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Sarangi Players
The sārangī is a bow (music), bowed, short-necked string instrument, three-stringed instrument played in traditional music from South Asia – Folk music of Punjab, Punjabi folk music, Music of Rajasthan, Rajasthani folk music, Sindhi music, Sindhi folk music, Music of Haryana, Haryanvi folk music, Rasiya, Braj folk music, and Boro people, Boro folk music (there known as the ''serja'') – in Pakistan, South India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as ''Gamaks or Gamakam'' (shakes) and ''meends'' (sliding movements). The Sarangi (Nepali), Nepali sarangi is similar but is a folk instrument, unornate and four-stringed. Playing The repertoire of ''sarangi'' players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale ''Raga, raag'' presentation with an extensive ''alap'' (the unmeasured impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordophone
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarangi Tuning
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, South India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as '' Gamaks or Gamakam'' (shakes) and '' meends'' (sliding movements). The Nepali sarangi is similar but is a folk instrument, unornate and four-stringed. Playing The repertoire of ''sarangi'' players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale '' raag'' presentation with an extensive ''alap'' (the unmeasured improvisatory development of the raga) in increasing intensity (''alap'' to ''jor'' to ''jhala'') and several compositions in increasing tempo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sympathetic String
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect. Description Sympathetic strings are used to enhance the sound of an instrument. Some instruments have only a few sympathetic strings such as the Hardanger fiddle (pictured above right). Other instruments which have more include the sitar with 11-13 sympathetic strings and sarod with 15 sympathetic strings, and the sarangi, which has a total of 37 sympathetics. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barasingha
The barasingha (''Rucervus duvaucelii''), sometimes barasinghe, also known as the swamp deer, is a deer species distributed in the Indian subcontinent. Populations in northern and central India are fragmented, and two isolated populations occur in southwestern Nepal. It has been extirpated in Pakistan and Bangladesh, and its presence is uncertain in Bhutan. The specific name commemorates the French naturalist Alfred Duvaucel. The swamp deer differs from all other Indian deer species in that the antlers carry more than three tines. Because of this distinctive character it is designated ''bārah-singgā'', meaning "twelve-horned" in Hindi. Mature stags usually have 10 to 14 tines, and some have been known to have up to 20. Characteristics The barasingha is a large deer with a shoulder height of and a head-to-body length of nearly . Its hair is rather woolly and yellowish brown above but paler below, with white spots along the spine. The throat, belly, inside of the thighs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parchment
Parchment is a writing material made from specially prepared Tanning (leather), untanned skins of animals—primarily sheep, calves and goats. It has been used as a writing medium in West Asia and Europe for more than two millennia. By AD 400 most literature in these regions that was intended for preservation began to be transferred from papyrus to parchment. ''Vellum'' is a finer-quality parchment made from the skins of young animals such as lambs and young calves. The generic term ''animal membrane'' is sometimes used by libraries and museums that wish to avoid distinguishing between parchment and vellum. Parchment and vellum Today the term ''parchment'' is often used in non-technical contexts to refer to any animal skin, particularly goat, sheep or cow, that has been scraped or dried under tension. The term originally referred only to the skin of sheep and, occasionally, goats. The equivalent material made from calfskin, which was of finer quality, was known as ''vellum'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toona Ciliata
''Toona ciliata'' is a forest tree in the mahogany family which grows throughout South Asia from Afghanistan to Papua New Guinea and Australia. Names It is commonly known as the red cedar (a name shared by other trees), tone, toon or toona (also applied to other members of the genus '' Toona''), Australian red cedar, Burma cedar, Indian cedar, Moulmein cedar or the Queensland red cedar. It is also known as Indian mahogany. Indigenous Australian names include Polai in the Illawarra. Woolia on the Richmond River, Mamin & Mugurpul near Brisbane, and Woota at Wide Bay. Also called Ai saria in Timor-Leste. Description The tree has extended compound leaves up to 90 cm with 10-14 pairs of leaflets which are narrow and taper towards the tip. Each leaflet is between 4.5 and 16 cm long. The species can grow to around in height and its trunk can reach in girth with large branches that create a spreading crown. It is one of Australia's few native deciduous trees, with the lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarangi Lying
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, South India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as '' Gamaks or Gamakam'' (shakes) and '' meends'' (sliding movements). The Nepali sarangi is similar but is a folk instrument, unornate and four-stringed. Playing The repertoire of ''sarangi'' players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale '' raag'' presentation with an extensive ''alap'' (the unmeasured improvisatory development of the raga) in increasing intensity (''alap'' to ''jor'' to ''jhala'') and several compositions in increasing tempo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandarbha
The Gandarbha caste () or Gaine () are a tribal community which belongs to the Indo-Aryans, Indo-Aryan ethnic group from the central, hilly region of Nepal. They have also been called a "caste of professional musicians" and "itinerant bards." By tradition they make their living by singing Gandarbha Geet or Gaine Geet, a type of folk song. The Gandarbhas traditionally work as travelling musicians and play traditional folk and historical songs. They improvise songs too, incorporating news into them as a service, in return for which they receive donations of food or other things. They use the ''sarangi (Nepal), Nepali sarangi'', a type of violin, as their main musical instrument. The ''sarangi'' has been an iconic musical instrument identified with the Gandarbha people. The instrument has replaced another instrument they played, the aarbajo, which was larger and "more cumbersome." They speak their own language which is called Parse kura. Due to many caste-based discriminations in Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nepal
Nepal, officially the Federal Democratic Republic of Nepal, is a landlocked country in South Asia. It is mainly situated in the Himalayas, but also includes parts of the Indo-Gangetic Plain. It borders the Tibet Autonomous Region of China China–Nepal border, to the north, and India India–Nepal border, to the south, east, and west, while it is narrowly separated from Bangladesh by the Siliguri Corridor, and from Bhutan by the States and union territories of India, Indian state of Sikkim. Nepal has a Geography of Nepal, diverse geography, including Terai, fertile plains, subalpine forested hills, and eight of the world's ten List of highest mountains#List, tallest mountains, including Mount Everest, the highest point on Earth. Kathmandu is the nation's capital and List of cities in Nepal, its largest city. Nepal is a multi-ethnic, multi-lingual, multi-religious, and multi-cultural state, with Nepali language, Nepali as the official language. The name "Nepal" is first record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music. Thumari being a popular form o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khyal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity. Etymology () is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language, Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingass� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bansuri
A bansuri is an ancient side-blown bamboo flute originating from the Indian Subcontinent. It is an aerophone produced from bamboo and metal-like material, used in many Indian and Nepali Lok songs. A ''bansuri'' is traditionally made from a single hollow shaft of bamboo with seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six-hole instrument covers two and a half octaves of music. The ''bansuri'' is typically between in length, and the thickness of a human thumb. One end is closed, and few centimeters from the closed end is its blow hole. Longer ''bansuris'' feature deeper tones and lower pitches. The traditional design features no mechanical keys, and the musician creates the notes they want by covering and uncovering the various finger holes. The ''bansuri''-like flute is depicted in ancient Buddhist, Hindu and Jain temple paintings and reliefs, and is common in the iconography of the Hindu god Krishna. It is intimately linked to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
