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Romance (prose Fiction)
Romance is "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", a narrative method that contrasts with the modern, main tradition of the novel, which realistically depicts life. Walter Scott describes romance as a "kindred term" to the novel, and many European languages do not distinguish between them (e.g., "''le roman'', ''der Roman'', ''il romanzo''" in French, German, and Italian, respectively). There is a second type of romance: love romances in genre fiction, where the primary focus is on love and marriage. The term "romance" is now mainly used to refer to this type, and for other fiction it is "now chiefly archaic and historical" ( OED). Works of fiction such as '' Wuthering Heights'' and '' Jane Eyre'' combine elements from both types. Although early stories of historical romance often took the form of the romance, the terms "romance novel" and "historical romance" are confusing, because the words "romance" ...
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The Lady Of The Lake Telleth Arthur Of The Sword Excalibur
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ...
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Historical Fantasy
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic (fantasy), magic) into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as King Arthur, Arthurian, Celts, Celtic, or Dark Ages (historiography), Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century. Films of this genre may have plots set in biblical times or classical antiquity. They often have plots based very loosely on mythology or legends of Greek-Roman history, or the surrounding cultures of the same era. Overview Historical fantasy usually takes one of three common approaches: # Magic in fiction, Magic, mythical creatures, such as dragons, or other supernatural elements, such as magic rings, co-exist invisibly with the mundane world, with the majority of people being unaware of it. In this, it has a clo ...
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Fantasy
Fantasy is a genre of speculative fiction that involves supernatural or Magic (supernatural), magical elements, often including Fictional universe, imaginary places and Legendary creature, creatures. The genre's roots lie in oral traditions, which later became fantasy literature, fantasy literature and drama. From the twentieth century onward, it has expanded into various media, including film, television, graphic novels, manga, animation, and video games. The expression ''fantastic literature'' is often used for this genre by Anglophone literary critics. An archaic spelling for the term is ''phantasy''. Fantasy is generally distinguished from the genres of science fiction and horror fiction, horror by an absence of scientific or macabre themes, although these can occur in fantasy. In popular culture, the fantasy genre predominantly features settings that reflect the actual Earth, but with some sense of otherness. Characteristics Many works of fantasy use magic (paranorma ...
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Adventure Fiction
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of Romance (prose fiction)#Definition, romance fiction. History In the introduction to the ''Encyclopedia of Adventure Fiction'', Critic Don D'Ammassa defines the genre as follows: D'Ammassa argues that adventure stories make the element of danger the focus; hence he argues that Charles Dickens's novel ''A Tale of Two Cities'' is an adventure novel because the protagonists are in constant danger of being imprisoned or killed, whereas Dickens's ''Great Expectations'' is not because "Pip's encounter with the convict is an adventure, but that scene is only a device to advance the main plot, which is not truly an adventure." Adventure has been a common theme (literature), theme since the earliest days of written fiction. Indeed, the standard plot of Heliodorus, and so durable as to be still alive in Adventu ...
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Nautical Fiction
Nautical fiction, frequently also naval fiction, sea fiction, naval adventure fiction or maritime fiction, is a genre of literature with a setting on or near the sea, that focuses on the human relationship to the sea and sea voyages and highlights nautical culture in these environments. The settings of nautical fiction vary greatly, including merchant ships, liners, naval ships, fishing vessels, life boats, etc., along with sea ports and fishing villages. When describing nautical fiction, scholars most frequently refer to novels, novellas, and short stories, sometimes under the name of sea novels or sea stories. These works are sometimes adapted for the theatre, film and television. The development of nautical fiction follows with the development of the English language novel and while the tradition is mainly British and North American, there are also significant works from literatures in Japan, France, Scandinavia, and other Western traditions. Though the treatment of themes an ...
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Science Fiction
Science fiction (often shortened to sci-fi or abbreviated SF) is a genre of speculative fiction that deals with imaginative and futuristic concepts. These concepts may include information technology and robotics, biological manipulations, space exploration, time travel, Parallel universes in fiction, parallel universes, and extraterrestrials in fiction, extraterrestrial life. The genre often explores human responses to the consequences of projected or imagined scientific advances. Science fiction is related to fantasy (together abbreviated wikt:SF&F, SF&F), Horror fiction, horror, and superhero fiction, and it contains many #Subgenres, subgenres. The genre's precise Definitions of science fiction, definition has long been disputed among authors, critics, scholars, and readers. Major subgenres include hard science fiction, ''hard'' science fiction, which emphasizes scientific accuracy, and soft science fiction, ''soft'' science fiction, which focuses on social sciences. Other no ...
