Ritmo Di Sant'Alessio
The ''Ritmo di Sant'Alessio'' or ''Ritmo marchigiano su Sant'Alessio'' is a late twelfth-century metrical ''vita'' of the legendary saint Alexius of Rome composed for public performance by an anonymous '' giullare''. It is one of the earliest pieces of Italian literature. The cult of Alexius was mainly promoted by the Benedictines, starting in Italy. In the tenth century a Greek ''vita'' was adapted to Latin prose. In the eleventh century his legend, based on the Latin version, was versified in Old French as the ''Vie de Saint Alexis''. Later, in the thirteenth century a second Italian version, ''De vita Beati Alexii'', this time in the Lombard dialect, was composed by Bonvesin de la Riva. The ''Ritmo'' was conserved in a manuscript of the Benedictine convent of Santa Vittoria in Matenano near Fermo, a daughter house of the Abbey of Farfa. The codex is now in the Biblioteca Comunale of Ascoli Piceno, catalogued as XXV A. 51, c. 130 f. According to Bruno Migliorini, the poet also ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexius Of Rome Saint Clemente
Alexius is the Latinization (literature), Latinized form of the given name Alexios ( el, Αλέξιος, polytonic , "defender", cf. Alexander), especially common in the later Byzantine Empire. The female form is Alexia (given name), Alexia ( el, Αλεξία) and its variants such as Alessia (the masculine form of which is Alessio (other), Alessio) in Italian. The name belongs to the most ancient attested Greek names (a-re-ke-se-u in the Linear B tablets KN Df 1229 and MY Fu 718). Rulers * Alexios I Komnenos (1048–1118), Byzantine emperor * Alexios II Komnenos (1167–1183), Byzantine emperor * Alexios III Angelos, Alexios III, Byzantine emperor * Alexios IV, Byzantine emperor * Alexios V Doukas, Byzantine emperor * Alexios I of Trebizond, Emperor of Trebizond * Alexios II of Trebizond, Emperor of Trebizond * Alexios III of Trebizond, Emperor of Trebizond * Alexios IV of Trebizond, Emperor of Trebizond * Alexios V of Trebizond, Emperor of Trebizond * Alexius Mikhailov ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abbey Of Montecassino
An abbey is a type of monastery A monastery is a building or complex of buildings comprising the domestic quarters and workplaces of monastics, monks or nuns, whether living in communities or alone ( hermits). A monastery generally includes a place reserved for prayer whic ... used by members of a religious order under the governance of an abbot or abbess. Abbeys provide a complex of buildings and land for religious activities, work, and housing of Christians, Christian monks and nuns. The concept of the abbey has developed over many centuries from the early monastic ways of religious men and women where they would live isolated from the lay community about them. Religious life in an abbey may be monastic. An abbey may be the home of an enclosed religious order or may be open to visitors. The layout of the church and associated buildings of an abbey often follows a set plan determined by the founding religious order. Abbeys are often self-sufficient while using any abu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mendicancy
A mendicant (from la, mendicans, "begging") is one who practices mendicancy, relying chiefly or exclusively on alms to survive. In principle, mendicant religious orders own little property, either individually or collectively, and in many instances members have taken a vow of poverty, in order that all their time and energy could be expended on practicing their respective faith, preaching and serving society. Mendicancy is a form of asceticism, especially in Western Christianity. In Eastern Christianity, some ascetics are referred to as Fools for Christ, whereby they spurn the convention of society in pursuit of living a more wholly Christian life. Religious practice Many religious orders adhere to a mendicant way of life, including the Catholic mendicant orders, Hindu ascetics, some Sufi dervishes of Islam, and the monastic orders of Jainism and Buddhism. While mendicants are the original type of monks in Buddhism and have a long history in Indian Hinduism and the count ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laodicea On The Lycus
