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Sitting By The Riverside
"Sitting by the Riverside" is a song by the English rock band the Kinks from their sixth studio album, '' The Kinks Are the Village Green Preservation Society'' (1968). Written and sung by Ray Davies, it was recorded in July1968. The song features honky-tonk piano and a Mellotron which duplicates the sound of an accordion. An example of psychedelia, the song's relaxed style is offset by the sound of a swelling cacophony between verses, a sound reminiscent of the crescendo in the Beatles' 1967 song " A Day in the Life". The song describes a pleasant experience sitting next to a river and was inspired by Davies's time spent as a child fishing with his father. Background and composition Ray Davies was inspired to compose "Sitting by the Riverside" after reminiscing about childhood fishing expeditions with his father. The song's narrator expresses his pleasure at sitting and drinking wine with his partner by the riverside, asking to "please keep me calm, keep me pacified" so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), '' The Village Green Preservation Society'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Village Green (song)
"Village Green" is a song by the English rock band the Kinks from their 1968 album '' The Kinks Are the Village Green Preservation Society''. Written and sung by the band's principal songwriter, Ray Davies, the song was first recorded in November1966 during the sessions for ''Something Else by the Kinks'' (1967) but was re-recorded in . Both the composition and instrumentation of "Village Green" evoke Baroque music, especially its prominently featured harpsichord played by session keyboardist Nicky Hopkins. Unlike most of the band's recordings, it employs real orchestral instruments, including oboe, cello, viola and piccolo, as arranged by English composer David Whitaker. Davies composed "Village Green" in after an experience at a pub in Devon, a rural part of England. The song laments the decline of a fictional English community's traditional village green. Retrospective commentators have placed the song in the tradition of English pastoral poetry, particularly in its them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Night Line-Up
''Late Night Line-Up'' was a pioneering British television discussion programme broadcast on BBC2 between 1964 and 1972. Background From its launch in April 1964, BBC2 began each evening's transmission with a programme called ''Line-Up'', a ten-minute collection of reviews and previews of the channel's output, presented initially by Denis Tuohy. Although intended to draw attention to the considerable variety of original programming on BBC2, ''Line-Up'' was perceived as little more than a self-promotion exercise by the newspapers and the viewing public alike. Later in the same year, it was decided that ''Line-Up'' be replaced by something of a similar intention but with a more intellectual edge. Instead of a guided tour of BBC2's output, the new programme would be an open and candid discussion among invited guests, transmitted live after the 9.00 p.m. watershed. The new programme was named ''Late Night Line-Up'' and took over from ''Line-Up'' in September 1964. The original theme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Two
BBC Two is a British free-to-air public broadcast television network owned and operated by the BBC. It covers a wide range of subject matter, with a remit "to broadcast programmes of depth and substance" in contrast to the more mainstream and popular BBC One. Like the BBC's other domestic TV and radio channels, it is funded by the television licence, and is therefore free of commercial advertising. It is a comparatively well-funded public-service network, regularly attaining a much higher audience share than most public-service networks worldwide. Originally styled BBC2, it was the third British television station to be launched (starting on 21 April 1964), and from 1 July 1967, Europe's first television channel to broadcast regularly in colour. It was envisaged as a home for less mainstream and more ambitious programming, and while this tendency has continued to date, most special-interest programmes of a kind previously broadcast on BBC Two, for example the BBC Proms, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colour Me Pop
''Colour Me Pop'' was a British music TV programme broadcast on BBC2 from 1968–1969. It was a spin-off from the BBC 2 arts magazine show ''Late Night Line-Up''. Designed to celebrate the new introduction of colour to British television, it was directed by Steve Turner, and showcased half-hour sets by pop and rock groups of the period. The programme was a pioneering precursor to the better-remembered BBC music programme ''The Old Grey Whistle Test'' (1971–87). Unlike its successor, most of the editions of ''Colour Me Pop'' are missing, due to the BBC's archival policy of the time. Complete list of performances 14 June 1968 Manfred Mann 21 June 1968 The Small Faces 28 June 1968 Eclection 12 July 1968 Salena Jones with The Brian Lemon Trio 19 July 1968 Fleetwood Mac 26 July 1968 The Kinks 9 August 1968 The Peddlers 16 August 1968 The Tremeloes 23 August 1968 Barry Noble 30 August 1968 Spooky Tooth 7 September 1968 The Hollies 14 September 1968 The Moody Blues 21 September 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Music
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus (song)
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Loop
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound. Description In a tape loop, a section of magnetic tape is cut and spliced end-to-end, creating a circle or loop which can be played continuously, usually on a reel-to-reel tape recorder, making the sound repeat endlessly. Simultaneous playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixing Console
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's tiny stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), '' The Village Green Preservation Society'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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