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So Fine (Johnny Otis Song)
"So Fine" is a song written by Johnny Otis and performed by The Fiestas. It reached No. 3 on the U.S. R&B chart and No. 11 on the U.S. pop chart in 1959. Jim Gribble is credited as the writer; however, Johnny Otis filed a lawsuit claiming the copyright. The song had been recorded in 1955 by The Sheiks, a group that included Jesse Belvin. Otis' side won the case. The song was ranked No. 69 on ''Billboard's'' Year-End Hot 100 singles of 1959. Ike & Tina Turner version Bandleader Ike Turner had been performing "So Fine" with his Kings of Rhythm since 1959. Ike & Tina Turner recorded it for Turner's label Innis Records. Innis was acquired by Pompeii Music Corp. in 1968. The first release from Pompeii Records was "So Fine" by Ike & Tina Turner and the Ikettes in March 1968. The song became the title track for the album ''So Fine'' (1968). The single reached No. 50 on the ''Billboard'' R&B Singles chart and No. 117 on the Bubbling Under the Hot 100 in 1968. Other charting versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fiestas
The Fiestas were an American rhythm and blues musical group from Newark, New Jersey, United States. It was organized in 1958. The Fiestas contracted with Old Town Records company in 1959, after the company's owner, Hy Weiss, overheard the group singing in a bathroom adjacent to his office in Harlem. The Fiestas Biography AllMusic Their debut single was 1959's " So Fine", written by groups guitar player Frank Ingalls, Samuel Ingalls brother. The song was a hit in the U.S. It reached number 3 on the R&B Singles chart and number 11 on the ''Billboard'' Hot 100, with "Last Night I Dreamed" on the flip side. A series of soul singles followed from the group, among them "You Could Be My Girlfriend", "Anna", and "Think Smart", but only 1962's "Broken Heart" managed to chart, scoring number 18 on the R&B Singles chart. Ending their relationship with Old Town, the group later recorded for the Strand and Vigor labels, releasing music into the mid-1970s. "So Fine" later featured in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Searchin'
"Searchin" is a song written by Jerry Leiber and Mike Stoller specifically for the Coasters. Atco Records released it as a single in March 1957, which topped the R&B Chart for twelve weeks. It also reached number three on the ''Billboard'' singles chart. Although the Coasters had previously done well on the R&B charts, it was "Searchin" (along with " Young Blood" on the flip side) that sparked the group's rock and roll fame. Composition The lyrics, written by Leiber, use vernacular phrasing. The plot revolves around the singer's determination to find his love wherever she may be, even if he must resort to detective work. The song's gimmick was to cite law-enforcement figures from popular culture such as Sherlock Holmes, Charlie Chan, Joe Friday, Sam Spade, Boston Blackie, Bulldog Drummond, and the North-West Mounted Police (the Mounties). The vocals of the Coasters' lead singer Billy Guy are raw and insistent. Driving the song is a pounding piano rhythm of two bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Premiers
The Premiers were an American garage band in the 1960s, best known for their 1964 hit, " Farmer John". Career The band was formed in 1962 in San Gabriel, California, by Mexican-American brothers Lawrence Perez (guitar) and John Perez (drums), and neighbors George Delgado (guitar) and Frank Zuniga, (bass). They practiced in the Perez brothers' backyard, encouraged by their mother, and soon started drawing crowds to their rehearsals. They were discovered by Billy Cardenas, who managed and produced other Chicano bands in the East Los Angeles area, and won the group slots supporting artists such as Johnny "Guitar" Watson and Chris Montez. Following The Kingsmen’s success with "Louie Louie", Cardenas suggested that the Premiers record a similar song, "Farmer John", which had been written and recorded by Don and Dewey. Although claimed to have been recorded "live at the Rhythm Room in Fullerton, California", it was actually recorded in a small studio in Hollywood, with over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ventures
The Ventures are an American instrumental rock band formed in Tacoma, Washington, in 1958, by Don Wilson (musician), Don Wilson and Bob Bogle. The band, which was a quartet for most of its existence, helped to popularize the electric guitar across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially Big in Japan (phrase), revered in Japan, where they have toured regularly. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, later bass), Nokie Edwards (initially bass, later lead guitar), and Mel Taylor (drums). Their first wide-release single, "Walk, Don't Run (instrumental), Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums Billboard 200, charted in the US, ranking them as the 6th best album chart performer during the 1960s, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs ( ; short for " discographies") is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. Database contents are user-generated, and described in ''The New York Times'' as "Wikipedia-like". While the site was originally created with the goal of becoming the largest online database of electronic music, it now includes releases in all genres and on all formats. By 2015, it had a new goal: that of "cataloging every single piece of physical music ever created." As of 2025, its database contains over 18 million user-submitted album listings. History Discogs was started in 2000 by Kevin Lewandowski who worked as a programmer at Intel Intel Corporation is an American multinational corporation and technology company headquartered in Santa Clara, California, and Delaware General Corporation Law, incorporated in Delaware. Intel designs, manufactures, and sells computer compo .... It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Williams And The Zodiacs
