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Self-portrait At The Age Of 63
''Self-Portrait at the Age of 63'' is a self-portrait by the Dutch artist Rembrandt. One of three dating to 1669, it was one of the last in his series of around 80 self-portraits, painted in the months before his death in October 1669. Despite the closeness of his death, and the concentration on his aging face, Rembrandt makes an impression of a self-assured and confident artist. It was bought by the National Gallery, London in 1851. The work measures . Rembrandt depicts himself in deep red coat with fur collar and beret, looking out at the viewer with his hands clasped. A damaged signature and date were revealed when the painting was cleaned in 1967, and it is believed that the work has been cut down on all four sides. X-ray analysis has shown two pentimenti (changes to the composition by the artist): the beret was originally larger and white in colour, and the hands originally had a different position, holding a paintbrush and maulstick. His sagging blemished face is ca ...
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Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ...
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William Van Huls
William is a masculine given name of Germanic origin. It became popular in England after the Norman conquest in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will or Wil, Wills, Willy, Willie, Bill, Billie, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie). Female forms include Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a compound of *''wiljô'' "will, wish, desire" and *''helmaz'' "helm, helmet".Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford Unive ...
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List Of Paintings By Rembrandt
The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below. See also *List of etchings by Rembrandt *List of drawings by Rembrandt *Self-portraits by Rembrandt Sources * ''A Corpus of Rembrandt Paintings I (1625–1631)''. Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1982. . * ''A Corpus of Rembrandt Paintings II (1631–1634)''. Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1986. . * ''A Corpus of Rembrandt Paintings III (1635–1642)''. Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J., van de Wetering, E. (Ed.). 1990. . * ''A Corpus of Rembrandt Paintings IV (Self-Portraits)''. van de Wetering, Ernst (Ed.). Springer. 2005. . * ''A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings)''. van de Wetering, Ernst (Ed.). Springer. 2010. . * ''A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited ...
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Self-Portrait (Rembrandt, Florence)
''Self-Portrait'' is a self-portrait by the Dutch artist Rembrandt, now in the Uffizi in Florence. See also * Self-portraits by Rembrandt * List of paintings by Rembrandt Sources *http://www.bildindex.de/dokumente/html/obj20155044 Paintings in the Uffizi Florence Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025. Florence ... 1669 paintings {{1660s-painting-stub ...
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Mauritshuis
The Mauritshuis (, ; ) is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. The building is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites. History In 1631, John Maurice, Prince of Nassau-Siegen, a cousin of Stadtholder Frederick Henry, Prince of Orange, Frederick Henry, bought a plot bordering the Binnenhof and the adjacent Hofvijver pond in The Hague, at that time the political centre of the Dutch Republic. Between 1636 and 1641, the Mauritshuis was built on this piece of land, during John Maurice's governorship of Dutch Brazil. It was built in the Dutch Baroque a ...
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George Brodrick, 5th Viscount Midleton
George Alan Brodrick, 5th Viscount Midleton (10 June 1806 – 1 November 1848) was a British nobleman. The son of George Brodrick, 4th Viscount Midleton and Maria Benyon, he succeeded to the peerage in 1836. He was educated at Eton College. He married Ellen Griffiths in 1833. He engaged the English architect, Decimus Burton, to make improvements in the streetscape of Cobh, County Cork. His death, in November 1848, was attributed to intentional charcoal inhalation. References

{{DEFAULTSORT:Midleton, George Alan Brodrick, 5th Viscount 1806 births 1848 deaths People educated at Eton College Alumni of St John's College, Cambridge Viscounts in the Peerage of Ireland ...
