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Sarang (family Of Ragas)
Sarang ragang {{IPA, hns, ˈsärəŋg ˈrägäŋg (ISO 15919/IAST: ''Sāraṅg rāgaṅg'', Hindi and Marathi: सारंग रागांग, Bengali: সারং রাগাঙ্গ), and all other ragas falling under this category are ragas in the Hindustani Classical music. ''Ragang'' refers to a family of ragas, sharing a common melodic kernel. Other similar raga families are the Malhar family and the Kanada family. The Sarang ragas are sung in the time period of early afternoon. This includes many ragas originating from folk music and songs. The Sarang raga and all other ragas falling under in this type depict the scenes of the Indian historic past events, e.g. raga Brindabani Sarang depicting Vrindavan village or Lankadahan Sarang depicting Lord Hanuman singing this raga while burning Lanka with his tail, etc. History The main raga Sarang was created by Swami Haridas. The associated mythology being that he brought Lord Krishna to earth by singing this raga who to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISO 15919
ISO 15919 is an international standard for the romanization of Indic scripts. Published in 2001, it is part of a series of romanization standards by the International Organization for Standardization. Overview Relation to other systems ISO 15919 is an international standard for the romanization of many Brahmic scripts, which was agreed upon in 2001 by a network of the national standards institutes of 157 countries. However, the Hunterian transliteration system is the "national system of romanization in India" and a United Nations expert group noted about ISO 15919 that "there is no evidence of the use of the system either in India or in international cartographic products." Another standard, United Nations Romanization Systems for Geographical Names (UNRSGN), was developed by the United Nations Group of Experts on Geographical Names (UNGEGN) and covers many Brahmic scripts. The ALA-LC romanization was approved by the Library of Congress and the American Library Ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Krishna
Krishna (; Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Līlā''. He is a central figure in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a divine hero, alluring god child, cosm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaijaiwanti
Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by Guru Tegh Bahadur, the ninth Sikh guru. These hymns were added by his son and successor Guru Gobind Singh in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music nor in the '' Ragmala''. According to Guru Granth Sahib, Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malkauns
Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. According to Indian classical vocalist Pandit Jasraj, Malkauns is a raga that is "sung during small hours of the morning, just after midnight." He further adds that the raga has a soothing and intoxicating effect. Non-Film/Album Songs Etymology The name ''Malkaush'' is derived from the combination of ''Mal'' and ''Kaushik'', which means he who wears serpents like garlands – the god Shiva. However, the ''Malav-Kaushik'' mentioned in classical texts does not appear to be the same as the ''Malkauns'' performed today. The raga is believed to have been created by goddess Parvati to calm lord Shiva, when he was outraged and refused to calm down after Tandav in rage of Sati (Goddess), Sati's sacrifice. In ''Jainism'', it is also stated that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tansen
Rāmtanu ( – 26 April 1589), popularly referred to as Mian Tānsen (), or Sangeet Samrāt (), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He got his first break as musician and composer in the court of Raja Man Singh Tomar of Gwalior and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r. 1555–1592), where Tānsen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar. In 1562, at about the age of 60, Tānsen joined Akbar's court, and his performances became the subject of many court historians. Numerous legends have been written about Tānsen, mixing facts and fiction, and the historicity of these stories is doubtful. Akbar considered him one of the Navaratnas Nine Ministers (the nine jewels) and gave him the tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malhar
"Malhar" is a Hindustani classical raga. Malhar is associated with torrential rains. Besides the basic Shuddha Malhar, which was the original Malhar, several Malhar-related ragas use the Malhar signature phrase m (m)R (m)R P, including "Miyan ki Malhar", " Megh Malhar", "Ramdasi Malhar", " Gaud Malhar", "Sur Malhar", "Shuddha Malhar", "Desh Malhar", "Nat Malhar", "Dhulia Malhar", "Daivi Malhar" ( Dev Malhar ) and "Meera ki Malhar". This phrase, although it might seem similar and equivalent, is different from the swara phraseology employed in Raga " Brindavani Sarang". It can be determined that raga Malhar or rather Miyan ki Malhar is a mixture of ragas " Brindavani Sarang", raga " Kafi" and raga "Durga".This raga has a ''Vakra'' form (meaning that the swaras of a raga are not completely arranged in a particularly straightforward manner), and is classified as a Ghambir Prakruti raga (meaning that it is played slow with patience, and it is played in a serious tone/note). Lege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar And Tansen Visit Haridas
