Slow Cutting
Slow cutting is a film editing technique characterized by frequent lengthy shots. Though it depends on context, it is estimated that any shot longer than about fifteen seconds will seem rather slow to many modern-day viewers, especially those who are accustomed to mainstream Western movies, where slow cuts are uncommon. Slow cutting can be used to establish a mood before fast cutting injects energy. Slow cutting may also be used in scenes of calm or reflection, and filmmakers can use slow cutting to slow down the pace, just as the second movement of a symphony or concerto typically does. Films and television Notable films that use the slow cutting technique are: '' Citizen Kane'', '' Russian Ark'', '' 2001: A Space Odyssey'', '' The Prisoner of Zenda'', '' Snow White and the Seven Dwarfs'', ''The Adventures of Robin Hood'', '' Mr. Smith Goes to Washington'', '' Grapes of Wrath'', '' His Girl Friday'', '' Mildred Pierce'', '' Treasure Island'', '' Darby O'Gill and the Little P ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Long Take
In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is Shot (filmmaking), shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking (stage), blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "Wide shot, long shot", which refers to the use of a long-focus lens and not to the duration of the take. The length of a long take was originally limited to how much film the Camera magazine, magazine of a Movie camera, motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope (film), Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm movie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robocop
''RoboCop'' is a 1987 American Science fiction film, science fiction action film directed by Paul Verhoeven and written by Edward Neumeier and Michael Miner. The film stars Peter Weller, Nancy Allen (actress), Nancy Allen, Dan O'Herlihy, Daniel O'Herlihy, Ronny Cox, Kurtwood Smith, and Miguel Ferrer. Set in a crime-ridden Detroit in the near future, ''RoboCop'' centers on police officer Alex Murphy (Weller) who is murdered by a gang of criminals and revived by the megacorporation RoboCop (franchise)#Omni Consumer Products, Omni Consumer Products as the cyborg law enforcer RoboCop (character), RoboCop. Unaware of his former life, RoboCop executes a campaign against crime while coming to terms with the lingering fragments of his humanity. The film was conceived by Neumeier while working on the set of ''Blade Runner'' (1982), and he developed the idea with Miner. Their script was purchased in early 1985 by producer Jon Davison (film producer), Jon Davison on behalf of Orion Pictu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Motion Picture Terminology
The film industry is built upon many technologies and techniques, drawing upon photography, stagecraft, music, and many other disciplines. Following is an index of specific terminology applicable thereto. 0-9 180 degree rule - 30 degree rule A A and B editing - A roll - Accelerated montage - Acousmatic - Action axis - Aerial shot - Ambient light - American night - American shot - Anamorphic - Angle of view - Angle plus angle - Angular resolution - Answer print - Aperture - Apple box - Artificial light - ASA speed rating - Aspect ratio - Autofocus - Automated dialogue replacement - Available light - Axial cut B B roll - Baby plates - Backlot - Background lighting - Balloon light - Barn doors (lighting) - Below the line (film production) - Best boy - Blocking - Bluescreen - Boom shot - Boomerang (lighting) - Bounce board - Brightness (lighting) - Broadside (lighting) - Butterfly (lighting) C C-Stand - Callier effect - Cameo lighting - Cameo (cred ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Long Take
In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is Shot (filmmaking), shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking (stage), blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "Wide shot, long shot", which refers to the use of a long-focus lens and not to the duration of the take. The length of a long take was originally limited to how much film the Camera magazine, magazine of a Movie camera, motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope (film), Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm movie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernst Lubitsch
Ernst Lubitsch (; ; January 29, 1892November 30, 1947) was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch". Among his best known works are '' Trouble in Paradise'' (1932), '' Design for Living'' (1933), '' Ninotchka'' (1939), '' The Shop Around the Corner'' (1940), '' To Be or Not to Be'' (1942) and '' Heaven Can Wait'' (1943). He was nominated for the Academy Award for Best Director three times for '' The Patriot'' (1928), '' The Love Parade'' (1929), and ''Heaven Can Wait'' (1943); his pictures '' The Smiling Lieutenant'' and '' One Hour with You'' were also nominated for Outstanding Production in 1932. In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture. Early life Lubitsch was born in 1892 in Berlin, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Farrow
John Villiers Farrow, Order of the Holy Sepulchre (Catholic), KGCHS (10 February 190427 January 1963) was an Australian film director, producer, and screenwriter. Spending a considerable amount of his career in the United States, he was nominated for the Academy Award for Best Director in 1942 for ''Wake Island (film), Wake Island'', and in 1957, he won the Academy Award for Best Adapted Screenplay for ''Around the World in 80 Days (1956 film), Around the World in Eighty Days''. He had seven children by his wife, actress Maureen O'Sullivan, including actress Mia Farrow. Early life Farrow was born in Marrickville, New South Wales, Marrickville, a suburb of Sydney, Australia, the son of Lucy Villiers (née Savage; 1881–1907), a dressmaker, and Joseph Farrow (1880–1925), a tailor's trimmer. His parents were both of English descent. Farrow was educated at Newtown Public School and Fort Street High School, Fort Street Boys' High School, and then started a career in accountancy. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Cukor
