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Simile
A simile () is a type of figure of speech that directly ''compares'' two things. Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are two schools of thought regarding the relationship between similes and metaphors. The first defines them as opposites, such that a statement cannot be both a simile and a metaphor — if it uses a comparison word such as "like" then it is a simile; if not, it is a metaphor. The second school considers metaphor to be the broader category, in which similes are a subcategory — according to which every simile is also a metaphor (but not vice-versa). These two schools reflect differing definitions and usages of the word "metaphor" and regardless of whether it encompasses similes, but both agree that similes always involve a direct comparison word such as "like" or "as". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homeric Simile
Homeric simile, also called an epic simile, is a detailed comparison in the form of a simile that is many lines in length. The word "Homeric", is based on the Greek author, Homer, who composed the two famous Greek epics, the ''Iliad'' and the ''Odyssey''. Many authors continue to use this type of simile in their writings although it is usually found in classics. The typical Homeric simile makes a comparison to some kind of event, in the form "like a ____ when it ______." The object of the comparison is usually something strange or unfamiliar to something ordinary and familiar. The ''Iliad'', for instance, contains many such similes comparing fighting warriors to lions attacking wild boars or other prey. These similes serve to take the reader away from the battlefield for a brief while, into the world of pre-war peace and plenty. Often, they occur at a moment of high action or emotion, especially during a battle. In the words of Peter Jones (classicist), Peter Jones, Homeric similes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide, or obscure, clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an Analogy, analogy. Analysts group metaphors with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. According to Grammarly, "Figurative language examples include similes, metaphors, personification, hyperbole, allusions, and idioms." One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from ''As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, ''As You Like It'', 2/7 This quotation expresses a metaphor because the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypocatastasis
Hypocatastasis is a figure of speech that declares or implies a wikt:resemblance, resemblance, representation or comparison. It differs from a metaphor, because in a metaphor the two nouns are both named and given; while, in hypocatastasis, only one is named and the other is implied, or as it were, is put down underneath out of sight. Hence hypocatastasis is an implied resemblance or representation: that is an implied simile or metaphor. A hypocatastasis has more force than a metaphor or simile, and expresses as it were a superlative degree of resemblance. Attribution for the creation of the term is given derisively to a Mr. Lord by G. Bush in 1850. The latter accuses the former of inventing this category of Biblical comparisons which do not seem to fit into the standard categories of metaphor or simile. Since then the term has mostly been confined to analysis of Biblical rhetoric, and it has never migrated to general public usage. It does not appear in the 2009 version of the O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Like
In English, the word ''like'' has a very flexible range of uses, ranging from conventional to non-standard. It can be used as a noun, verb, adverb, adjective, preposition, particle, conjunction, hedge, filler, quotative, and semi-suffix. Uses Comparisons ''Like'' is one of the words in the English language that can introduce a simile (a stylistic device comparing two dissimilar ideas). It can be used as a preposition, as in "He runs ''like'' a cheetah"; it can also be used as a suffix, as in "She acts very child-''like''. It can also be used in non-simile comparisons such as, "She has a dog ''like'' ours". As a conjunction ''Like'' is often used in place of the subordinating conjunction ''as'', or ''as if''. Examples: * They look ''like'' they have been having fun. * They look ''as if'' they have been having fun. Many people became aware of the two options in 1954, when a famous ad campaign for Winston cigarettes introduced the slogan " Winston tastes good—like a ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figure Of Speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or Denotation, literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into ''scheme (linguistics), schemes'', which vary the ordinary sequence of words, and ''trope (literature), tropes'', where words carry a meaning other than what they ordinarily signify. An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the Prose, prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as someth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Techniques
A narrative technique (also, in fiction, a fictional device) is any of several storytelling methods the creator of a story uses, thus effectively relaying information to the audience or making the story more complete, complex, or engaging. Some scholars also call such a technique a narrative mode, though this term can also more narrowly refer to the particular technique of using a commentary to deliver a story. Other possible synonyms within written narratives are literary technique or literary device, though these can also broadly refer to non-narrative writing strategies, as might be used in academic or essay writing, as well as poetic devices such as assonance, metre, or rhyme scheme. Furthermore, narrative techniques are distinguished from narrative elements, which exist inherently in all works of narrative, rather than being merely optional strategies. Setting Plots Perspective Style Theme Character See also * Plot device * Rhetorical device ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figures Of Speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into '' schemes'', which vary the ordinary sequence of words, and '' tropes'', where words carry a meaning other than what they ordinarily signify. An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as something it clearly is not, as a way to illustrate by compar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Va Tacito E Nascosto
"Va tacito e nascosto" (Italian language, Italian; translation, "Silently and stealthily") is an aria written for alto castrato voice in act 1 of George Frideric Handel's opera ''Giulio Cesare, Giulio Cesare in Egitto'', composed in 1724 to a libretto by Nicola Francesco Haym. Sung by the character Julius Caesar, it features extensive solos for natural horn. Words and music Libretto Va tacito e nascosto, quand'avido è di preda, l'astuto cacciator. E chi è mal far disposto, non brama che si veda l'inganno del suo cor. Prosaic translation Silently and stealthily goes the shrewd hunter when he is hungry for game. And he who loves evil does not like to show the mischief in his heart. Singable text How silently, how slyly, When once the scent is taken, the huntsman tracks the spoor. The traitor shrewd and wily, ne'er lets his prey awaken unless the snare be sure. The first verse of the text is used for the opening and final sections of the aria; the second verse for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogy
Analogy is a comparison or correspondence between two things (or two groups of things) because of a third element that they are considered to share. In logic, it is an inference or an argument from one particular to another particular, as opposed to deduction, induction, and abduction. It is also used where at least one of the premises, or the conclusion, is general rather than particular in nature. It has the general form ''A is to B as C is to D''. In a broader sense, analogical reasoning is a cognitive process of transferring some information or meaning of a particular subject (the analog, or source) onto another (the target); and also the linguistic expression corresponding to such a process. The term analogy can also refer to the relation between the source and the target themselves, which is often (though not always) a similarity, as in the biological notion of analogy. Analogy plays a significant role in human thought processes. It has been argued that analogy li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise Lost
''Paradise Lost'' is an Epic poetry, epic poem in blank verse by the English poet John Milton (1608–1674). The poem concerns the Bible, biblical story of the fall of man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. The first version, published in 1667, consists of ten books with over ten thousand lines of Verse (poetry), verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's ''Aeneid'') with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. At the heart of ''Paradise Lost'' are the themes of free will and the moral consequences of disobedience. Milton seeks to "justify the ways of God to men," addressing questions of predestination, human agency, and the nature of good and evil. The poem begins in medias res, with Satan and his fallen angels cast into Hell after their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
