Sculptor's Cave
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Sculptor's Cave
The Sculptor's Cave is a sandstone cave on the south shore of the Moray Firth in Scotland, near the small settlement of Covesea, between Burghead and Lossiemouth in Moray. It is named after the Pictish carvings incised on the walls of the cave near its entrances. There are seven groups of carvings dating from the 6th or 7th century, including fish, crescent and V-rod, pentacle, triple oval, step, rectangle, disc and rectangle, flower, and mirror patterns, some very basic but others more sophisticated. The cave is 20m deep and 13.5m wide with a 5.5m high roof and can be entered by two parallel 11m long passages, each 2-3m wide. It lies at the base of 30m high cliffs and is largely inaccessible at high tide. The cave was first excavated between 1928 and 1930 by Sylvia Benton, who discovered evidence of two main periods of activity on the site: the first during the late Bronze Age, and the second during the late Roman Iron Age The Iron Age is the final epoch of the three-age ...
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Sculptors Cave, Covesea, Lossiemouth - Geograph
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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