Laodicea on the Lycus ( el, Λαοδίκεια πρὸς τοῦ Λύκου ''Laodikia pros tou Lykou''; la, Laodicea ad Lycum, also transliterated as ''Laodiceia'' or ''Laodikeia'') (modern tr, Laodikeia) was an ancient city in Asia Minor, now Turkey, on the river Lycus (Çürüksu). It was located in the Hellenistic regions of Caria and Lydia, which later became the Roman Province of Phrygia Pacatiana. It is now situated near the modern city of Denizli. Since 2002 archaeology has been continuing by Pamukkale University in Denizli followed by intensive restoration work. In 2013 the archaeological site was inscribed in the Tentative List of World Heritage Sites in Turkey. It contained one of the Seven churches of Asia mentioned in the Book of Revelation. Location Laodicea is situated on the long spur of a hill between the narrow valleys of the small rivers Asopus and Caprus, which discharge their waters into the Lycus. It lay on a major trade route and in its neighb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edessa, Mesopotamia
Edessa (; grc, Ἔδεσσα, Édessa) was an ancient city ('' polis'') in Upper Mesopotamia, founded during the Hellenistic period by King Seleucus I Nicator (), founder of the Seleucid Empire. It later became capital of the Kingdom of Osroene, and continued as capital of the Roman province of Osroene. In Late Antiquity, it became a prominent center of Christian learning and seat of the Catechetical School of Edessa. During the Crusades, it was the capital of the County of Edessa. The city was situated on the banks of the Daysan River (; ), a tributary of the Khabur, and was defended by Şanlıurfa Castle, the high central citadel. Ancient Edessa is the predecessor of modern Urfa ( tr, Şanlıurfa; ku, Riha; ar, الرُّهَا, ar-Ruhā; hy, Ուռհա, Urha), in the Şanlıurfa Province, Turkey. Modern names of the city are likely derived from Urhay or Orhay ( syc, ܐܘܪܗܝ, ʾŪrhāy / ʾŌrhāy), the site's Syriac name before the re-foundation of the set ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Homonym
In linguistics, homonyms are words which are homographs (words that share the same spelling, regardless of pronunciation), or homophones (equivocal words, that share the same pronunciation, regardless of spelling), or both. Using this definition, the words ''row'' (propel with oars), ''row'' (a linear arrangement) and ''row'' (an argument) are homonyms because they are homographs (though only the first two are homophones): so are the words ''see'' (vision) and ''sea'' (body of water), because they are homophones (though not homographs). A more restrictive and technical definition requires that homonyms be simultaneously homographs ''and'' homophoneshomonym ''Random House Unabridged Dictionary'' at dictionary.com – that is to say they have identical spelling ''and'' pronunciation, but with different meanings. Examples are the pair ''stalk'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rime Suffisante
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', fro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hendecasyllabic
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry. Classical In classical poetry, "hendecasyllable" or "hendecasyllabic" may refer to any of three distinct 11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base × × followed by a choriamb – u u –; where –=a long syllable, u=a short syllable, and ×=an anceps, that is, a syllable either long or short. The three Aeolic hendecasyllables (with base and choriamb in bold) are: Phalaecian ( la, hendecasyllabus phalaecius): × × – u u – u – u – – This is a line used only occasionally in Greek choral odes and scolia, but a fa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Decasyllable
Decasyllable (Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the '' chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian epic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Novenary
A ternary numeral system (also called base 3 or trinary) has three as its base. Analogous to a bit, a ternary digit is a trit (trinary digit). One trit is equivalent to log2 3 (about 1.58496) bits of information. Although ''ternary'' most often refers to a system in which the three digits are all non–negative numbers; specifically , , and , the adjective also lends its name to the balanced ternary system; comprising the digits −1, 0 and +1, used in comparison logic and ternary computers. Comparison to other bases Representations of integer numbers in ternary do not get uncomfortably lengthy as quickly as in binary. For example, decimal 365 or senary 1405 corresponds to binary 101101101 (nine digits) and to ternary 111112 (six digits). However, they are still far less compact than the corresponding representations in bases such as decimalsee below for a compact way to codify ternary using nonary (base 9) and septemvigesimal (base 27). As for rational numbe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Octosyllable
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |