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Santa Maria In Montesanto, Rome
Santa Maria in Montesanto is a titular minor basilica church in Rome, in the Rione Campo Marzio, which stands in Piazza del Popolo, between Via del Corso and Via del Babuino. It is also known as the Church of the Artists (). The church is popularly known as the ''twin church'' of Santa Maria dei Miracoli, though it shows significant differences especially in the planimetry. History The name of the church derives from the fact that it replaced a smaller one, that belonged to the Carmelites of the Province of Monte Santo in Sicily. It was built in 1662, on the initiative of Pope Alexander VII, by Cardinal Girolamo Gastaldi, who was later buried there. The original design was the work of Carlo Rainaldi. The works were interrupted on the death of the Pontiff in 1667, then resumed in 1673 under the supervision of Gian Lorenzo Bernini and the cooperation of Carlo Fontana and finished in 1679, except for a belfry that was added in the 18th century. Pope Alexander VII granted a ...
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Piazza Del Popolo
Piazza del Popolo is a large Town Square, urban square in Rome. The name in modern Italian language, Italian literally means "People's Square", but historically it derives from the Populus, poplars (''populus'' in Latin language, Latin, ''pioppo'' in Italian) after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name. The piazza lies inside the northern gate in the Aurelian Walls, once the Porta Flaminia of ancient Rome, and now called the Porta del Popolo. This was the starting point of the Via Flaminia, the road to ''Ariminum'' (modern-day Rimini) and the most important route to the north. At the same time, before the age of railroads, it was the traveller's first view of Rome upon arrival. For centuries, the Piazza del Popolo was a place for public executions, the last of which took place in 1826. Valadier's design The layout of the piazza today was designed in Neoclassical architecture, neoclassical style between 1811 and 1822 ...
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Carlo Rainaldi
Carlo Rainaldi (4 May 1611 – 8 February 1691) was an Italian architect of the Baroque period. Biography Born in Rome, Rainaldi was one of the leading architects of 17th-century Rome, known for a certain grandeur in his designs. He worked at first with his father, Girolamo Rainaldi, a late Mannerist architect in Rome. After his father's death, he fully embraced the monumental Baroque style. He gained ascendancy in Rome when the Barberini pontificate of Pope Urban VIII was replaced by that of the more austere Pamphilj papacy of Innocent X. His works include the façade of Sant'Andrea della Valle (1661–1665), the façade of San Girolamo della Carità (1657}, the twin churches of Santa Maria dei Miracoli and Santa Maria in Montesanto, and Santa Maria in Campitelli (1663–1667). He was unable to complete the facade of Sant'Agnese in Agone during work in 1653–1657. The high altar of Santa Maria della Scala is by Rainaldi. Beyond his work as an architect in stone, Rain ...
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Biagio Puccini
Biagio Puccini (1673–1721) was an Italian painter, active in his native Rome, but also in Tuscany, Umbria and the Marche in a late Baroque style. He was born in Rome. He trained with Antonio Gherardi, but was influenced by Giacinto Brandi, Giuseppe Ghezzi, and Carlo Maratta Carlo Maratta or Maratti (18 May 162515 December 1713) was an Italian Baroque painter and Drawing, draughtsman, active principallly in Rome where he was the leading painter in the second half of the 17th century. He was a fresco and canvas painte ....Un pittore degli Albani : Biagio Puccini a Bassano, Ronciglione, Soriano, Civita Castellana ed un Pesci per caso.
by Giannino Tiziani, published in "L'Erma" di Bretschneider, Rome, 2011.


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Arma Christi
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically, they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels. History The prime member, the Cross, had been introduced to Christian art in the 4th century as the ''crux invicta'', a symbol of victory. As a group, they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller. This reflected an increase in theological interest in the sufferings of Christ at the ...
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Carlo Maratta
Carlo Maratta or Maratti (18 May 162515 December 1713) was an Italian Baroque painter and Drawing, draughtsman, active principallly in Rome where he was the leading painter in the second half of the 17th century. He was a fresco and canvas painter who painted in a wide range of genres, including history painting, history and portrait painting. He is the leading representative of the classicizing style in the Italian Rococo, Late Baroque. He worked for prominent clients in Rome, including various popes.Luca Bortolotti, ''MARATTI, Carlo''
Dizionario Biografico degli Italiani – Volume 69 (2007)


