Robert Schmutzler
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Robert Schmutzler
Robert Schmutzler was a German art historian known for his work on the development of Art Nouveau that identified new and earlier origins for the style at a time when it was undergoing a revival. ''Art nouveau-Jugendstil'' Schmutzler's major work was his book ''Art nouveau-Jugendstil'' (1962) which was developed from his doctoral thesis. It was printed in English in 1964 as ''Art Nouveau'' in a translation by Edouard Roditi, published by Thames and Hudson in the United Kingdom and Abrams in the United States. The English language edition was positively reviewed by Lawrence Gowing in ''The Observer'' who pronounced it "fascinating" and by Eric Newton in ''The Guardian'' who honoured Schmutzler for disproving the belief that Victor Horta had invented the style, saying "The legend dies hard. In fact only German scholarship could kill it, and only a German scholar, with his complex machinery of philosophical interpretation and aesthetic analysis could manage to relate it to what ...
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Art Nouveau By Robert Schmutzler
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, s ...
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William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his " prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regar ...
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Year Of Birth Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar ye ...
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German Art Historians
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) ...
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Stephan Tschudi-Madsen
Stephan Tschudi-Madsen (25 August 1923 - 11 October 2007) was a Norwegian art historian. Tschudi-Madsen was the first antiquarian at the Norwegian Directorate for Cultural Heritage from 1959 until 1978 and was Director-general between 1978–1991. He was the Advisory President of the International Council on Monuments and Sites (ICOMOS) from 1981-1990 and ICOMOS Norway President 1978-1992. Early life Tschudi-Madsen was born in Bergen, Norway. He graduated in 1950 from the University of Oslo with a thesis in art history on Romantic architecture. In 1952-1953 he worked as a British Council scholar in London. Tschudi-Madsen received his Ph.D. in 1956. Career Tschudi-Madsen worked as an antiquarian at the Directorate for Cultural Heritage in Norway from 1959. He was active for the preservation of Norwegian wooden buildings during the European Architectural Heritage Year campaign that was organized in 1975. He was also one of the pioneers of rediscovering the qualities of the co ...
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John M
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * P ...
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Architectural Review
''The Architectural Review'' is a monthly international architectural magazine. It has been published in London since 1896. Its articles cover the built environment – which includes landscape, building design, interior design and urbanism – as well as theory of these subjects. History ''The'' ''Architectural Review'' was founded as a monthly magazine, the ''Architectural Review for the Artist and Craftsman'', in 1896 by Percy Hastings, owner of the Architectural Press, with an editorial board of Reginald Blomfield, Mervyn Macartney and Ernest Newton. In 1927 his third son, Hubert de Cronin Hastings, became joint editor (with Christian Berman) of both ''The'' ''Architectural Review'' and the ''Architects' Journal'', a weekly. Together they made substantial changes to the aims and style of the review, which became a general arts magazine with an architectural emphasis. Contributors from other artistic fields were brought in, among them Hilaire Belloc, Robert Byron, ...
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The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ...
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Edith Hoffmann
Edith Hoffmann (7 December 1888, in Brașov – 6 April 1945, in Budapest) was a Hungarian art historian and silhouette painter, best remembered for her publications of the works of Miklós Barabás and her silhouettes of Mihály Babits, Dezső Kosztolányi, and Sándor Sík. A graduate of the University of Vienna and the University of Budapest, she worked as a curator at the Hungarian National Museum and the Museum of Fine Arts (Budapest), Museum of Fine Arts. References

1888 births 1945 deaths Hungarian art historians 20th-century Hungarian women painters Hungarian non-fiction writers {{Hungary-historian-stub ...
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Arthur Mackmurdo
Arthur Heygate Mackmurdo (12 December 1851 – 15 March 1942) was a progressive English architect and designer, who influenced the Arts and Crafts Movement, notably through the Century Guild of Artists, which he set up in partnership with Herbert Horne in 1882. He was the pioneer of the Modern Style (British Art Nouveau style) and in turn global Art Nouveau movement. Early life Mackmurdo was the son of a wealthy chemical manufacturer. He was educated at Felsted School, and was first trained under the architect T. Chatfield Clarke, from whom he claimed to have learnt nothing. Then, in 1869, he became an assistant to the Gothic Revival architect James Brooks. In 1873, he visited John Ruskin's School of Drawing, and accompanied Ruskin to Italy in 1874. He stayed on to study in Florence for a while; despite the influence of Ruskin, the Italian architecture he was most impressed by was that of the Renaissance. Career In 1874 he opened his own architectural practice at 28 ...
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Aubrey Beardsley
Aubrey Vincent Beardsley (21 August 187216 March 1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant despite his early death from tuberculosis. He is one of the important Modern Style figures. Early life, education, and early career Beardsley was born in Brighton, Sussex, England, on 21 August 1872 and christened on 24 October 1872. His father, Vincent Paul Beardsley (1839–1909), was the son of a Clerkenwell jeweler; Vincent had no trade himself (partly owing to inherited tuberculosis, from which his own father had died aged only 40), and relied on a private income from an inheritance that he received from his maternal grandfather, a property developer, when ...
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Pre-Raphaelites
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the ...
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