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Romance For Viola And Piano (Vaughan Williams)
The Romance for Viola and Piano was one of many pieces found in Ralph Vaughan Williams' library after his death in 1958. The date of the composition is not known, but it is thought to date from around 1914. It is probable that it was written for the great English violist, Lionel Tertis, the dedicatee of Vaughan Williams's other pieces for viola: '' Flos Campi'' (1925) and the Suite for viola and small orchestra (1933–1934), the latter of which was written for Tertis. The ''Romance'' is composed in arch form. It opens with soft, pentatonic murmurings from the piano, expanding into a rather melancholy and songful aria for the viola. The middle is somewhat restless and anguished, before closing in a similar manner to the beginning. The pentatonic modality is used throughout, though there are also stirring false relations and chromatic sections. The premiere took place at a New Macnaghten Concert on 19 January 1962 with Bernard Shore on viola and Eric Gritton on piano. Despite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violist
; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family (violin, cello, double bass) * List of violists , articles= , sound sample = The viola ( , also , ) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Tertis
Lionel Tertis, CBE (29 December 187622 February 1975) was an English violist. He was one of the first viola players to achieve international fame and a noted teacher. Career Tertis was born in West Hartlepool, the son of Polish-Jewish immigrants. He first studied violin in Leipzig, Germany and at the Royal Academy of Music (RAM) in London. There he was encouraged by the principal, Alexander Mackenzie, to take up the viola instead. Under the additional influence of Oskar Nedbal, he did so and rapidly became one of the best known violists of his time, touring Europe and the US as a soloist. As Professor of Viola at the RAM (from 1900), he encouraged his colleagues and students to compose for the instrument, thereby greatly expanding its repertoire. In 1906, Tertis was temporarily in the famous Bohemian Quartet to replace the violist/composer Oskar Nedbal and later he took the viola position in the Gerald Walenn Quartet. Composers such as Arnold Bax, Frank Bridge, Gustav Holst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flos Campi
''Flos Campi'': suite for solo viola, small chorus and small orchestra is a composition by the English composer Ralph Vaughan Williams, completed in 1925. Its title is Latin for "flower of the field". It is neither a concerto nor a choral piece, although it prominently features the viola and a wordless choir. The piece is divided into six movements, played without pause, each headed by a verse from the Song of Solomon: #''Sicut Lilium inter spinas'' (Lento) #''Jam enim hiems transiit'' (Andante con moto - quarter note = 104) #''Quaesivi quem diligit anima mea'' (Lento - Allegro moderato) #''En lectulum Salomonis'' (Moderato alla marcia - quarter note = 90) #''Revertere, revertere Sulamitis!'' (Andante quasi lento) #''Pone me ut signaculum'' (Moderato tranquillo) As in his ''Sinfonia antartica'', the quotations are intended to be read by the listener, and are not intended to be part of the performance. The quotations are: # ''Sicut Lilium inter spinas, sic amica mea inter filia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite For Viola And Orchestra (Vaughan Williams)
The Suite for Viola and Orchestra (also called Suite for Viola and Small Orchestra) by Ralph Vaughan Williams is a work in eight movements for solo viola and orchestra composed in 1933 and 1934. The Suite is dedicated to violist Lionel Tertis, who premiered the work on November 12, 1934 at the Queen's Hall in London under the baton of Malcolm Sargent. A typical performance lasts about 23 minutes. Form The work consists of eight movements, initially published in three groups. ;Group 1: # Prelude # Carol # Christmas Dance ;Group 2: # Ballad # Moto Perpetuo ;Group 3: # Musette # Polka Melancolique # Galop The work is scored for solo viola, 2 flutes, 1 oboe, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, percussion, celesta, harp and strings. Discography ;Complete recordings * ''Bloch and Vaughan Williams'' – William Gromko (viola); Harriet Wingreen (piano); Classic Editions CE 1038 (mid- to late-1950s) * ''Starer and Vaughan Williams'' – Melvin Berger (viola) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Form
In music, arch form is a sectional structure for a piece of music based on repetition, in reverse order, of all or most musical sections such that the overall form is symmetric, most often around a central movement. The sections need not be repeated verbatim but must at least share thematic material. It creates interest through interplay among "memory, variation, and progression". Though the form appears to be static and to deny progress, the pairs of movements create an "undirectional process" with the center, and the form "actually engenders specific expressive possibilities that would otherwise be unavailable for the work as a whole".Wilson, Paul (1992). ''The Music of Béla Bartók''. . p. 32. Béla Bartók is noted for his use of arch form, e.g., in his fourth and fifth string quartets, Concerto for Orchestra, ''Music for Strings, Percussion and Celesta'', second piano concerto, and, to a lesser extent, in his second violin concerto. Samuel Barber's '' Adagio for Strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
False Relation
A false relation (also known as cross-relation, non-harmonic relation) is the name of a type of dissonance that sometimes occurs in polyphonic music, most commonly in vocal music of the Renaissance. The term describes a "chromatic contradiction" between two notes sounding simultaneously (or in close proximity) in two different voices or parts; or alternatively, in music written before 1600, the occurrence of a tritone between two notes of adjacent chords. In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The tenor voice sings G while the bass sings G momentarily beneath it, producing the clash of an augmented unison. In this instance, the false relation is less pronounced: the contradicting E (soprano voice) and E (bass voice) ( diminished octave) do not sound simultaneously. Here the false relation occurs because the top voice is descending in a minor key, and therefore takes the notes of the melodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Macnaghten
Anne Macnaghten, CBE (9 August 1908 – 31 December 2000) was a British classical violinist and pedagogue. Anne was the youngest daughter of high court judge Sir Malcolm Macnaghten and grew up in Northern Ireland and Kensington, London. She began her violin studies at the age of six with Hungarian soloist Jelly d'Arányi. Macnaghten later stated in an interview with ''The Strad'' that d'Arányi "wasn't really a very good teacher". At the age of seventeen she travelled to Germany to study at Leipzig Conservatory (now University of Music and Theatre Leipzig) with German pedagogue Walther Davisson, who later became the director of the conservatory. In 1931 she co-founded the ''Macnaghten Concerts'' together with composer Elisabeth Lutyens and conductor Iris Lemare, which aimed to promote contemporary classical composers. The concert series was based at the Mercury Theatre, Notting Hill Gate and originally ran from 1931–1937. In the same year Macnaghten founded the (then all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Shore
Bernard Shore (17 March 1896 – 2 April 1985) was an English viola player and author. Early life Shore studied at the Royal College of Music from 1912, with Sir Walter Alcock (organ) and Thomas Dunhill (composition), but his time there was interrupted by the war. Returning after 1918 with an injured right hand - he had lost two fingers - Shore focused on viola playing rather than the organ, becoming a pupil of Arthur Bent, and subsequently Lionel Tertis. He also studied horn with Adolf Borsdorf.Palmer, Russell. ''British Music'' (1947), pp. 223-224 Career From 1922 on he was an orchestral player, first with the Queen’s Hall Orchestra under Sir Henry Wood and (from 1930) as principal viola of the BBC Symphony Orchestra. There is an HMV Treasury recording of a performance of Elgar's '' Introduction and Allegro'' with the orchestra, conducted by Sir Adrian Boult with Shore as part of the solo quartet. It was recorded on 24 March 1937. He sometimes also played with the Spencer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Viola
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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