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Sant'Alessandro In Zebedia
Sant'Alessandro in Zebedia is a parish church in Milan, Italy. It is a distinctive example of the early Lombard Baroque. History The original church was built in the 5th century, on the ruins of the Pretorium which tradition holds was the prison that held the martyred Sant'Alessandro. The name in Zebedia derives from the name of the prison in which the martyr was imprisoned. Its construction for the Barnabite order began in 1601 to a design by Lorenzo Binago. Francesco Maria Richini also contributed to the project. The first church of Sant Alessandro was demolished, along with the nearby San Pancrazio. The first stone of the church was laid on 30 March 1602 by Cardinal Federico Borromeo. It comprises a principal building on the Greek cross plan with a central dome, and a separate presbytery which also has a dome. By early 1627, the center dome had developed deep cracks and was demolished. Architect Fabio Mangone was brought in as a consultant. Richini redesigned the dome, and ...
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Milan
Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nearly 1.4 million, while its Metropolitan City of Milan, metropolitan city has 3.2 million residents. Within Europe, Milan is the fourth-most-populous List of urban areas in the European Union, urban area of the EU with 6.17 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan) is estimated between 7.5 million and 8.2 million, making it by far the List of metropolitan areas of Italy, largest metropolitan area in Italy and List of metropolitan areas in Europe, one of the largest in the EU.* * * * Milan is the economic capital of Italy, one of the economic capitals of Europe and a global centre for business, fashion and finance. Milan is reco ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are ...
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Roman Catholic Churches In Milan
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People * Roman (given name), a given name, including a list of people and fictional characters * Roman (surnam ...
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17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expande ...
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History Of Early Modern Period Domes
Domes built in the 16th, 17th, and 18th centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the time, but the study of dome structures changed radically due to developments in mathematics and the study of statics. Analytical approaches were developed and the ideal shape for a dome was debated, but these approaches were often considered too theoretical to be used in construction. The Gothic ribbed vault was displaced with a combination of dome and barrel vaults in the Renaissance architecture, Renaissance style throughout the sixteenth century. The use of lantern towers, or timburios, which hid dome profiles on the exterior declined in Italy as the use of windowed Tholobate, drums beneath domes increased, which introduced new structural difficulties. The spread of domes in this style outside of Italy began with central Europe, although there was often a stylistic delay of a century or two. Use of the oval dome spread qui ...
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Flagellation
Flagellation (Latin , 'whip'), flogging or whipping is the act of beating the human body with special implements such as whips, Birching, rods, Switch (rod), switches, the cat o' nine tails, the sjambok, the knout, etc. Typically, flogging has been imposed on an unwilling subject as a punishment; however, it can also be submitted to willingly and even done by oneself in sadomasochistic or religious contexts. The strokes are typically aimed at the unclothed back of a person, though they can be administered to other areas of the body. For a moderated subform of flagellation, described as ''bastinado'', the soles of a person's barefoot, bare feet are used as a target for beating (see foot whipping). In some circumstances the word ''flogging'' is used loosely to include any sort of corporal punishment, including birching and caning. However, in British legal terminology, a distinction was drawn between ''flogging'' (with a cat o' nine tails) and ''whipping'' (formerly with a ...
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Daniele Crespi
Daniele Crespi (159819 July 1630) was an Italian painter and draughtsman. He is regarded as one of the most original artists working in Milan in the 1620s. He broke away from the exaggerated manner of Lombard Mannerism in favour of an early Baroque style, distinguished by clarity of form and content. A prolific history painter, he was also known for his portraits.Nancy Ward Neilson. "Crespi, Daniele." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 28 October 2016 Life He was born in a family that was originally from Busto Arsizio.Giorgio Nicodemi, ''Daniele Crespi'', 1914 It is not clear whether he himself was born in Busto Arsizio or in Milan. The date of his birth is not known with certainty with estimates ranging from 1591 to 1598. His training is not well documented and he is first recorded in 1619 as working with local painter Guglielmo Caccia working on an assignment in a church in Milan.Andrea Bayer, Mina Gregori, ''Painters of reality: the legac ...
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Death And Resurrection Of Jesus
The resurrection of Jesus () is Christian belief that God raised Jesus from the dead on the third day after his crucifixion, starting—or restoring—his exalted life as Christ and Lord. According to the New Testament writing, Jesus was firstborn from the dead, ushering in the Kingdom of God. He appeared to his disciples, calling the apostles to the Great Commission of forgiving sin and baptizing repenters, and ascended to Heaven. For the Christian tradition, the bodily resurrection was the restoration to life of a transformed body powered by spirit, as described by Paul and the gospel authors, that led to the establishment of Christianity. In Christian theology, the resurrection of Jesus is "the central mystery of the Christian faith." It provides the foundation for that faith, as commemorated by Easter, along with Jesus' life, death and sayings. For Christians, his resurrection is the guarantee that all the Christian dead will be resurrected at Christ's (second ...
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Nativity Scene
In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche ( or ), or in Italian ''presepio'' or ''presepe'', or Bethlehem) is the special exhibition, particularly during the Christmastide, Christmas season, of art objects representing the nativity of Jesus, birth of Jesus.Berliner, R. ''The Origins of the Creche''. Gazette des Beaux-Arts, 30 (1946), p. 251. While the term "nativity scene" may be used of any representation of the very common subject of the Nativity of Jesus in art, it has a more specialized sense referring to seasonal displays, in particular sets of individual sculptural figures and props that are arranged for display. Other characters from the nativity story, such as shepherds, sheep, and angels may be displayed near the manger in a barn (building), barn (or cave) intended to accommodate farm animals, as described in the Gospel of Luke. A donkey and an ox are typically depicted in the scene, and the Biblical Magi#, Magi and their ...
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Assumption Of Mary
The Assumption of Mary is one of the four Catholic Mariology#Dogmatic teachings, Marian dogmas of the Catholic Church. Pope Pius XII defined it on 1 November 1950 in his apostolic constitution as follows: It leaves open the question of whether Mary died or whether she was raised to Eternal life (Christianity), eternal life without bodily death. The equivalent belief in the Eastern Christianity is the Dormition of the Mother of God or the "Falling Asleep of the Mother of God". The word 'assumption' derives from the Latin word , meaning 'taking up'. Pope Pius XII expressed in his encyclical ''Munificentissimus Deus'' the hope that the belief in the bodily assumption of the virgin Mary into heaven "will make our belief in our own resurrection stronger and render it more effective", while the Catechism of the Catholic Church adds: "The Assumption of the Blessed Virgin is a singular participation in her Son's Resurrection and an anticipation of the resurrection of other Chri ...
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Camillo Procaccini
300px, ''Nativity'' by Camillo Procaccini Camillo Procaccini (3 March 1561 at Parma – 21 August 1629) was an Italian painter. He has been posthumously referred to as the ''Vasari of Lombardy'', for his prolific Mannerist fresco decoration. Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters. Works In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. He painted the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci (1605–1609), and the vault and choir in San Barnaba of Milan. He painted a ''Nativity'' in the Sacro Monte d'O ...
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