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San Frediano Of Lucca
The Basilica of San Frediano is a Romanesque church in Lucca, Italy, situated on the ''Piazza San Frediano''. History Fridianus (Frediano) was an Irish bishop of Lucca in the first half of the 6th century. He had a church built on this spot, dedicated to St. Vincent, a martyr from Zaragoza, Spain. When Fridianus was buried in this church, the church was renamed Ss. Frediano and Vincenzo. Soon afterwards, a community of Augustinian canons was growing around this church. In the Longobard era, the church and the canon house were enlarged. In 1104, this order was recognized by Pope Paschal II. The prior of St. Frediano was later accorded a rank equal in dignity to that of a bishop. The church acquired its present appearance of a typical Roman basilica during the period 1112–1147. In the 13th-14th centuries the striking façade was decorated with a huge golden 13th century mosaic representing ''The Ascension of Christ the Saviour'' with the apostles below. Berlinghiero Berlinghie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di San Frediano Lucca
In Ancient Roman architecture, a basilica (Greek Basiliké) was a large public building with multiple functions that was typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the ''basilica'' architectural form. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three nave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Early Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. Jacopo della Quercia, must have seen the Pulpit in the cathedral of Siena by Nicola Pisano and works of Arnolfo di Cambio that must have influenced him. It is also likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and later influences made him a transitional figure in the history of European art; his work shows a pronounced mid-career shift from the Gothic style to that of the Italian Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is a two-part work of art; a triptych is a three-part work; a ''tetraptych'' or ''quadriptych'' has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits and other subjects, in painting, photography, and other media. Historically, polyptychs were panel paintings that typically displayed one "central" or "main" panel that was usually the largest; the other panels are called "side" panels, or if hinged, "wings". Folding forms were much more common north of the Alps. Sometimes, as evident in the Ghent Altarpiece and Isenheim Altarpiece, the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the '' Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monolith
A monolith is a geological feature consisting of a single massive stone or rock, such as some mountains. Erosion usually exposes the geological formations, which are often made of very hard and solid igneous or metamorphic rock. Some monoliths are volcanic plugs, solidified lava filling the vent of an extinct volcano. In architecture, the term has considerable overlap with megalith, which is normally used for prehistory, and may be used in the contexts of rock-cut architecture that remains attached to solid rock, as in monolithic church, or for exceptionally large stones such as obelisks, statues, monolithic columns or large architraves, that may have been moved a considerable distance after quarrying. It may also be used of large glacial erratics moved by natural forces. The word derives, via the Latin , from the Ancient Greek word (), from () meaning "one" or "single" and () meaning "stone". Geological monoliths Large, well-known monoliths include: Africa * Aso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zita
Zita (27 April 1272), also known as Sitha or Citha, is an Italian saint, the patron saint of maids and Domestic worker, domestic servants. She is often appealed to in order to help find lost Key (lock), keys. Zita entered domestic service at the age of 12, and served the same family for almost 50 years. Through her diligence and fidelity, she became a trusted and valued servant. She spent her days doing ordinary things extraordinarily well. Zita was known for her kindness and generosity to the poor. Life Zita was born in Tuscany in Monte Sagrati, a village not far from Lucca. Her parents were Giovanni and Buonissima Lombardo. Her maternal uncle, Graziano, was a hermit who dwelt on a neighbouring mountain where he had built a church and a shelter for travellers. At the age of 12, Zita became a servant in the household of the Fatinellis, a well-to-do family of silk merchants. Signora Fatinelli allowed Zita to attend school for a year and then put her to be trained under an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means (generally woodwind or electronic musical instrument, electric) for producing tones. The organs have usually two or three, sometimes up to five or more, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual. The organ has been used in various musical settings, particularly in classical music. Music written specifically for the organ is common from the Renaissance to the present day. Pipe organs, the most traditional type, operate by forcing air through pipes of varying sizes and materials, each producing a different pitch and tone. These instruments are commonly found in churches and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Civitali
Matteo Civitali (1436–1501) was an Italian Renaissance sculptor and architect, painterThe only known painting attributed to Matteo, a triptych of the ''Virgin and Child with Saints Michael Archangel, John the Baptist, Biagio and Peter'', executed in 1467–69, was loaned to the 2004 exhibition. and engineer from Lucca. He was a leading artistic personality of the Early Renaissance in Lucca, where he was born and where most of his work remains. Biography He was trained in Florence, where Antonio Rossellino and Mino da Fiesole influenced his mature style. He is known to have sculpted statues of Adam, Eve, Abraham, Saints Zacchariah and Elizabeth, and others for the chapel of San Giovanni Battista in Genoa Cathedral.R. Soprani and CG. Ratti. He is mentioned with the name of ''Matteo Civitali'' by Vasari in his biography of Jacopo della Quercia, and appears to have taken up the art of sculpture at the age of 40 years, after years of practicing as a "barber" (surgeon). While consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Della Robbia
Andrea della Robbia (20 October 14354 August 1525) was an Italian Renaissance sculptor, especially in ceramics. Biography Born in Florence, Robbia was the son of Marco della Robbia, whose brother, Luca della Robbia, popularized the use of glazed terra-cotta for sculpture. Andrea became Luca's pupil, and was the most important artist of ceramic glaze of the times. He carried on the production of the enamelled reliefs on a much larger scale than his uncle had ever done; he also extended its application to various architectural uses, such as friezes and to the making of lavabos, fountains and large retables. One variety of method was introduced in his enamelled work. Sometimes he omitted the enamel on the face and hands of his figures, especially in those cases where he had treated the heads in a realistic manner; as, for example, in the tympanum relief of the meeting of St Domenic and St Francis in the loggia of the Florentine hospital of San Paolo, a design suggested by a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lunette
A lunette (French ''lunette'', 'little moon') is a crescent- or half-moon–shaped or semi-circular architectural space or feature, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a Tympanum (architecture), tympanum. A lunette is also formed when a horizontal cornice (architecture), cornice transects a round-headed arch at the level of the Impost (architecture), imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glazed Architectural Terra-cotta
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It featured widely in the 'terracotta revival' from the 1880s until the 1930s. It was used in the UK, United States, Canada and Australia and is still one of the most common building materials found in U.S. urban environments. It is the Ceramic glaze, glazed version of architectural terracotta; the material in both its glazed and unglazed versions is sturdy and relatively inexpensive, and can be molded into richly ornamented detail. Glazed terra-cotta played a significant role in architectural styles such as the Chicago school (architecture), Chicago School and Beaux-Arts architecture. History The material, also known in Great Britain as faience and sometimes referred to as "architectural ceramics" in the USA was closely associated with the work of Cass Gilbert, Louis Sullivan, and Daniel H. Burnham, among other architects. Buildings incorporating glazed terra-cotta include the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
