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Sant'Antonio In Polesine
Sant'Antonio in Polesine is a Catholic monastic complex of the nuns of the Order of Saint Benedict located in Ferrara, Italy and dedicated to Anthony the Great. Administratively, it is part of the deanery of Ferrara, part of the Archdiocese of Ferrara-Comacchio. History The name "in Polesine" does not refer to the area of Polesine, but to its original situation, high ground surrounded by water. The monastery, founded in the early Middle Ages by Augustinians hermits, stood on an island in the middle of the Po River. Beatrice II d’Este, daughter of marquis Azzo Novello and a Benedictine nun, received the monastery from her father as a gift for her community. Around 1257, Beatrice moved into the convent, where she died in 1264 to be beatified in 1270."Convent of St. Anthony in Polesine", Siti Unesco del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedictine Monasteries In Italy
, image = Medalla San Benito.PNG , caption = Design on the obverse side of the Saint Benedict Medal , abbreviation = OSB , formation = , motto = (English: 'Pray and Work') , founder = Benedict of Nursia , founding_location = Subiaco Abbey , type = Catholic religious order , headquarters = Sant'Anselmo all'Aventino , num_members = 6,802 (3,419 priests) as of 2020 , leader_title = Abbot Primate , leader_name = Gregory Polan, OSB , main_organ = Benedictine Confederation , parent_organization = Catholic Church , website = The Benedictines, officially the Order of Saint Benedict ( la, Ordo Sancti Benedicti, abbreviated as OSB), are a monastic religious order of the Catholic Church following the Rule of Saint Benedict. They are also sometimes called the Black Monks, in reference to the colour of their religious habits. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb
A tomb ( grc-gre, τύμβος ''tumbos'') is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber, of varying sizes. Placing a corpse into a tomb can be called ''immurement'', and is a method of final disposition, as an alternative to cremation or burial. Overview The word is used in a broad sense to encompass a number of such types of places of interment or, occasionally, burial, including: * Architectural shrines – in Christianity, an architectural shrine above a saint's first place of burial, as opposed to a similar shrine on which stands a reliquary or feretory into which the saint's remains have been transferred * Burial vault – a stone or brick-lined underground space for multiple burials, originally vaulted, often privately owned for specific family groups; usually beneath a religious building such as a church ** Cemetery ** Churchyard * Catacombs * Chamber tomb * Charnel house * Chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Roselli
Nicolò () is an Italian male given name. Another variation is Niccolò, most common in Tuscany. It may refer to: * Nicolò Albertini, statesman * Nicolò Amati, luthier * Nicolò Barella, Italian footballer * Nicolò Barattieri, Italian engineer * Nicolò Brancaleon, artist * Nicolò Egidi, chemist * Nicolò Fagioli, Italian footballer * Nicolò Gabrielli, composer * Nicolò Gagliano, violin-maker * Nicolò Isouard (1773-1818), French composer * Nicolò Melli, Italian basketball player * Nicolò Minato, poet * Nicolò Pacassi, architect * Nicolò Pollari, general * Nicolo Rizzuto (1924–2010), Italian-Canadian mobster * Nicolo Schiro, mobster * Nicolò Zanon, judge * Nicolò Zaniolo, italian footballer See also *Niccolò (other) *Nicolao *San Nicolò (other) San Nicolò may refer to: * San Nicolò a Tordino, frazione in the Province of Teramo in the Abruzzo region of Italy * San Nicolò dei Mendicoli, church, which is located in the sestiere of Dorsoduro in Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesques
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Panetti
Domenico Panetti (1460–1530) was an Italian painter of the Renaissance period, active mainly in his native Ferrara Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream .... Among his early pupils was Garofalo. He painted a ''Deposition from the Cross'' for the church of San Niccolo and a ''Visitation'' for San Francesco in Ferrara. by Girolamo Baruffaldi, Padua, 1847, page 11-16. References Bibliography * 1460 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Antonio Abate In Polesine (Ferrara)
Sant'Antonio, Italian for Saint Anthony, most often refers to places named after Saint Anthony of Padua or Sant'Antonio Abate: People Places Switzerland *Sant'Antonio, Bellinzona, municipality in canton of Ticino * Sant'Antonio (Poschiavo), civil parish of Poschiavo, in canton of Graubünden *St. Antönien, municipality in canton of Graubünden *St. Antönien Ascharina (or Ascharina), civil parish of St. Antönien, in canton of Graubünden Italy Churches in Italy *Basilica di Sant'Antonio di Padova, basilica church and major shrine in Padua, Veneto * Sant'Antonio di Padova a Circonvallazione Appia, church in Rome, Lazio * Sant'Antonio, church in Faenza, province of Ravenna, Emilia-Romagna *Sant'Antonio in Polesine, convent in Ferrara, Emilia-Romagna * Sant'Antonio da Padova in Via Merulana, minor basilica church in Rome, Lazio *Sant'Antonio da Padova in Via Tuscolana, church in Rome, Lazio * Sant'Antonio dei Portoghesi, church in Rome, Lazio * Sant'Antonio da Padova, oratory in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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