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Peper Harow
Peper Harow is a rural village and civil parish in southwest Surrey close to the town of Godalming. It was a noted early cricket venue. Its easternmost fields are in part given up to the A3 road (Great Britain), A3 trunk road. Location and history The name "Peper Harow" is very unusual and comes from Old English language, Old English ''Pipers Hear(g)'' perhaps meaning, approximately "The pagan stone altar of the pipers"; however, ''hearg'' can also be ''haeg'' meaning more prosaically hedged enclosure (of the pipers), or even hay meadow. Pipers might mean musicians, or sandpipers (the green sandpiper and wood sandpiper are migrants to marsh and swampy ground – as this is). There is also a possibility that the name ''Peper Harow'' is derived from the Old English language, Saxon ''piþa har hleow'', meaning ''the old pith refuge'' pith being used for making tallow lights. The Burghal Hideage records 'Eashing' as one of the forts, however the forts are not necessarily in the loca ...
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Alan Brodrick, 2nd Viscount Midleton
Alan Brodrick, 2nd Viscount Midleton (31 January 1702 – 8 June 1747) was a British peer and significant cricket patron who was jointly responsible for creating the sport's earliest known written rules. Cricket patronage Midleton succeeded his father Alan Brodrick, 1st Viscount Midleton in the viscountcy on 29 August 1728. Before succeeding he made his mark as a cricket patron by arranging important matches against his friend Charles Lennox, 2nd Duke of Richmond. Records have survived of two such games that took place in the 1727 season. These two games are highly significant because Richmond and Brodrick drew up Articles of Agreement beforehand to determine the rules that must apply in their contests. These were itemised in sixteen points. It is believed that this was the first time that rules (or some part of the rules as in this case) were formally agreed, although rules as such definitely existed. The first full codification of the Laws of Cricket was done in 1744. In ea ...
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Thomas Brodrick (1654–1730)
Thomas Brodrick (4 August 1654 – 3 October 1730) was an Irish and British politician who sat in the Irish House of Commons between 1692 and 1727 and also in the British House of Commons from 1713 to 1727. He owned lands in both Surrey in England, and County Cork, Ireland. Life Brodrick was the eldest son of Sir St John Brodrick of Ballyannan, Midleton, County Cork and his wife Alice Clayton, daughter of Laurence Clayton of Mallow, County Cork and his wife Alice Brady daughter of Luke Brady, of Tuamgraney, co. Clare. He was admitted at Trinity Hall, Cambridge and also at Middle Temple in 1670. He received an LLB in 1677. He inherited lands at Wandsworth in 1680, and received a settlement of some of the family's Irish lands upon marrying. Brodrick sat in the Irish House of Commons for Midleton from 1692 to 1693, for County Cork from 1695 to 1699 and again from 1703 to 1713, and for Midleton again from 1715 to 1727. He was appointed to the Irish Privy Council in 1695, removed ...
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Lake Pigment
A lake pigment is a pigment made by precipitating a dye with an chemically inert, inert binder (material), binder, or mordant, usually a metallic salt. Lake pigments are largely organic compound, chemically organic.K. Hunger. W. Herbst "Pigments, Organic" in ''Ullmann's Encyclopedia of Industrial Chemistry'', Wiley-VCH, Weinheim, 2012. Manufacturers and suppliers to artists and industry frequently omit the ''lake'' designation in the name. Many lake pigments are Fugitive pigment, fugitive because the dyes involved are not lightfast. Red lakes were particularly important in Renaissance art, Renaissance and Baroque art, Baroque paintings; they were often used as translucent glazes to portray the colors of rich fabrics and draperies.David Bomford and Ashok Roy, ''A Closer Look - Colour'', National Gallery Company, p. 41. Etymology The term ''lake'' is derived from the term Lac (resin), ''lac'', the secretions of the Indian wood insect ''Kerria lacca'' (formerly ''Laccifer lacca'' or ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in the history of Art of Europe, Western art.Gombrich, p. 420. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings and several hundred drawings. Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portrait painting, portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age. Rembrandt never went abroad but was considerably influenced by the work of the Italian Old Masters and Bentvueghels, Dutch and Flemish artists who had studied in Italy. A ...
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Ochres
Ochre ( ; , ), iron ochre, or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as red ochre (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. A range of other minerals may also be included in the mixture:Krivovichev V. G. Mineralogical glossary. Scientific editor A. G. Bulakh. — St.Petersburg: St.Petersburg ...
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