Roland Bolt Amplifier
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Roland Bolt Amplifier
The Roland Bolt 30/60/100 was the only line of tube guitar amplifiers produced by Roland. The Bolt amplifier series was released in 1979. The Bolt amplifiers used an hybrid circuit, with a Mosfet-based solid state preamp section and an all Tube power amp. In the case of the Bolt 60 the power amp section is an exact clone of the Fender AB763 circuit, it uses two 6L6GC power tubes and one 12AT7 Phase Inverter. The amplifiers have two channels, clean and Overdrive, switchable on the front panel or through a foot-switch. Aside from the overdrive circuit, the amp contains a spring reverb A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or electronically through audio signal processing. The American producer Bill ... and provision for external effects using the effects loop. The Bolt was produced until 1984. Both combo (amp/speaker) and 'head' versions of these am ...
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Vacuum Tube
A vacuum tube, electron tube, thermionic valve (British usage), or tube (North America) is a device that controls electric current flow in a high vacuum between electrodes to which an electric voltage, potential difference has been applied. It takes the form of an evacuated tubular envelope of glass or sometimes metal containing electrodes connected to external connection pins. The type known as a thermionic tube or thermionic valve utilizes thermionic emission of electrons from a hot cathode for fundamental Electronics, electronic functions such as signal amplifier, amplification and current Rectifier, rectification. Non-thermionic types such as vacuum phototubes achieve electron emission through the photoelectric effect, and are used for such purposes as the detection of light and measurement of its intensity. In both types the electrons are accelerated from the cathode to the anode by the electric field in the tube. The first, and simplest, vacuum tube, the diode or Flem ...
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Guitar Amplifier
A guitar amplifier (or amp) is an electronic amplifier, electronic device or system that strengthens the electrical signal from a Pickup (music technology), pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden speaker enclosure, cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier (and preamplifier) circuits, requiring the use of a separate speaker cabinet–or it may be a ''combo'' amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance. Guitar amplifiers can also modify ...
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Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ...
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Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ...
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