines. Life and career Born in Xenia, Ohio, in 1906, Dickenson wanted to be a plasterer like his father, but he abandoned the idea after injuring himself by falling off a ladder.John S. Wilson"Vic Dickenson, a trombonist with Basie band in 40's, dies" ''The New York Times'', November 18, 1984. He studied organ from 1922, then changed to performing trombone with local bands. He made his recording debut in December 1930 as a vocalist with Luis Russell's band. He joined Blanche Calloway's orchestra in the early 1930s. He led his own groups both on the east and west coast between 1947 and the mid-1950s. From then he was a session man. He appeared on the television program '' The Sound of Jazz'' in 1957 with Count Basie, Coleman Hawkins, Roy Eldridge, Gerry Mul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Bailey
William C. "Buster" Bailey (July 19, 1902 – April 12, 1967) was an American jazz clarinetist. Career history Early career Buster Bailey was taught clarinet by classical teacher Franz Schoepp, who also taught Benny Goodman. Bailey gained his start with W.C. Handy's Orchestra in 1917, when he was just fifteen years old. After two years of touring with Handy, Bailey quit the orchestra while the band was in Chicago. In 1919, Bailey joined Erskine Tate's Vendome Orchestra and remained with Tate until 1923 when he joined up with Joe "King" Oliver. As a member of King Oliver's Creole Jazz Band, Bailey met and became friends with Louis Armstrong, who was also a member of the band at that time. In 1924, Armstrong left King Oliver's Jazz Band to join Fletcher Henderson's Orchestra in New York. Within a month, Armstrong extended an invitation for Buster Bailey to join him as a member of Henderson's band. Bailey accepted and moved to New York City. Mid-career In New York during the lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panama Francis
David Albert "Panama" Francis (December 21, 1918 – November 13, 2001) was an American swing jazz drummer who played on numerous hit recordings in the 1950s. Early life Francis was born in Miami, Florida, on December 21, 1918. His father was Haitian, and "his mother came from an English property-owning background in the Bahamas". His father collected records. The young David was enthusiastic about music and playing the drums even before attending school. He initially played in marching bands and local drum and bugle corps. Career Francis first played professionally in the 1930s. He was part of George Kelly's band from 1934 to 1938, and was then with the Florida Collegians in 1938. After moving to New York that year, he worked with Tab Smith, Billy Hicks, and Roy Eldridge before the 1940s. Francis acquired his nickname from Eldridge "at a moment when ranciswas wearing a panama hat and Eldridge could not remember his new drummer's name". Francis joined Lucky Millinder's big ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Wellstood
Richard MacQueen Wellstood (November 25, 1927 – July 24, 1987) was an American jazz pianist. Career He was born in Greenwich, Connecticut, United States. Wellstood's mother was a graduate of the Juilliard School who played church organ. Wellstood took piano lessons as a boy, though he was self-taught as a performer of stride and boogie-woogie. Beginning in 1946, he played boogie-woogie, swing, stride piano, and dixieland with bands led by Bob Wilber. A year later he began two years of accompanying Sidney Bechet. In 1952, he toured Europe with Jimmy Archey, then worked with Roy Eldridge. Through the 1950s, he worked with a band led by Conrad Janis. He also worked with Red Allen, Buster Bailey, Wild Bill Davison, Vic Dickenson, Coleman Hawkins, and Ben Webster. He went to school and received a law degree, though thirty years would pass before he spent a brief time practicing law. In the 1960s, he worked with Bob Dylan and Odetta. With Carl Warwick, he performed on military bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Gaskin
Leonard Gaskin (August 25, 1920 – January 24, 2009) was an American jazz bassist born in New York City. Gaskin played on the early bebop scene at Minton's and Monroe's in New York in the early 1940s. In 1944 he took over Oscar Pettiford's spot in Dizzy Gillespie's band, and followed it with stints in bands led by Cootie Williams, Charlie Parker, Don Byas, Eddie South, Charlie Shavers, and Erroll Garner. In the 1950s, he played with Eddie Condon's Dixieland band, and played with Ruby Braff, Bud Freeman, Rex Stewart, Cootie Williams, Billie Holiday, Stan Getz, J.J. Johnson, and Miles Davis. In the 1960s he became a studio musician, playing on numerous gospel and pop records. In the 1970s and 1980s he returned to jazz, playing with Sy Oliver, Panama Francis, and The International Art of Jazz. Gaskin became involved in educating young people later in his life. He performed and shared his knowledge with elementary students with the Good Groove Band (Leonard Gaski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmed Abdul-Malik
Ahmed Abdul-Malik (born Jonathan Tim, Jr.; January 30, 1927 – October 2, 1993) was an American jazz double bassist and oud player. Abdul-Malik is remembered for integrating Middle Eastern and North African music styles in his jazz music.Kelsey, Chri"Ahmed Abdul-Malik: Biography" AllMusic. Retrieved October 2, 2017. He was a bass player for Art Blakey, Earl Hines, Randy Weston, and Thelonious Monk, among others. Early life Abdul-Malik claimed that his father was from Sudan and moved to the United States. Research by historian Robin Kelley, however, indicates that Abdul-Malik was born to Caribbean immigrants and changed his birth name: Ahmed Abdul-Malik was born Jonathan Tim Jr., (sometimes spelled "Timm") on January 30, 1927, to Matilda and Jonathan Tim Sr. – both of whom had immigrated from St. Vincent in the British West Indies three years earlier. They also had a daughter, Caroline, born a little more than a year after Jonathan Jr. Jonathan Tim Sr.'s death certificate not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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