George Dewey Cukor ( ; July 7, 1899 – January 24, 1983) was an American film director and film producer, producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO Pictures, RKO when David O. Selznick, the studio's head of production, assigned Cukor to direct several of RKO's major films, including ''What Price Hollywood?'' (1932), ''A Bill of Divorcement (1932 film), A Bill of Divorcement'' (1932), ''Our Betters'' (1933), and ''Little Women (1933 film), Little Women'' (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed ''Dinner at Eight (1933 film), Dinner at Eight'' (1933) and ''David Copperfield (1935 film), David Copperfield'' (1935) for Selznick, and ''Romeo and Juliet (1936 film), Romeo and Juliet'' (1936) and ''Camille (1936 film), Camille'' (1936) for Irving Thalberg. He was replaced as one of the directors of ''Gone with the Wind (film), Gone with the Wind'' (1939), but he went on to dir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edmund Goulding
Edmund Goulding (20 March 1891 – 24 December 1959) was a British screenwriter and film director. As an actor early in his career he was one of the 'Ghosts' in the 1922 silent film '' Three Live Ghosts'' alongside Norman Kerry and Cyril Chadwick. Also in the early 1920s he wrote several screenplays for star Mae Murray for films directed by her then husband Robert Z. Leonard. Goulding is best remembered for directing cultured dramas such as ''Love'' (1927), '' Grand Hotel'' (1932) with Greta Garbo and Joan Crawford, ''Dark Victory'' (1939) with Bette Davis, '' The Constant Nymph'' (1943) with Joan Fontaine, and '' The Razor's Edge'' (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir '' Nightmare Alley'' (1947) with Tyrone Power and Joan Blondell, and the action drama '' The Dawn Patrol''. He was also a successful songwriter, composer, and producer. Biography Before moving to films, Goulding was an actor, playwright and director on the London s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John M
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died ), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (died ), one of the twelve apostles of Jesus Christ * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Marshall (director)
George E. Marshall (December 29, 1891 – February 17, 1975) was an American actor, screenwriter, Film producer, producer, Film director, film and television director, active through the first six decades of film history. Relatively few of Marshall's films are well-known today, with ''Destry Rides Again'' (1939), ''The Ghost Breakers'' (1940), ''The Blue Dahlia'' (1946), ''The Sheepman'' (1958), and ''How the West Was Won (film), How the West Was Won'' (1962) being the biggest exceptions. John Houseman called him "one of the old maestros of Hollywood ... he had never become one of the giants but he held a solid and honorable position in the industry." In the 1930s, he established a reputation for comedy, directing Laurel and Hardy in three classic films, and also working on a variety of comedies for 20th Century Fox, Fox, though many of his films at Fox were destroyed in a vault fire in 1937. Later in his career he was particularly sought after for comedies. He did around ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Michelangelo Antonioni
Michelangelo Antonioni ( ; ; 29 September 1912 – 30 July 2007) was an Italian film director, screenwriter, and editor. He is best known for his "trilogy on modernity and its discontents", ''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962); the English-language film ''Blowup'' (1966); and the multilingual '' The Passenger (1975 film), The Passenger'' (1975). His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking composition (visual arts), visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent world art cinema. Antonioni received numerous awards and nominations throughout his career, being the first and one of two directors, the other being Jafar Panahi, to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Three of his films are on the list of A hundred Italian films to be saved, hundred Italian films to be saved. He rec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vietnam War
The Vietnam War (1 November 1955 – 30 April 1975) was an armed conflict in Vietnam, Laos, and Cambodia fought between North Vietnam (Democratic Republic of Vietnam) and South Vietnam (Republic of Vietnam) and their allies. North Vietnam was supported by the Soviet Union and China, while South Vietnam was supported by the United States and other anti-communist nations. The conflict was the second of the Indochina wars and a proxy war of the Cold War between the Soviet Union and US. The Vietnam War was one of the postcolonial wars of national liberation, a theater in the Cold War, and a civil war, with civil warfare a defining feature from the outset. Direct United States in the Vietnam War, US military involvement escalated from 1965 until its withdrawal in 1973. The fighting spilled into the Laotian Civil War, Laotian and Cambodian Civil Wars, which ended with all three countries becoming Communism, communist in 1975. After the defeat of the French Union in the First Indoc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |