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Slice Of Life
Slice of life is a depiction of mundane experiences in art and entertainment. In theater, slice of life refers to Naturalism (theatre), naturalism, while in literary parlance it is a narrative technique in which a seemingly arbitrary sequence of events in a character's life is presented, often lacking plot development, Conflict (narrative), conflict, and Exposition (narrative), exposition, as well as often having an open ending. Film and theater In theatrical parlance, the term ''slice of life'' refers to a Naturalism (theatre), naturalistic representation of real life, sometimes used as an adjective, as in "a Play (theatre), play with 'slice of life' dialogues". The term originated between 1890 and 1895 as a calque from the List of French words and phrases used by English speakers, French phrase ''tranche de vie'', credited to the List of French playwrights, French playwright Jean Jullien (1854–1919). Jullien introduced the term not long after a staging of his play ''The S ...
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Entertainment
Entertainment is a form of activity that holds the attention and Interest (emotion), interest of an audience or gives pleasure and delight. It can be an idea or a task, but it is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things because individuals have different preferences, most forms of entertainment are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in Court (royal), royal courts, and developed into sophisticated forms over time, becoming available to all citizens. The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses private entertainment from a now enormous ...
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Reginald Rose
Reginald Rose (December 10, 1920 – April 19, 2002) was an American screenwriter. He wrote about controversial social and political issues. His realistic approach was particularly influential in the anthology programs of the 1950s. Rose was born and raised in Manhattan. He was best known for his courtroom drama '' Twelve Angry Men'', exploring the members of a jury in a murder trial. It was adapted for a film of the same name, directed by Sidney Lumet and released in 1957. Early years Reginald Rose was born in Manhattan on December 10, 1920, the son of Alice (née Obendorfer) and William Rose, a lawyer. Rose attended Townsend Harris High School and briefly attended City College (now part of the City University of New York). He served in the U.S. Army during World War II, from 1942–46, where he was promoted to first lieutenant. Rose began trying to write when he was 15 years old and living in Harlem, but he said, "I didn't make it until I was 30." In the interim, he w ...
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War Film
War film is a film genre concerned with warfare, typically about navy, naval, air force, air, or army, land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the World War II, Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western (genre), Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action an ...
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Thriller Film
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a goal, mission, or a mystery. Screenwriter and scholar Eric R. Williams identifies thriller films as one of eleven super-genres in his Screenwriters Taxonomy, screenwriter ...
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Sports Film
A sports film is a film genre in which any particular sport plays a prominent role in the film's plot or acts as its central theme. It is a production in which a sport or a sports-related topic is prominently featured or is a focus of the plot. Despite this, sport is ultimately rarely the central concern of such films and sport performs primarily an allegorical role. Furthermore, sports fans are not necessarily the target demographic in such movies, but sports fans tend to maintain a high following and esteem for such movies. Subgenres The first sports film was released 1915, this was during the era of silent films. Several sub-categories of sports films can be identified, although the delineations between these subgenres, much as in live action, are somewhat fluid. The most common sports subgenres depicted in movies are sports drama and sports comedy. Both categories typically employ playground settings, match, game creatures and other elements commonly associated with biologic ...
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Science Fiction Film
Science fiction (or sci-fi) is a film genre that uses Speculative fiction, speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as Extraterrestrial life in fiction, extraterrestrial lifeforms, List of fictional spacecraft, spacecraft, robots, cyborgs, Mutants in fiction, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on politics, political or social issues, and to explore philosophical issues like the human condition. The genre has existed since the early years of silent cinema, when Georges Méliès' ''A Trip to the Moon'' (1902) employed Special effect, trick photography effects. The next major example (first in feature-length in the genre) was the film ''Metropolis (1927 film), Metropolis'' (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies. After Stanley Kubrick's landmark ''2001: A Space Odyssey (film), 20 ...
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Romance Film
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion (emotion), passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage, marriage is featured. These films focus on the search for romantic love as the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints, or family resistance. As in all quite strong, deep, and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight, young and mature love, unrequited love, obsession, sentimental love, Spirituality, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial ...
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Horror Film
Horror is a film genre that seeks to elicit physical or psychological fear in its viewers. Horror films often explore dark subject matter and may deal with Transgressive art, transgressive topics or themes. Broad elements of the genre include Monster movie, monsters, Apocalyptic and post-apocalyptic fiction, apocalyptic events, and Religion, religious or Folk horror, folk beliefs. Horror films have existed History of horror films, since the early 20th century. Early Inspirations predating film include folklore; the religious beliefs and superstitions of different cultures; and the Gothic fiction, Gothic and Horror fiction, horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From its origins in silent films and German expressionist cinema, German Expressionism, horror became a codified genre only after the release of Dracula (1931 English-language film), ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comed ...
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Fantasy Film
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually Magic (paranormal), magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The Film genre, genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, Wonder (emotion), wonder, escapism, and the extraordinary. Subgenres Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in fantasy literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are high fantasy and sword and sorcery. Both categories typically employ quasi-medieval settings, wizards, magical creatures and other elements commonly associated with fantasy stories. High fantasy films tend to feature a more richly developed fantasy world, and may also be more character-oriented or thematically complex. ...
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Crime Film
Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime and fiction. Stylistically, the genre may overlap and combine with many other genres, such as Drama (film and television), drama or gangster film, but also include Comedy film, comedy, and, in turn, is divided into many sub-genres, such as Mystery film, mystery, suspense or Film noir, noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. ''China ...
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Action Film
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedy film, comedies, science fiction films, and horror films. While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of antihero, anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Western (film), Westerns. These genres were followed by what is referred to as the "classical period" ...
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Screenwriters Taxonomy
Inspired by the biological classification system of the Linnaean taxonomy, screenwriter Eric R. Williams developed the Screenwriters Taxonomy in 2017 to create a common language of creative collaboration for filmmakers. Williams’ central thesis in ''The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling'' is that the term “genre” is used so broadly to describe films that the modern use of the word has become meaningless. The Screenwriter's Taxonomy proposes seven categories for discussing the creative process of telling cinematic stories. # Type Williams, Eric R. “Movie Types and Supergenres.” In ''The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling'', 15–46. New York, NY: Routledge, 2018. # Super Genre # Macrogenres Williams, Eric R. “Macro Genres and Micro Genres.” In ''The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling'', 47–87. New York, NY: Routledge, 2018. # Microgenres # Voice # Pathway # Point of View ...
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