Biography

The principal contemporary source on Maratta's life is the biography written by his friend, Giovanni Pietro Bellori published in 1732 in Rome under the title ''V ...
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Ludovico Gimignani
Ludovico Gimignani (1643 – 26 June 1697) was an Italian painter, who is mainly known for his altarpieces for churches in Rome. Biography Ludovico was born in Rome as the son of the painter Giacinto (1611–1681). His father was one of the main pupils emerging from the loose "studio" of painters working for Pietro da Cortona and who also received patronage from his fellow Pistoia native, the cardinal Rospigliosi. Ludovico's mother was the daughter of the painter Alessandro Turchi. Ludovico appears to have received encouragement from Gianlorenzo Bernini. He was very active in painting altarpieces for churches in Rome, including a ''Baptism of Constantine'' and a ''History of San Silvestro'' for the church of San Silvestro in Capite. He also painted a ''Guardian Angel'' for the church of San Crisogono, a portrait of a ''Boy and a Greyhound'' in the Palazzo Pallavicini-Rospigliosi in the Quirinal Hill, and an altarpiece for the baptistery in Sant'Andrea delle Fratte. Among his ...
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Pope Clement XI
Pope Clement XI (; ; ; 23 July 1649 – 19 March 1721), born Giovanni Francesco Albani, was head of the Catholic Church and ruler of the Papal States from 23 November 1700 to his death in March 1721. Clement XI was a patron of the arts and of science. He was also a great benefactor of the Vatican Library; his interest in archaeology is credited with saving much of Rome's antiquity. He authorized expeditions which succeeded in rediscovering various ancient Christian writings and authorized excavations of the Roman catacombs. Biography Early life Giovanni Francesco Albani was born in 1649 in Urbino to the Albani family, a distinguished family of Albanian origin in central Italy. His mother Elena Mosca (1630–1698) was a high-standing Italian of bergamasque origin, descended from the noble Mosca family of Pesaro. His father Carlo Albani (1623–1684) was a patrician. His mother descended in part from the Staccoli family, who were patricians of Urbino, in part from the Gior ...
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Mary Magdalene De' Pazzi
Mary Magdalene de' Pazzi, OCarm (; born ''Caterina Lucrezia de' Pazzi''; 2 April 1566 – 25 May 1607), was an Italian Carmelite nun and mystic. She has been declared a saint by the Catholic Church. Life De' Pazzi was born at Florence, Italy, on 2 April 1566, to Camillo di Geri de' Pazzi, a member of one of the wealthiest and most distinguished noble families of Renaissance Florence, and Maria Buondelmonti. She was christened Caterina Lucrezia, but in the family was called with her second name, out of respect for her paternal grandmother, Lucrezia Mannucci. Smet, O. Carm., Joachim, ''The Carmelites: The Post Tridentine Peri ...
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Interior Montesanto 01
Interior may refer to: Arts and media * ''Interior'' (Degas) (also known as ''The Rape''), painting by Edgar Degas * ''Interior'' (play), 1895 play by Belgian playwright Maurice Maeterlinck * ''The Interior'' (novel), by Lisa See * Interior design, the trade of designing an architectural interior * ''The Interior'' (Presbyterian periodical), an American Presbyterian periodical * Interior architecture, process of designing building interiors or renovating existing home interiors Places * Interior, South Dakota * Interior, Washington * Interior Township, Michigan * British Columbia Interior, commonly known as "The Interior" Government agencies * Interior ministry, sometimes called the ministry of home affairs * United States Department of the Interior Other uses * Interior (topology), mathematical concept that includes, for example, the inside of a shape * Interior FC, a football team in Gambia See also * * * List of geographic interiors * Interiors (other) * ...
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Pope John XXIII
Pope John XXIII (born Angelo Giuseppe Roncalli; 25 November 18813 June 1963) was head of the Catholic Church and sovereign of the Vatican City State from 28 October 1958 until his death on 3 June 1963. He is the most recent pope to take the pontifical name "John". Roncalli was among 13 children born to Marianna Mazzola and Giovanni Battista Roncalli in a family of sharecroppers who lived in Sotto il Monte, a village in the province of Bergamo, Lombardy. He was ordained to the priesthood on 10 August 1904 and served in a number of posts, as nuncio in France and a delegate to Bulgaria, Greece and Turkey. In a consistory on 12 January 1953 Pope Pius XII made Roncalli a cardinal as the Cardinal-priest of Santa Prisca in addition to naming him as the Patriarch of Venice. Roncalli was unexpectedly elected pope on 28 October 1958 at age 76 after Pope Pius XII's death. Pope John XXIII surprised those who expected him to be a caretaker pope by calling the historic S ...
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Minor Basilica
Basilicas are Catholic church buildings that have a designation, conferring special privileges, given by the Pope. Basilicas are distinguished for ceremonial purposes from other churches. The building need not be a basilica in the architectural sense (a rectangular building with a central nave flanked by two or more longitudinal aisles). Basilicas are either major basilicas, of which there are four, all in the Diocese of Rome, or minor basilicas, of which there were 1,924 worldwide . Numerous basilicas are notable shrines, often even receiving significant pilgrimages, especially among the many that were built above a ''confessio'' or the burial place of a martyr; although this term now usually designates a space before the high altar that is sunk lower than the main floor level (as in the case in St Peter's and St John Lateran in Rome) and that offer more immediate access to the burial places below. Some Catholic basilicas are Catholic pilgrimage sites, receiving ...
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Pope Leo XII
Pope Leo XII (; born Annibale Francesco Clemente Melchiorre Girolamo Nicola della Genga; 2 August 1760 – 10 February 1829) was head of the Catholic Church and ruler of the Papal States from 28 September 1823 to his death in February 1829. Leo XII was in ill health from the time of his election to the papacy to his death less than 6 years later, though he was noted for enduring pain well. He was a deeply conservative ruler, who enforced many controversial laws, including one forbidding Jews to own property. Though he raised taxes, the Papal States remained financially poor. Biography Family Della Genga was born in 1760 at the Castello della Genga in the territory of Fabriano to an old noble family from Genga, a small town in the March of Ancona, part of the Papal States. He was the sixth of ten children born to Count Ilario della Genga and Maria Luisa Periberti di Fabriano, and he was the uncle of Gabriele della Genga Sermattei, who in the 19th century was the only nep ...
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