Self Aggrandizing
Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities. Boasting tends to be an attempt to prove one's superiority by recounting accomplishments so that others will feel admiration or envy. It is often done by those who are socially insecure and find other people's perception of them important. Individuals construct an image of themselves, a personal identity, and present themselves in a manner that is consistent with that image. Theodore Millon theorized that in self-presentation, individuals seek to balance boasting against discrediting themselves with excessive self-promotion or being caught blatantly misrepresenting themselves. Studies show that people often have a limited ability to perceive how their efforts at self-presentation are actually impacting their acceptance and likeability by others. Forms of bragging Although a brag can be as straightforward as a simple claim to riches or greatness, it ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pride
Pride is a human Emotion, secondary emotion characterized by a sense of satisfaction with one's Identity (philosophy), identity, performance, or accomplishments. It is often considered the opposite of shame or of humility and, depending on context, may be viewed as either virtue or vice. ''Pride'' may refer to a feeling of satisfaction derived from one's own or another's choices and actions, or one's belonging to a group of people. Typically, it is a product of praise, independent self-reflection and/or a fulfilled feeling of belongingness, belonging. The word ''pride'' may refer to group identity manifestations, including one's Racial pride, ethnicity—notably, Black Pride, which gained historical momentum during the U.S. Civil Rights Movement, and earlier independence struggles—Feminist movement, Feminist Pride, rooted in the women's rights movement and gender equality struggles—and Sexual identity, sexual identity (for example, Gay pride, Gay Pride or LGBT Pride, rising ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rodomonte
Rodomonte (or Rodamonte) is a major character in the Italian romantic epic poems ''Orlando innamorato'' by Matteo Maria Boiardo and ''Orlando furioso'' by Ludovico Ariosto. He is the King of Sarza and Algiers and the leader of the Saracen army which besieges Charlemagne in Paris. He is in love with Doralice, Princess of Granada, but she elopes with his rival Mandricardo. He tries to seduce Isabella but she tricks him into killing her by mistake. In remorse, Rodomonte builds a bridge in her memory and forces all who cross it to pay tribute. When the "naked and mad" Orlando arrives at the bridge, it is Rodomonte, the pagan, who throws him into the river below. They both swim ashore, but Orlando who is naked and is unimpeded by heavy armor gets to the shore first. Finally, Rodomonte appears at the wedding of Bradamante and Ruggiero and accuses Ruggiero of treason for converting to Christianity and abandoning the Saracen cause. The two fight a duel and Rodomonte is killed. Rodomonte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Twelve Idle Servants
"The Twelve Idle Servants" (German: ''Die zwölf faulen Knechte'') is a fairy tale by The Brothers Grimm, published in Kinder- und Hausmärchen as KHM151a. Plot The plot concerns twelve lazy servants who don't feel like working and instead boast about how lazy they are. Each one tells his story. The first one says he only takes care of himself and just eats, drinks and gets up late. The second goes so far that he ignores the fact that he has to take care of his master's horse, by simply claiming the animal has already eaten. The third servant once went to sleep in the sun and kept dreaming despite the fact that heavy rain suddenly came down and made a hole in his skull. The fourth servant claims he never starts quickly and always asks others to help him out. The fifth one only works one cart load a day. The sixth servant boasts that he never changes clothes for three weeks and has no buckles on his shoes. He counts the stairs so that he knows when to take a rest. The seventh ser ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudolf Raspe
Rudolf Erich Raspe (March 1736 – 16 November 1794) was a German librarian, writer, and scientist, called by his biographer John Patrick Carswell a "rogue". He is best known for his collection of tall tales '' The Surprising Adventures of Baron Munchausen'', also known as '' Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia'', originally a satirical work with political aims. Life and work Raspe was born in Hanover, and baptised on 28 March 1736. He studied law and jurisprudence at Göttingen and Leipzig and worked as a librarian for the university of Göttingen. In 1762, he became a clerk in the university library at Hanover, and in 1764 secretary to the university library at Göttingen. He had become known as a versatile scholar and a student of natural history and antiquities, and he published some original poems and also translations of Ossian's poems. In 1765 he published the first collection of Leibniz's philosophical works. He also wrote a tre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baron Munchausen
Baron Munchausen (; ) is a fictional German nobleman created by the German writer Rudolf Erich Raspe in his 1785 book '' Baron Munchausen's Narrative of His Marvellous Travels and Campaigns in Russia''. The character is loosely based on baron Hieronymus Karl Friedrich Freiherr von Münchhausen. Born in Bodenwerder, Hanover, the real-life Münchhausen fought for the Russian Empire during the Russo-Turkish War of 1735–1739. After retiring in 1760, he became a minor celebrity within German aristocratic circles for telling outrageous tall tales based on his military career. After hearing some of Münchhausen's stories, Raspe adapted them anonymously into literary form, first in German as ephemeral magazine pieces and then in English as the 1785 book, which was first published in Oxford by a bookseller named Smith. The book was soon translated into other European languages, including a German version expanded by the poet Gottfried August Bürger. The real-life Münchhausen wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays ''Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in ''The Merry Wives of Windsor''. Though primarily a comic figure, he embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is repudiated when Hal becomes king. Falstaff has appeared in other works, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, a "symphonic study" by Edward Elgar, and in Orson Welles's 1966 film ''Chimes at Midnight''. The op ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scaramouche
Scaramouche () or Scaramouch (; Italian: Scaramuccia ; ) is a stock clown character of the 16th-century commedia dell'arte (comic theatrical arts of Italian literature). The role combined characteristics of the Zanni (servant) and il Capitano (masked henchman), with some assortment of villainous traits. Usually attired in black Spanish dress and burlesquing a don, he was often beaten by Harlequin for his boasting and cowardice. History Although Tiberio Fiorillo (1608–1694) was not the first to play the role, he greatly developed and popularized it. He removed the mask, used white powder on his face, and employed grimaces. He was small, had a long beard, and wore a predominantly black costume with a white ruff. In France, he became known as Scaramouche. In the 19th century, the English actor Joseph Grimaldi and his son J. S. Grimaldi made numerous appearances as Scaramouche. Character Scaramouche influences the audience to do his bidding. Rosa says that Coviello (like ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rodomontade
''Rodomontade'' () is a mass noun meaning boastful talk or behavior. The term is a reference to Rodomonte, a character in the Italian Renaissance epic poem ''Orlando innamorato'' and its sequel ''Orlando furioso''. Henry Fielding in ''History of Tom Jones'' writes, “In fact, the good squire was a little too apt to indulge that kind of pleasantry which is generally called rhodomontade. . .” Examples of use 17th century A 17th-century example of the term exists in ''Don Tomazo'' by Thomas Dangerfield, albeit with a slight alteration of spelling. As the titular protagonist heads towards Cairo with a number of stolen treasures, he is informed by an acquaintance that: ::''. . . he could, in that heathenish city, command a thousand pound – which was at that time no rodomontado, in regard the jewels were worth above four times the value.'' 18th century In 1784, a tract of satirical but politically charged poetry of 94 pages was published in London, titled A Rodomontade of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ludovico Ariosto
Ludovico Ariosto (, ; ; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic '' Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''La Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''La Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently Englis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |