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Saz Semai
The ''saz semai'' (also spelled in Turkish language, Turkish as ''saz sema'i'', ''saz sema-i'', ''saz sema i'', ''saz semaī'', ''saz semâ'î'', ''sazsemai'', ''saz semaisi'', or ''sazsemaisi'' and in the Arab world as ''samâi'') is an instrumental musical form, form in Ottoman classical music. It was typically the closing movement of a ''fasıl'' (i.e. suite). The saz semai is metered and typically uses the Usul (music), usul (rhythmic structure) called ''aksak semai''. A saz semai is typically in 4 movement (music), movements, called ''hane'' (lit. "house"), each movement followed by a ''teslim'' (refrain). The ''teslim'' and the first three ''hane'' are usually in rhythm structure 10/8, unlike the fourth ''hane'' which is usually in 6/4, 3/4, or 6/8. Common Saz Semaisi Some Saz Semaisi are very well-known and played in the all makam music area (From Greece to Iraq, and from Iraq to Morocco). Here a few of them : *Semâi al Thakil - also called : Arap saz semai. This sama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , , also known as 'Turkish of Turkey') is the most widely spoken of the Turkic languages, a member of Oghuz languages, Oghuz branch with around 90 million speakers. It is the national language of Turkey and one of two official languages of Cyprus. Significant smaller groups of Turkish speakers also exist in Germany, Austria, Bulgaria, North Macedonia, Greece, other parts of Europe, the South Caucasus, and some parts of Central Asia, Iraqi Turkmen, Iraq, and Syrian Turkmen, Syria. Turkish is the List of languages by total number of speakers, 18th-most spoken language in the world. To the west, the influence of Ottoman Turkish language, Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's reforms in the early years of the Republic of Turkey, the Persian alphabet, Perso-Arabic script-based Ottoman Turkish alphabet was repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatyos Efendi
Tatyos Ekserciyan (Թադեոս Էքսէրճեան), or Tatyos Efendi, was a famous composer of classical Turkish music, and his works continue to be among the most played and revered examples of the genre. An Armenian from Istanbul, Tatyos Efendi was born in 1858 in the Ortaköy district of Istanbul as the son of Manug Aga, an amateur musician at the Ortaköy Armenian Church. Tatyos Efendi's family had a minor trading business and when he finished the Ortaköy Armenian Elementary School, he started an apprenticeship at a locksmith and later became an apprentice at a savat workshop (a traditional form of silver work). Due to his deep interest in music, Tatyos Efendi left his apprenticeship and bought a second hand kanun to receive his first music lessons from his uncle Movses Papazyan. He played the kanun with amateur groups and musical meetings in a family setting. Later, he took violin lessons from Kemani Kör Sebuh and lessons in singing and theory from Andon and Civan brothers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Forms
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Words And Phrases
Turkish may refer to: * Something related to Turkey ** Turkish language *** Turkish alphabet ** Turkish people, a Turkic ethnic group and nation *** Turkish citizen, a citizen of Turkey *** Turkish communities in the former Ottoman Empire * The word that Iranian Azerbaijanis use for the Azerbaijani language * Ottoman Empire (Ottoman Turkey), 1299–1922, previously sometimes known as the Turkish Empire ** Ottoman Turkish, the Turkish language used in the Ottoman Empire * Turkish Airlines, an airline * Turkish music (style), a musical style of European composers of the Classical music era * Turkish, a character in the 2000 film '' Snatch'' See also * * * Turk (other) * Turki (other) * Turkic (other) * Turkey (other) * Turkiye (other) * Turkish Bath (other) * Turkish population, the number of ethnic Turkish people in the world * Culture of Turkey * History of Turkey ** History of the Republic of Turkey * Turkic languages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkey
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization. Ashik, Âşık, Aytysh, atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Music of Greece, Greek, Music of Armenia, Armenian, Music of Albania, Albanian, Music of Poland, Polish, Music of Azerbaijan, Azeri and Jewish communities, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', '' peşrev'', '' âyin'', etc.) or a spontaneous composition ('' gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and '' echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Maqam
In traditional Arabic music, maqam (, literally "ascent"; ') is the system of melodic modes, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabic art music". There are 72 heptatonic tone rows or scales of maqamat. These are constructed from augmented, major, neutral, and minor seconds. Each ''maqam'' is built on a scale, and carries a tradition that defines its habitual phrases, important notes, melodic development and modulation. Both compositions and improvisations in traditional Arabic music are based on the ''maqam'' system. ''Maqamat'' can be realized with either vocal or instrumental music, and do not include a rhythmic component. An essential factor in performance is that each maqam describes the "tonal-spatial factor" or set of musical notes and the rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yürük Semai
A ''yürük semai'' (also spelled ''yürük sema'i'', ''yürük sema i'', or ''yürük semâ'î'') is a musical form in Ottoman classical music. It was a movement of a ''fasıl'' (suite). It is generally composed in an '' usul'' (rhythmic structure) of 6/8 or 6/4. Tanburi Cemil Bey was a noted composer of ''yürük semai''. In Arabic music, there is an '' iqa''' (rhythmic mode) called ''yūruk samā'ī'' (يورك سماعي), which is commonly used in the '' muwashshah'' genre. See also *''Saz semai'' *''Sama'i ''Sama'i'' (also known as ''usul semai'') is a vocal piece of Ottoman Turkish music composed in meter. This form and meter ('' usul'' in Turkish) is often confused with the completely different '' saz semaisi'', an instrumental form consisting of ...'' External links''Yürük semai'' page [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sama'i
''Sama'i'' (also known as ''usul semai'') is a vocal piece of Ottoman Turkish music composed in meter. This form and meter ('' usul'' in Turkish) is often confused with the completely different '' saz semaisi'', an instrumental form consisting of three to four sections, in meter, or ''usul aksak semai'' (broken ''semai'' in Turkish). ''Semai'' is one of the most important forms in Ottoman Turkish Sufi music. Sample songs See also *'' Saz semai'' *'' Yürük semai'' *Waltz The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the ... * Dede Efendi References * ''The Music of the Ottoman Court'' - Walter Feldman * ''Sufism, Music and Society'' - Swedish Research Institute * ''Makam'' - Karl Signell * ''Meaning in Turkish Musical Culture'' - Eugenia Popescu-Judetz External linksmany pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanburi Cemil Bey
Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an Ottoman tanbur, Turkish tambur, yaylı tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the ''taksim'' (improvisation on a makam/maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Biography Cemil Bey was born in Istanbul, Ottoman Empire, in 1871 or 1873; his birth date is uncertain. He took his first lessons in music from Kanuni Ahmet Bey and the violin player Kemani Aleksan, his first instruments thus being the violin and the kanun. After completing middle school, he continued in a school for civil servants (''Mülkiye''), but then devoted himself to music and abandoned his education. He began to play the tanbur quite early in his youth and by the age of 20, his renown had already spread among the tamburis of Istanbul. Reforming the traditional playing technique of the tambur, he developed an energetic tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arab World
The Arab world ( '), formally the Arab homeland ( '), also known as the Arab nation ( '), the Arabsphere, or the Arab states, comprises a large group of countries, mainly located in West Asia and North Africa. While the majority of people in the Arab world are ethnically Arabs, Arab, there are also significant populations of other ethnic groups such as Berbers, Kurds, Somalis and Nubians, among other Demographics of the Arab world, groups. Arabic is used as the lingua franca throughout the Arab world. The Arab world is at its minimum defined as the 19 states where Arabs form at least a wiktionary:plurality, plurality of the population. At its maximum it consists of the 22 member states of the Arab League, members of the Arab League, an international organization, which on top of the 19 plurality Arab states also includes the Bantu peoples, Bantu-speaking Comoros, and the Cushitic-speaking peoples, Cushitic-speaking Djibouti and Somalia. The region stretches from the Atlantic O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayati (maqam)
Bayātī (Arabic language, Arabic wikt:بياتي, بياتي; Turkish language, Turkish Beyâtî), also known as Bayat and Uşşâk (Ushaq), is the name of a Arabic maqam, maqam (musical mode) in Arabic music, Arabic, Turkish music, Turkish, and related systems of music. Bayati is similar to a natural minor scale, with the primary exception of a Quarter tone, half-flat second degree. The maqam is immensely popular in the Arab world, particularly in the Levant. In secular settings, it is favored in dabke and Arabic pop music, pop music. Bayati is also used very often in religious liturgies of the Middle East. It is the favored maqam of use for the adhan in Medina, Saudi Arabia. Syrian Jews have an abundance of pizmonim in this maqam and usually apply it to all Bar Mitzvahs and to Saturday Night services. According to the Assyrian Church of the East, this mode is called Qadmoyo (first). Related maqamat are Husseini and Bayati Shuri. Nucleus The central tones of a maqam are cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