Akbar (Jalal-ud-din Muhammad Akbar, – ), popularly known as Akbar the Great, was the third Mughal emperors, Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. He is generally considered one of the greatest emperors in Indian history and led a successful campaign to unify the various kingdoms of ''Hindūstān'' or Names for India#Historical definitions of a Greater India, India proper. Quote: "Akbar, The greatest Mughal emperor of India." Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent through Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhara (svara)
Gandhara ( ) is the third svara in Hindustani and Carnatic music. Gandhara is the long form of the syllable ग (Ga). Details The following is the information about Gandhara and its importance in Indian classical music: * Gandhara is the third svara in an octave or Saptak. * Gandhara is the immediate next svara of Rishabh (Re). * The svara of Gandhara is Komal and Shuddha. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Ga is formed from Shadja. * The frequency of Gandhara is 300 Hz. The frequencies of the 7 svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz, Pa 360 Hz, Dha 400 Hz, and Ni 450 Hz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundar Kand
Sundara Kanda () is the fifth book in the Hindu epic Ramayana. The original ''Sundara Kanda'' is in Sanskrit, and was composed in popular tradition by Valmiki, who was the first to scripturally record the ''Ramayana''. Sundara Kanda is the only chapter of the ''Ramayana'' in which the principal protagonist is not Rama, but Hanuman. The work depicts the adventures of Hanuman and his selflessness, strength, and devotion to Rama are emphasised in the text. Hanuman is believed to have been fondly called "Sundara" by his mother Anjani, and Sage Valmiki is stated to have chosen this name over others as the Sundara Kanda is about Hanuman's journey to Lanka. Summary The Sundara Kanda forms the heart of Valmiki's Ramayana and consists of a detailed, vivid account of Hanuman's adventures. After learning about Sita, Hanuman assumes a gargantuan form and makes a colossal leap across the ocean to Lanka after defeating Surasa, the mother of the nagas, and Simhika, who is sent by the devatas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanka
Lanka (; ) is the name given in Hindu epics to the island fortress capital of the legendary Rakshasa king Ravana in the epics of the ''Ramayana'' and the ''Mahabharata''. The fortress was situated on a plateau between three mountain peaks known as the Trikuta Mountains. The ancient city of Lankapura is said to have been burnt down by Hanuman. After its king, Ravana was killed by Rama with the help of Ravana's brother Vibhishana, the latter was crowned king of Lankapura. His descendants were said to still rule the kingdom during the period of the Pandavas. According to the ''Mahabharata'', the Pandava Sahadeva visited this kingdom during his southern military campaign for the rajasuya of Yudhishthira. The palaces of Ravana were said to be guarded by four-tusked elephants. Ramayana Rulers of Lanka According to both the ''Ramayana'' and the ''Mahabharata'', Lanka was originally ruled by a rakshasa named Sumali. According to Uttara Kanda, Vishwakarma, the divine architect of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Hanuman
Hanuman (; , ), also known as Maruti, Bajrangabali, and Anjaneya, is a deity in Hinduism, revered as a divine ''vanara'', and a devoted companion of the deity Rama. Central to the ''Ramayana'', Hanuman is celebrated for his unwavering devotion to Rama and is considered a ''chiranjivi''. He is traditionally believed to be the spiritual offspring of the wind deity Vayu, who is said to have played a significant role in his birth. In Shaiva tradition, he is regarded to be an incarnation of Shiva, while in most of the Vaishnava traditions he is the son and incarnation of Vayu. His tales are recounted not only in the ''Ramayana'' but also in the ''Mahabharata'' and various ''Puranas''. Devotional practices centered around Hanuman were not prominent in these texts or in early archaeological evidence. His theological significance and the cultivation of a devoted following emerged roughly a millennium after the ''Ramayana'' was composed, during the second millennium CE.Paula Richman (20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milind Date
Milind Date (born 28 February) is an Indian flautist and music composer who plays the bansuri. He studied under Hariprasad Chaurasia and is known for his technique and playing in various musical styles. Early life and career At the age of 21, Date started learning flute from Ajit Soman in his hometown Pune. After a year, he was learning from Hariprasad Chaurasia. When Date turned 25, he had already performed with Hridaynath Mangeshkar, Asha Bhosle, Usha Mangeshkar, Yashwant Deo, Suresh Wadkar, Ghulam Ali, Trilok Gurtu and other outstanding musicians. In 1998, Date started a world Music band – "Fusion Ensemble". Date has performed in over 3500 Indian classical, fusion, and world music concerts. Besides of course Pt. Hariprasad ji, Milind considers influences of 4 legendary musicians on his music. Dr. L. Subramaniam, Pandit Jasraj, Ustad Vilayat Khan and Asha Bhosale. Milind also says that he learnt a lot from Ashok Hande, Pt. Hridaynath Mangeshkar, Pt. Jagjit Singh hazal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