Maurice Williams and the Zodiacs were an American doo-wop/ R&B vocal group in the late 1950s and early 1960s. Originally the (Royal) Charms, the band changed its name to the Gladiolas in 1957 and the Excellos in 1958, before finally settling on the Zodiacs in 1959. Early history Maurice Williams was born April 26, 1938, in Lancaster, South Carolina. His first experience with music was in the church, where his mother and sister both performed. By the time he was six, Williams was performing regularly there. With his childhood friend Earl Gainey, Williams formed the gospel group the Junior Harmonizers. As rock and roll and doo-wop became their primary interest, the Junior Harmonizers changed their name to the Royal Charms. The Royal Charms and the Gladiolas In addition to Williams and Gainey, the Royal Charms were made up of Willie Jones (baritone), William Massey (tenor, baritone, trumpet), and Norman Wade (bass). In the winter of 1956, while still in high school, Williams a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hully Gully (song)
"(Baby) Hully Gully" is a song written by Fred Sledge Smith and Cliff Goldsmith and recorded by The Olympics. Released in 1959, it peaked at number 72 on the ''Billboard'' Hot 100 in February 1960 and sparked the Hully Gully dance craze. According to recollections by the Beatles about their early 1960 and '61 touring years, both in Hamburg and Liverpool the song had also gained a certain notoriety as a popular accompaniment to brawls among the audience, with fights often breaking out as soon as the song started being played. Cover versions "(Baby) Hully Gully" was covered by a number of different artists, sometimes under the name "Hully Gully (Baby)", "Hully Gully Baby" or simply "Hully Gully". * Buddy Guy, ''Stone Crazy! 1960–1967'' (recorded 1960) * Chubby Checker, ''It's Pony Time'' (1961) * The Ventures, ''Mashed Potatoes and Gravy'' (1962) * The Dovells, single (1962) * Cliff Bennett and the Rebel Rousers (1962) (appears on some bootlegs miscredited as The Beatles) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hollywood Argyles
The Hollywood Argyles were an American musical ensemble, assembled for studio recordings by the producer and songwriter Kim Fowley and his friend and fellow musician Gary S. Paxton. They had a US number one hit record, "Alley Oop" (Lute Records 5905), in 1960. "Alley Oop" According to Paxton—who, at the time, was half of Skip & Flip—"Alley Oop" was written by Dallas Frazier as a country tune: "As for the name, Kim Fowley and I were living in a $15-a-week room in Hollywood. ... Since I was still under contract (to Brent Records) as 'Flip,' I couldn't put my name on 'Alley Oop.' Seeing that the studio was on the corner of Hollywood Blvd. and Argyle Street, I decided on Hollywood Argyles. Other than myself, there were no actual Hollywood Argyles. Everyone else on the track was either a friend or a studio musician who I paid $25 apiece for the session. When 'Alley Oop' suddenly took off and people wanted to book us for concerts, there was no such group." The "Alley Oop" sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Love Like Yours (Don't Come Knocking Everyday)
"A Love Like Yours (Don't Come Knocking Everyday)" is a 1963 song issued as the B-side to Motown singing group Martha and the Vandellas' hit single, "Heat Wave", released on the Gordy label. The song, written and produced by Vandellas cohorts, Holland–Dozier–Holland, is a song where a woman praises her lover for loving her after she "broke (his) heart and made (him) blue" saying afterwards "instead of hurting back" telling her he loved her. The song, while not released as a single, is regarded as a sixties classic with notable covers by Ike & Tina Turner, Dusty Springfield, Harry Nilsson and Cher, Juice Newton, Manfred Mann, and the Animals. Ike & Tina's version was the only version that became a charted hit peaking at No. 16 on the UK Singles charts. Credits *Lead vocals and spoken monologues by Martha Reeves *Background vocals by Rosalind Ashford, Annette Beard, and Brian Holland *Produced by Brian Holland and Lamont Dozier *Written by Brian Holland, Lamont Dozier and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name – as London American Recordings, often shortened to London American – was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owns most of the label's 1980s and 1990s UK catalogue. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland, and Luciano Pavarotti. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In Music industry, music, a single is a type of Art release#Music, release of a song Sound recording, recording of fewer tracks than an album (LP record, LP), typically one or two tracks. A single can be released for record sales, sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles. The single was defined in the mid-20th century with the ''45'' (named after its speed in revolutions per minute), a type of 7-inch sized vinyl records, vinyl record containing an A-side and B-side, A-side and a B-side, i.e. one song on each side. The single format was highly influential in pop music and the early days of rock and roll, and it was the format used for jukeboxes and preferred by younger populations in the 1950s and 1960s. Singles in Digital distribution, digital form became very popular in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