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Scientific Romance
Scientific romance is an archaic, mainly British term for the genre of fiction now commonly known as science fiction. The term originated in the 1850s to describe both fiction and elements of scientific writing, but it has since come to refer to the science fiction of the late nineteenth and early twentieth centuries, primarily that of Jules Verne, H. G. Wells and Arthur Conan Doyle. In recent years the term has come to be applied to science fiction written in a deliberately Anachronism, anachronistic style as a homage to or pastiche of the original scientific romances. History Early usages The earliest use of the term "scientific romance" is thought to have been in 1845, when critics applied it to Robert Chambers's ''Vestiges of the Natural History of Creation'', a speculative natural history published in 1844. It was used again in 1851 by the ''Edinburgh Ecclesiastical Journal and Literary Review'' in reference to Thoman Hunt's ''Panthea, or the Spirit of Nature''. In 1859 the ...
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Adventure Novel
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction. History In the introduction to the ''Encyclopedia of Adventure Fiction'', Critic Don D'Ammassa defines the genre as follows: D'Ammassa argues that adventure stories make the element of danger the focus; hence he argues that Charles Dickens's novel ''A Tale of Two Cities'' is an adventure novel because the protagonists are in constant danger of being imprisoned or killed, whereas Dickens's '' Great Expectations'' is not because "Pip's encounter with the convict is an adventure, but that scene is only a device to advance the main plot, which is not truly an adventure." Adventure has been a common theme since the earliest days of written fiction. Indeed, the standard plot of Heliodorus, and so durable as to be still alive in Hollywood movies, a hero would undergo a first set of adve ...
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John Cowper Powys
John Cowper Powys ( ; 8 October 187217 June 1963) was an English novelist, philosopher, lecturer, critic and poet born in Shirley, Derbyshire, where his father was vicar of the parish church in 1871–1879. Powys appeared with a volume of verse in 1896 and a first novel in 1915, but gained success only with his novel ''Wolf Solent'' in 1929. He has been seen as a successor to Thomas Hardy, and ''Wolf Solent'', ''A Glastonbury Romance'' (1932), ''Weymouth Sands'' (1934), and ''Maiden Castle (novel), Maiden Castle'' (1936) have been called his Thomas Hardy's Wessex, Wessex novels. As with Hardy, landscape is important to his works. So is elemental philosophy in his characters' lives. In 1934 he published an autobiography. His itinerant lectures were a success in England and in 1905–1930 in the United States, where he wrote many of his novels and had several first published. He moved to Dorset, England, in 1934 with a US partner, Phyllis Playter. In 1935 they moved to Corwen, Meri ...
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Joseph Conrad
Joseph Conrad (born Józef Teodor Konrad Korzeniowski, ; 3 December 1857 – 3 August 1924) was a Poles in the United Kingdom#19th century, Polish-British novelist and story writer. He is regarded as one of the greatest writers in the English language and – though he did not speak English fluently until his twenties (always with a strong foreign accent) – became a master prose stylist who brought a non-English sensibility into English literature. He wrote novels and stories, many in nautical settings, that depicted crises of human individuality in the midst of what he saw as an indifferent, inscrutable, and amoral world. Conrad is considered a Impressionism (literature), literary impressionist by some and an early Literary modernism, modernist by others, though his works also contain elements of 19th-century Literary realism, realism. His narrative style and anti-heroic characters, as in ''Lord Jim'', have influenced numerous authors. Many dramatic films have been ada ...
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Thomas Hardy
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Literary realism, Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian era, Victorian society, especially on the declining status of rural people in Britain such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as ''Far from the Madding Crowd'' (1874), ''The Mayor of Casterbridge'' (1886), ''Tess of the d'Urbervilles'' (1891) and ''Jude the Obscure'' (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgian Poetry, Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Au ...
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