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Roberta Smith
Roberta Smith (born 1948) is co-chief art critic of ''The New York Times'' and a lecturer on contemporary art. She is the first woman to hold that position at the Times. Education and early life Born in 1948 in New York City and raised in Lawrence, Kansas, Smith studied at Grinnell College in Iowa. Her career in the arts started in 1968, while an undergraduate summer intern at the Corcoran Gallery of Art in Washington D.C. Career In 1968-1969, she participated in the Art History/Museum Studies track of the Whitney Independent Study Program (ISP) where she met and developed an affinity for Donald Judd and became interested in minimal art. After graduation, she returned to New York City in 1971 to take a secretarial job at the Museum of Modern Art, followed by part-time assistant jobs to Judd in the early 1970s, and Paula Cooper for the first three years that she had her Paula Cooper Gallery, beginning in 1972. While at the Paula Cooper Gallery Smith wrote exhibition reviews ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , pseu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
College Art Association
The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership. CAA publications, programs and grants CAA publishes several academic journals, including ''The Art Bulletin'', one of the foremost journals for art historians in English, and '' Art Journal'', a quarterly journal devoted to twentieth- and tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Jewett Mather
Frank Jewett Mather Jr. (6 July 1868 – 11 November 1953) was an American art critic and professor. He was the first "modernist" (i.e., post-classicist) professor at the Department of Art and Archaeology, Princeton University. He was a direct descendant of Richard Mather a Puritan minister in 17th century Boston. Biography He was born at Deep River, Connecticut, to parents Caroline Arms Graves and lawyer Frank Jewett Mather, Sr. (1835–1929). Mather graduated from Williams College in 1889 and from Johns Hopkins with a Ph. D. in 1892 in English philology and literature. Additionally he studied also at Berlin and at the Ecole des Hautes Etudes, Paris. From 1893 to 1900 he served as instructor and assistant professor of English and Romance languages at Williams College. In 1910, he became professor of art and archaeology at Princeton. From 1922 to 1946 he was the director of Princeton University's art museum. Mather was elected to the American Academy of Arts and Sciences in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of The Art Institute Of Chicago
The School of the Art Institute of Chicago (SAIC) is a Private university, private art school associated with the Art Institute of Chicago (AIC) in Chicago, Illinois. Tracing its history to an art students' cooperative founded in 1866, which grew into the museum and school, SAIC has been Higher education accreditation in the United States, accredited since 1936 by the Higher Learning Commission and by the National Association of Schools of Art and Design since 1944 (charter member). It has been a member of the Association of Independent Colleges of Art and Design (AICAD) since the association's founding in 1991 and is also accredited by the National Architectural Accrediting Board. Its downtown Chicago campus consists of seven buildings located in the immediate vicinity of the Art Institute of Chicago Building, AIC building. SAIC is in an equal partnership with the AIC and shares many administrative resources such as design, construction, and human resources. The campus, located ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Art Institute
San Francisco Art Institute (SFAI) was a Private college, private art school, college of contemporary art in San Francisco, California. Founded in 1871, SFAI was one of the oldest art schools in the United States and the oldest west of the Mississippi River. Approximately 220 undergraduates and 112 graduate students were enrolled in 2021. The institution was accredited by the Western Association of Schools and Colleges (WASC) and the National Association of Schools of Art and Design (NASAD), and was a member of the Association of Independent Colleges of Art and Design (AICAD). The school closed permanently in July 2022. History 19th century The San Francisco Art Institute roots go back to 1871 with the formation of the San Francisco Art Association—a small but influential group of artists, writers, and community leaders, most notably, led by Virgil Macey Williams and first president Juan B. Wandesforde, with B.P. Avery, Edward Bosqui, Thomas Hill, and S.W. Shaw, who cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and construction, constructing buildings or other Structure#Load-bearing, structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as work of art, works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the Prehistory, prehistoric era, has been used as a way of expressing culture by civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theory, architectural theories is the 1st century AD treatise by the Roman architect Vitruvius, according to whom a good bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Design
A design is the concept or proposal for an object, process, or system. The word ''design'' refers to something that is or has been intentionally created by a thinking agent, and is sometimes used to refer to the inherent nature of something – its design. The verb ''to design'' expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan may also be considered to be a design (such as in arts and crafts). A design is expected to have a purpose within a specific context, typically aiming to satisfy certain goals and constraints while taking into account aesthetic, functional and experiential considerations. Traditional examples of designs are architectural and engineering drawings, circuit diagrams, sewing patterns, and less tangible artefacts such as business process models.Dictionary meanings in the /dictionary.cambridge.org/dictionary/english/design Cambridge Dictionary of American English at /www. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outsider Art
Outsider art is Fine art, art made by Autodidacticism, self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the Convention (norm), conventions of the art worlds. The term ''outsider art'' was coined in 1972 as the title of a book by art critic Roger Cardinal (art historian), Roger Cardinal. It is an English language, English equivalent for ''art brut'' (, "raw art" or "rough art"), a label created in the 1940s by France, French artist Jean Dubuffet to describe art created outside the boundaries of official culture. Dubuffet focused particularly on art by those on the outside of the established art scene, using as examples psychiatric hospital patients, hermits, and spiritualists.Cardinal, Roger (1972). ''Outsider Art''. New York: Praeger. pp. 24–30.Bibliography The 20th Century Art Book. New York, NY: Phaidon Press, 1996. Outsider art has emerged as a successful art marketing category; an annual Outsider Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorative Arts
] The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Canada
The National Gallery of Canada (), located in the capital city of Ottawa, Ontario, is Canada's National museums of Canada, national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the List of largest art museums, largest art museums in North America by exhibition space. The institution was established in 1880 at the Second Supreme Court of Canada building, and moved to the Victoria Memorial Museum building in 1911. In 1913, the Government of Canada passed the ''National Gallery Act'', formally outlining the institution's mandate as a national art museum. The Gallery was moved to the Lorne Building in 1960. In 1988, the Gallery was relocated to a new complex designed by Israeli architect Moshe Safdie. The glass and granite building is on Sussex Drive, with a notable view of Canada's Parliament Buildings on Parliament Hill. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalogue Raisonné
A (or critical catalogue) is an annotated listing of the works of an artist or group of artists and can contain all works or a selection of works categorised by different parameters such as medium or period. A ''catalogue raisonné'' is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work. Some catalogues also include scholarly commentary about each work or, sometimes, commentary about a piece from the artist. This information is relied upon by others to identify works and plays an important role in authentication. While historically ''catalogues raisonnés'' have been produced as physical books, there is a shift towards catalogues existing only in digital form, such as those of the artists Isamu Noguchi, Paul Césa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
