Slow Tempo
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Slow Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ...
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Musical Terminology
A variety of musical terms is encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest ...
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Johann Nepomuk Maelzel
image:Metronom Mälzel 1815.jpg, A metronome by Maelzel, Paris, 1815. Johann Nepomuk Maelzel (or Mälzel; August 15, 1772 – July 21, 1838) was a German inventor, engineer, and showman, best known for manufacturing a metronome and several music-playing automatons and displaying a fraudulent chess machine. He worked with Ludwig van Beethoven, Beethoven to compose a piece of music for one of his inventions. Life and work Maelzel was born in Regensburg. The son of an organ (music), organ builder, he received a comprehensive musical education.:de:Johann Nepomuk Mälzel, German Wikipedia He moved to Vienna in 1792. After several years' study and experiment, he produced an orchestrion instrument, which was publicly exhibited and afterward sold for 3,000 florins. In 1804, he invented the panharmonicon, an automaton able to play the musical instruments of a military band, powered by bellows and directed by revolving cylinders storing the notes. This attracted universal attention; the inven ...
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Sound Recording
Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustics, acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a varying magnetic field by an electromagnet, which makes a representation of the sound as magnetized areas on a plastic tape with a magnetic coating on it. Analog sound reproduction is the reverse process, with a large ...
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Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk re ...
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Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' As a kind of popular art, it stands in contrast to art music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through sound recording, recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the populati ...
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Bandleader
A bandleader is the leader of a music group such as a dance band, rock or pop band or jazz quartet. The term is most commonly used with a group that plays popular music as a small combo or a big band, such as one which plays jazz, blues, rhythm and blues or rock and roll music.''Club Date Musicians: Playing the New York Party Circuit''. Bruce A. MacLeod. University of Illinois Press. (1993) Most bandleaders are also performers with their own band, either as singers or as instrumentalists, playing an instrument such as electric guitar, piano, or other instruments. Roles The bandleader must have a variety of musical skills. A bandleader needs to be a music director who chooses the "setlist" (the list of songs that will be played in a show), sets the tempo for each song and starts each song (often by "counting in"), leads the start of new sections of songs (e.g., signalling for the start of a guitar solo or drum solo) and leads the endings of each song. The bandleader is also o ...
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World DanceSport Federation
The World DanceSport Federation (WDSF), formerly the International DanceSport Federation (IDSF), is the international governing body of dancesport and Para dancesport, as recognised by the International Olympic Committee (IOC) and the International Paralympic Committee (IPC). Founded in 1957 as the International Council of Amateur Dancers (ICAD), it took the name IDSF in 1990. In 2011, it was renamed to WDSF to emphasise the global character of the organization. Presidents History * 1909 First unofficial ballroom championships in Paris * 1957 ICAD founded in Wiesbaden on 12 May 1957 * 1960 First television broadcast of Dancesport * 1990 Name changed to IDSF * 1992 Becomes a member of the General Association of International Sports Federations (GAISF) * 1995 World Rock & Roll Confederation (WRRC) joins IDSF as an associate member * 1997 Recognised by the IOC * 2001 Subscribes to World Anti-Doping Code * 2004 International Dance Organisation (IDO) joins IDSF as an ass ...
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Ballroom Dance
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance Council (WDC) and the World DanceSport Federation (WDSF), is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, Intern ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ...
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Beatmatching
Beatmatching or pitch cue is a DJ technique of pitch shifting or time stretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. Beatmatching is a core technique for DJing electronic dance music, and it is standard practice in clubs to keep a constant beat throughout the night, even if DJs change in the middle. Technique The beatmatching technique consists of the following steps: # While a record is playing, start a second record playing, but only monitored through headphones, not being fed to the main PA system. Use gain (or ' ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling Musical note, note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio signal, audio and automation data for digital audio workstations (DAWs) and Audio plugin, plug-ins. Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. As the technology matured, sequencers gained more features, such as the ability to record multitrack audio. Sequencers used for audio recording are called digital audio workstations (DAWs). Many modern sequencers can be used to control Software synthesizer, virtual instruments implemented as software Audio plug-in, plug-ins. This allows musicians to repl ...
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Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ...
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